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  • £65.00

    The TV Detectives (Concert Band - Score and Parts) - Hess, Nigel

    The TV Detectives brings together five of Nigel Hess's best-known television themes (Dangerfield, Campion, Wycliffe, Maigret and Hetty Wainthropp Investigates), all originally written for small-screen sleuths in whodunits that have been enjoyed by TV audiences worldwide.Dangerfield is a BBC series about a Warwickshire police surgeon, and originally starred Nigel le Vaillant, before Nigel Havers took over the lead role. Campion, also from the BBC, was based on Margery Allingham's stories of a mild-mannered 1920s gentleman detective, played by Peter Davison. Wycliffe was a long-running HTV series set in Cornwall and starred Jack Shepherd as a somewhat dour and low-key DCI - but, of course, he always solved the case! Michael Gambon starred in Granada TV's latest incarnation of the famous French detective Maigret, while Patricia Routledge played the OAP sleuth to perfection in Hetty Wainthropp Investigates, another popular BBC series. For the first time these popular tunes, which conjure up their programmes perfectly, have been arranged for wind band in a continuous suite.Duration: 8.00

    Estimated dispatch 7-14 working days
  • £95.00

    To the Stars! (Concert Band - Score and Parts) - Hess, Nigel

    The unusual combination of children's choir and symphonic wind band is wonderfully exciting, and To the Stars! provides an incomparable performing experience for both band and choir, and is also technically demanding and challenging. After a rousing introduction, we hear a countdown to our rocket's 'blast off', and suddenly we are heading out to the planets where we meet aliens with blue eyes and pink ears! After a brief but terrifying skirmish with a black hole we head off to a 'world of many wonders', and as we leave our solar system behind, the piece finishes with a spectacular shout of 'Fly with us - to the stars!'.Duration: 10.00

    Estimated dispatch 7-14 working days
  • £19.95

    TOCCATA IN BLUE (Programme Concert Band - Score only) - Stubbs, Duncan

    Toccata in Blue was originally written as a duet for 2 pianos, where the incessant movement and improvisatory element seemed particularly well suited. Built around some of the composers favourite blues chords, the piece was an ideal candidate for reworking for wind band. While the overall framework of the piece remains largely similar to the piano duet, the material has been thoroughly re-worked to suit the larger forces and particularly the invaluable addition of percussion.

    Estimated dispatch 7-14 working days

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  • £55.00

    Capriccio (Concert Band - Score and Parts) - Holst, Gustav - Boyd, John

    Holst composed this short, light-hearted but tuneful work in 1932, while on a visit to the USA, for Nathaniel Shilkret's concert jazz band. He was asked to use a folk tune but invented one of his own. The piece was not performed and remained in manuscript. This version for wind band was arranged by John Boyd with the approval of Imogen Holst. Duration: 5.00

    Estimated dispatch 7-14 working days

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  • £89.99

    A Festival Prelude (Concert Band - Score and Parts) - Reed, Alfred

    Composed in 1957, this masterpiece from the late Alfred Reed displays his characteristic style and total command of wind band orchestration. Composed using a single theme and two fanfare figures that are woven throughout, this concise work stands out as a true classic in the repertoire.Duration: 4:30

    Estimated dispatch 7-14 working days
  • £164.95

    Elgar Variations (Concert Band - Score and Parts) - Ellerby, Martin

    The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £32.95

    Elgar Variations (Concert Band - Score only) - Ellerby, Martin

    The year 2007 marked the 150th anniversary of the birth of the British composer Sir Edward Elgar (1857-1934) and as such I thought it an appropriate moment to write something in tribute to this event. There are quite a few enigmas about this piece and they are all intentional! First and foremost is that the variations are not constructed on any of Elgar's actual themes. Rather I have written a sequence of contrasting sections (all played without a break) on the essence and character of his musical style. I have also written this work with bands, the soloists within, conductors and, not least, their audience firmly in mind. The language is essentially tonal and the test musical rather than overtly technical. There are no tempo indications other than suggested metronome marks. I have deliberately kept things to a minimum as the true test here is to find the style and interpret that aspect over the whole structure. Whereas the faster sections are more or less self explanatory the slower parts require deliberate rubato and much feeling. This is for the conductors to discover and I encourage them to do so. Adjudicators should be fully aware that I sanction this aspect but it requires an insight and understanding to successfully execute so 'any old thing' will not suffice! The 'variation' commencing at rehearsal letter P is the emotional core of the piece and requires a passionate but not saccharine approach to pacing and sensuality. The cadenza type material is built into the process rather than being a separate sequence of entities. There are many allusions to the music of Elgar here without recourse to blatant pastiche - if it is thought of as a series of songs and dances this may help. The final comment is the dedication, after one of Elgar's own but subtly adjusted: to my friend pictured within - never to be revealed - now there's an enigma!- Martin EllerbyDuration: 14.00Recorded on Polyphonic QPRM155D Scenes from Childhood (Great British Music for Wind Band Vol.15), Royal Northern College of Music Wind Orchestra

    Estimated dispatch 7-14 working days

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  • £13.95

    Outrageous Fortune (Wind Band CD)

    1Outrageous FortuneNigel Clarke24.162 The Year of the DragonPhilip Sparke13.503AmphibiosityMartin Ellerby9.034Light MusicRob Wiffin12.17 A Little Symphony of English CarolsMartin Ellerby16.165i. Miniature Overture 1.37 6ii. Winter Ballad 2.537iii. Intermezzo 1.268iv. First Interlude 1.259v. Fireside Frolic 1.39 10vi. Second Interlude 2.4011vii. Reverie 2.25 12viii. Festive Finale 2.09

    Estimated dispatch 7-14 working days
  • £93.10

    Welcome! (Wind Band - Score and Parts) - Ringgenberg, Rudolf

    Fanfare and Hymn - a great concert opener.

    Estimated dispatch 7-14 working days

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  • £100.50

    Solid Gold Soul (Wind Band - Score and Parts) - Fernie, Alan

    Includes: Dancing in the Street; Midnight Hour; Proud Mary; Rescue Me; Land of a Thousand Dances; Mustang Sally.

    Estimated dispatch 7-14 working days

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