Moto Perpetuo (3 Trumpets Solo) - Niccolò Paganini

Moto Perpetuo (Clarinet Solo) - Niccolò Paganini

Motown Forever

Motown Records is responsible for some of the most remembered and cherished songs in all of popular music. Here is a medley of hits from some of Motown's biggest names including Stop! In The Name Of Love (Diana Ross and the Supremes), I'll Be There (The Jackson 5), and Shop Around (Smokey Robinson & the Miracles). This one will be popular with audiences of all ages.

Motown Revue

With this year's 40th anniversary of Motown and its rich history of American popular music, here's a musical tribute that includes three classic hits: I Heard It Through The Grapevine (Marvin Gaye), My Girl (The Temptations), and ABC (The Jackson Five).

Motown Story

Motown is much more than a record company. From its humble beginnings in 1959, it has become a sound, a style, a whole movement. Founder Berry Gordy, Jr. had no idea what lay ahead over the following decades as he began producing records with the likes of The Jackson 5, Marvin Gaye, Diana Ross, Stevie Wonder, Lionel Richie, and many others. Motown Story is a tribute to the unique Motown-sound and contains optional parts for piano/keyboard and the electric or bass guitar. This medley features: ABC (The Jackson 5), Stop in the Name of Love (The Supremes), I Heard It through the Grapevine (Marvin Gaye) and Dancing in the Street (Martha Reeves & The Vandellas).

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Motus Agni - Patrick H. Hahn

Moulin Rouge

Moulin Rouge - Georges Auric

Moulin Rouge - Julian Oliver

Mount Everest - Kees Vlak

This composition basically consists of three fragments and an epilogue (conclusion):1) Plateaux, 2) Sherpas, 3) Climb. The piece starts with a musical depiction of the deserted plateauxs and mountain peaks of the Himalayas. The mysteriousness of theTibetan country was caused by its inaccessibility to other nations. One even believed that there was a paradise behind the huge mountains; the land of Shangra La. 1) After the sound of a gong, the Asian-like theme arises extremely softly from thedecay of the percussion. In bars 4 and 5 the syllables of Hi-ma-la-ya echo. Then a second theme appears; it symbolises the enchantment of the mountaineers by seeing the Mount Everest. 2) Eastern percussion, very evenly without emotion, sound from thedeserted village of the sherpas. The phrasing is prescribed by the number 'three'. From measure 56 Tibetian monks sing a chant, also with the religious background of the number 'three'. 3) The third part starts of with the sight of the giant MountEverest with an entirely new theme, that is played impressively by the strong low brass instruments of the band, immediately followed by the excited big climbing. The many surprises are depicted by the changing time signatures. Two themes are inconstant battle; the binary Himalaya theme and the ternary Mount Everest theme. Only once there is a steely composure. The registers in which the piece is played increase. The tension rises...Then the peak is reached. A long pause follows before onerealises that one is on top of the world. Slowly the emotions of joy grow and lead to an enormous climax. The first enchanted theme sounds again in total glory.