King Of Kings - Miklos Rozsa

King of Level Cross - Michael Oare

The title for this thrilling work for young players comes from the small rural town of Level Cross, North Carolina, which is home to one of America's sports royal families: the legendary racing Petty family. Using the 'King ofNASCAR' as motivation for the work, The King of Level Cross combines the imagery of medieval knights and royalty with the thrill of stock car racing - including a victory lap at the end of the piece! Dur: 2:25

King Of Pop - Jackson

King of Spades - Brooke

King of Terror - Chambers

King Of Terror - W. Paris Chambers

William Paris Chambers (November 1, 1854 - November 13, 1913) was an American composer, cornet soloist and bandmaster who wrote several cornet solos and nearly 90 marches. His most famous marches are Chicago Tribune, The Boys of the Old Brigade, Hostrausers, Northwind and Revelation. The King of Terror March was published by J.W. Pepper in 1882. Its title is thought to be inspired by a carnival or midway attraction. The march is fast and furious, with all the drama and ferocity thats reflected in its name. Although one of his earlier marches, King of Terror contains all of the characteristics of Chambers famous bravura band writing.

King of the Deep, Mystic Dance - Herbert L. Clarke

King of the Night - George D. Barnard

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King Of The Sea - Terje Formoe

Captain Sabertooth's performances and music have been a part of children's lives since the character was created in 1989. Since then countless theatrical performances have been staged, mainly in Kjuttaviga in Kristiansand Zoo. Cartoons, movies, CDs and DVDs with content from the pirate world of Captain Sabertooth have also been produced. The song King of the Sea is taken from the TV series also named King of the Sea produced by The Norwegian Bradcasting Corporation.

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King of the Winds - J. S. Taylor

Note: This is a reprint from a vintage publication of 1903. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.