Marcha por el Funeral del Seor Rana - Leroy Osmon

Marcha por el Funeral del Seor Rana by Leroy Osmon is from a set of Three Marches for Stan Mauldin. Scored for concert band.

Marchalade - Peter Riedemann

Marchalade is a straightforward, refreshing new march by Peter Riedemann. Following a compelling introduction, the descant presents a light, playful theme, which is repeated with a legato countermelody in the tenor register. The second reprise is characterized by the alternation of descant and bass. The trio part is initially played cantabile, followed by a bold marcato repetition.

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Marche - Georg Friedrich Händel

Marche a Suivre, Batterie Fanfare - Nicolas

Marche alla Turka - Wolfgang Amadeus Mozart

Marche Alsacienne - Nortiz-Vermet

Marche Americana - Søren Hyldgaard

Marche Americana owes a great deal to those heroic movie marches by composers in the like of John Williams, Elmer Bernstein, Alfred Newman, and others. In fact, you could say that it is a brash film theme looking for a home in,say, another Great Escape, Patton, or 1941.

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Marche Apotheose - Guillaume Balay

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Marche au Supplice - Hector Berlioz

Hector Berlioz (1803-1869) once remarked: "My life is a novel that greatly interests me." Experiences in his personal life had a great influence on his compositions. Symphonie Fantastique, written in 1830, is also autobiographical: he subtitled the work Episode in the Life of an Artist. The symphony echoes his feelings for an actress. The Marche au Supplice (march into torture) he described as: "The artist dreams he has killed his beloved, that he has been sentenced to death and is being led to the scaffold. The procession moves to the notes of a march that is now sombre and turbulent, now radiant and stately, and in which boisterous outbursts suddenly dissolve intothe heavy sound of marching feet."

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Marche aux Flambeaux - Giacomo Meyerbeer