National Emblem

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National Emblem - Edwin Eugene Bagley

One of the greatest marches of all time, this rousing epitome of band marches belongs in every good band library. Published for the first time in concert size and edited by Frederick Fennell, this march is perfect for contest, concert, or any occasion that calls for a good, solid, well known and loved march.

National Emblem (March) - Edwin Eugene Bagley

This famous march has been played for generations, and Andrew's excellent arrangement makes it accessible to younger groups. A recommended march for this level, and one that your audience will be whistling all the way home. (Grade 2 1/2)

National Emblem March - E.E. Bagley

This classic march was written on a train in 1902 and has been an extremely popular concert favorite ever since. John Philip Sousa once referred to it as one of the three most effective street marches ever written, and Frederick Fennell called the piece "as perfect as a march can be." It still remains one of the best-known marches today, and this exceptional setting for young bands will allow developing groups to perform it effectively with great success.

National Guard March - Bedrich Smetana

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National Spirit - S. E. Hummel

This clever old march has been brought back in an accessible grade 3 by arranger Van B. Ragsdale. Uniquely including a chorale in the middle of this march, National Spirit is a must have for your march library!

National Treasure - Trevor Rabin

National Treasure Book Of Secret - Trevor Rabin

Nativitas! Fantasy on Perotin's 12th Century Allel - Don Freund

A fantasy on the 3-voice organum Alleluia: Nativitas composed by the 12th century master, Perotin. The work uses great blocks of Perotin's polyphony, juxtaposed and superimposed at multiple tempos and embroidered with some new materials echoing the Gothic style. The work was originally written for the North Hills High School Band.

Nativity - James Curnow

Tender and expressive! Two of the most popular settings of the Away in a Manger text give the audience pause to reflect on the meaning of the season. This is one of those beautiful arrangements that is a worthwhile endeavor for bands at every level of ability. Younger groups can work on shaping phrases, balancing chords, blending the ensemble and so much more, while advanced groups have the mastery to explore their own deeply expressive and freely conducted interpretation. For groups in the middle, remember, it's always good to include a performance piece that does not require too much "note chasing" so the subtler aspects of the musical art can be examined and reinforced.Charming!

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