Pride of Arizona - Karl L. King

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Pride of Pittsburgh - John Philip Sousa

Sousa's unique and never-before published concert "grand march" was composed as a tribute to two other popular American composers, Stephen Foster and Ethelbert Nevin. Along with an original Sousa march theme it includes Foster's "Come Where My Love Lies Dreaming" and Nevin's still widely familiar tune "Narcissus." All three of the melodies: Sousa, Foster and Nevin, combine in multi-layered splendor for the riotous finale.

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Pride of the Cadets - Joseph Compello

Pride of the Cadets is a stunningly easy, yet effective little march for the youngest of students. Joseph Compello draws on his incredible wealth of experience teaching beginners to continually write excellent pieces for these students. Get them started out right by learning the march style and they'll sound like a million bucks at their very first concert!

Pride of the Fleet - James L. Hosay

James L. Hosay is Americas most gifted and prolific writer of patriotic music for the concert band, works his magic once again in this thrilling composition. It's a challenging but accessible piece that keeps all the players involved with delightful parts to play. Mr. Hosay writes great F Horn parts! Directors who have strong F Horn sections often have a hard time finding music that lets that section be heard the way it should be.

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Pride of the Marines - Edwards

Pride of the Third - Worrell

Note: This is a reprint from a vintage publication of 1901. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Due to the era of this work, saxophone parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

Prillar&Halling - for Solo Clarinet and Wind Band - Stig Nordhagen

Prillar has it's origin from Norwegian folklorist music. It's a way of calling and singing the cattle home from the fields. Halling is a wellknown folk dance from the valleys in the eastern part of Norway. In this work, the clarinet use the prillar to get the other musicians to join in. The melodic material in Prillar and Halling hasn't got all the sound of Norwegian folklore exclusively. You can also hear folkloric music from other nations. The idea is to show the similarities between these and also the small differences there are between folkloristic elements from a large area. The piece also contains the folk tune "Adam in paradise", from south of Norway. At the end, thetunes are stacked on top of each other, and the similarities of origin turns out. - Stig Nordhagen -

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Prima Donna - Victor Herbert

Prima Luce - Jan Van der Roost

Prima Luce (First Light) was commisioned by the Holy Angels Elementary School located in Aurora (USA). The name of the town (which means dawn), the town's great religious history and the fact that this town was one of the first in the USA to have streetlights were the inspiration for this Gregorian influenced atmospheric composition.

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Prima Rock - Ed Huckeby