Forget Me Not, O Lord - Johann Sebastian Bach

An excellent example of Bach as a song writer. Taken from a volume of sacred songs published in 1736, Bach identifies it as an aria, not as a chorale, and must have thought of it as a lyrical melody to be sung in concert rather than as four square chorale.

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Forget You

Originally recorded by Cee Lo Green and made even more popular thanks to Gwyneth Paltrow and the cast of Glee, this is an entertaining and solid arrangement for very young players.

Forget You - Ari Levine

Michael Brown's arrangement of Forget You for Concert Band. Recorded by Cee Lo Green (and also sung by Gwyneth Paltrow on Glee), this infectious tune is written in a style reminiscent of '60s Motown. Smartly scored for the entire band, this one is easy to learn and fun to play.

Forget-Me-Not Reverie - Hazel

Forging Destiny - Matthew R. Putnam

Composer Matthew R. Putnam has a way of making a melody stick with you long after the performance is done and the tunes within Forging Destiny are no different. Wonderful writing will have your band sounding its best in any setting.

Forgiveness - Joseph Curiale

Forgotten Dreams - Leroy Anderson

FORGOTTEN DREAMS was completed on May 28, 1954. The first performance was a few days later on June 2nd during a recording session for Delta Records in New York, at which time Leroy Anderson performed the piano solo himself. Although the main theme of FORGOTTEN DREAMS was intended to be played on the piano (and with simplicity), the composer_x001A_s band edition of the piece allowed for a solo flute to substitute (Play only in absence of Piano). It is also suggested the melody might be beautifully rendered on vibraphone due to the sustaining quality of that instrument. In any event, this charmingly romantic miniature will delight audiences whenever it is performed. This edition includes a full score.

Forgotten Heroes - Jeremy Bell

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Forgotten Heroes - Nigel Clarke

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Forgotten Tales of the West - Adrian B. Sims

Now in ColorFlex format for groups with limited instrumentation! This powerful work pays tribute to the many battles fought between the Native Americans and Europeans. Forgotten Tales of the West moves between Native American-influenced themes and western harmonies before adapting into an amalgamation of the two. Incredible writing by Adrian B. Sims, who was a teenager when he composed this piece! (4:15)About ColorFlexConductors no longer need to choose between function and texture! Ensembles with instrumentation challenges still have numerous options to cover all parts, yet orchestration is elevated significantly to be faithful to the composer's original intent. Musicians have more opportunities to rest, and timbre once again becomes a central element of each work. So go ahead and have the best of both worlds: flexible and colorful.