Mandrgora - Luís Cardoso

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Manemannen - The man in the moon - Vamp

Mangroove - Jérôme Naulais

Manha De Carnaval - Luiz Bonfa

Manhattan - Philip Sparke

Version for Concert BandManhattan was commissioned by the United States Army Band for their solo cornet player Woodrow English and first performed by them in Carnegie Hall, New York, in November 2003. The two-movement work demonstrates both the lyrical and technical abilities of this outstanding player. The 'theme' is a weekend in New York and the opening bluesy movement, Saturday Serenade, describes the city on a Saturday night. While writing the second movement, Sunday Scherzo, the composer pictured an early morning jog in Central Park. This vivaciously rhythmic second movement ends with an even quicker coda bringing the work to a brilliant close. Eachmovement can also be played individually when a shorter solo is required.

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Manhattan Adventure - Douglas Court

The sparkle and vitality of The Big Apple! Scintillating rhythms and captivating melodies are inescapable in Douglas Court's delightful homage to New York City. Your band will love the vitality and excitement of this work. It really moves! Shifting tonalities amplify the energy of Broadway, Times Square, Wall Street, and buildings that touch the sky. The hustle and bustle of the Big Apple is beautifully portrayed in Manhattan Adventure.

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Manhattan Beach - John Philip Sousa

Contorno's special arrangements of Sousa marches for young band have been very good sellers. This is one of Sousa's most performed works, and will work perfect with your young band, check out "Manhattan Beach!

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Manhattan Kaboul - Sechan Bucolo

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Manhattan Koboul - Sechan Bucolo

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Manhattan Pictures - Jan Van der Roost

In this colourful composition, Jan van der Roost recreates the energetic and multi-racial city life in Manhattan, using four contrasting movements. The opening movement is rather short and rhytmical. In the second "Picture", a variety of musical entities accumulate into a coloured "sound curtain", on top of which the brass section presents a broad theme. In contrast to the two previous movements, the third movement is exremely quiet, featuring the first flute, clarinet an oboe in broad melodies. Again, the orchestration plays an essential role. Following on a majestic "tutti" (almost "movie-like....) the serenity of the very beginning reappears. Finally, the nervousness anddynamic style of the two first movements come back in an exciting apotheosis with rich and sometimes surprising instrumentation which explores the multiple possibilities of the large symphonic wind band to the full.

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