Tripartite Walz - Jef Penders

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Triple Cities - Getty H. Huffine

Note: This is a reprint from a vintage publication of 1930. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

Triple Threat - Michael Story

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Triple Trombones - Michel van Delft

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Tripoli Temple March - Charles L. Barnhouse

Triptiek - H. Strategier

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Triptych - Oliver Waespi

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Triptych - Tommy J. Fry

Since it?s introduction in 1975, Triptych has been a classic in band repertoire. This new edition, edited by composer Tommy Fry, includes a key signature and a full score that has been transposed for conductor use. Now this time-honored piece can be enjoyed by band musicians for generations to come. THIS PIECE IS NOT GOING TO BE INCLUDED IN THIS YEAR'S RELEASE. fashion, the brilliant fanfare-like outer sections frame a slower middle portion, which is in the style of a modal waltz. The scoring offeriptych is brilliant and idiomatic. This Classic Band edition has corrected parts and a larger, more readable full score. Duration: 8'

Triptychon - Johan de Meij

Finnish painter Akseli Gallen-Kallela (1865 - 1931) painted his famous Aino Triptych in 1891, with his own wife Mary as the model. It is inspired by the Kalevala, the Finnish national epic and depicts the story on three panels: The left one is about the first encounter of Vinminen and Aino in the forest. The right one depicts mournful Aino weeping on the shore and listening to the call of the mermaids of Vellamo who are playing in the water. The central panel depicts fishing Vinminen having thrown away a small fish, which turns out to be Aino, who laughs at him and vanishes forever.

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Tripwire - Jarod Hall

Now in ColorFlex format for groups with limited instrumentation! Tripwire is an incredibly clever work unlike anything out there and offers some extraordinary colors as a spy attempts to infiltrate enemy defenses. From the sneaky beginning melody to the loud and raucous rips that follow later on, this is an incredible change of pace for any concert! A fantastic and highly entertaining work by JaRod Hall! (3:00)About ColorFlexConductors no longer need to choose between function and texture! Ensembles with instrumentation challenges still have numerous options to cover all parts, yet orchestration is elevated significantly to be faithful to the composer's original intent. Musicians have more opportunities to rest, and timbre once again becomes a central element of each work. So go ahead and have the best of both worlds: flexible and colorful.