Menuet Du Bourgeois Gentilhomme - Jean-Baptiste Lully

Menuet from Berenice - Georg Friedrich Händel

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Menuet Pompeux - Emmanuel Chabrier

Menuet Pour Maddy - Mickey Nicolas

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Menuet sur le nom d'Haydn - Alfredo Ravel

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Menuet Uit de 39E Symphonie (u - Wolfgang Amadeus Mozart

Menuetto - Franz Joseph Haydn

Joseph Haydn's music is beloved worldwide as the very best of the Classical era. Of his "London" Symphonies, the Symphony No. 104 is perhaps the most famous, and the delightful "Menuetto" movement is now available for flexible instrumentation bands in the Barnhouse "Build-A-Band" series. Requiring as few as five players, this charming work from the orchestral world will be a highlight of any band concert program. Great music!

Menuetto - Wolfgang Amadeus Mozart

A forceful brass introduction followed by a playfully lyric woodwind statement opens this arrangement for concert band of the third movement to Mozart's famous "Symphony No. 35." While remaining true to the original orchestral version, this arrangement maintains modest range and technical demands on the student musician. The "Menuetto from Symphony No. 35" is an appropriate choice for developing bands as well as more mature ensembles and would make an excellent concert or contest selection. Don't miss this opportunity for your students to perform music composed during the classical style period by one of the masters.

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Menuetto from Symphony No. 40 in G Minor, K 500 - Wolfgang Amadeus Mozart

With the 250th anniversary of Mozart's birth quickly approaching, you will want to take a look at this arrangement by Robert Longfield. This classical minuet comes from the third movement of Mozart's Symphony No. 40, considered by many to be one of his greatest masterpieces. With this transcription, you can finally bring this work to life with your concert band!

Meramec Rhapsody - Claude T. Smith

This work is a commission by the Missouri Bandmasters Association to honor the 50th Anniversary of the MMEA. From the opening melody stated by unison flutes, 1st clarinet and 1st trumpet, the work quickly starts through a development of that melody that only this composer does so well. The writing is very "rubato" chorale style often interrupted with short allegro sections but always returning to the opening statement. There is a short flute solo passage as well as a very fluent alto sax solo. A dramatic piece that bands will enjoy playing for years to come.