The Miner's Saga - Otto M. Schwarz

This programmatic piece is about a simple miner by the name of Gottlieb Bumler and his pact with the devil. In the program note one can follow each step of the story so you can almost hear the events as if they were happening in front of you! This cinematic piece is full of sound effects, great brass sequences, solid percussion and virtuosic winds. An ideal piece for a thematic concert, or a challenging choice for a contest. This programmatic piece is about a simple miner by the name of Gottlieb Bumler and his pact with the devil. In the program note one can follow each step of the story so you can almost hear the events as if they were happening in front of you! Thiscinematic piece is full of sound effects, great brass sequences, solid percussion and virtuosic winds. An ideal piece for a thematic concert, or a challenging choice for a contest.

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The Minnesota March - John Philip Sousa

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The Minstrel Boy (from the Irish Suite)

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The Minstrel King - Norton

The Miracle - Bert Appermont

This work was inspired by the 3rd/4th century legend of Margaret of Antioch. Margaret was very devout, and lived as a shepherdess in the countryside. When the city prefect Olybrius proposed to her, on the condition that she would give up her faith, she refused and was eventually put to death. To evoke the archaic early-medieval atmosphere, Bert Appermont has used two Gregorian Kyries. In addition, influences from old music (such as old modes and parallel fifths) and Carl Orff's work are present. This four movement piece is an epic symphonic poem-like work with an incredible expressiveness and is ideal for a thematic concert or a contest.

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The Miracle - Charles L. Barnhouse

The Mission - Ennio Morricone

The Missouri Bandman - Karl L. King

Note: This is a reprint from a vintage publication of 1929.If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

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The Monarch - Sanglear

The Monster Under the Bed - Robert Sheldon

What child hasn't imagined frightening creatures lurking in their rooms at bedtime? This imaginative and delightful composition helps to put a more comical and friendly face on this monster, employing a jaunty melody, whole-tone harmonies, and the use of sound-tubes that produce an eerie and "monstrous" sound when whirled over the head. This is sure to be a hit with players and audience alike. The perfect novelty for any concert, and even more so if your concert is in late October! (2:15)

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