Results
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£76.99Moana, Selections from (Concert Band - Score and Parts) - Miranda, Lin-Manuel - Bocook, Jay
Disney's blockbuster animated film features catchy songs from the composer of Broadway's Hamilton, Lin-Manuel Miranda. Here's an entertaining medley for the concert stage that includes: How Far I'll Go, We Know the Way, Where You Are and You're Welcome.
Estimated dispatch 7-14 working days
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£55.00The Red Sled (Concert Band - Score and Parts) - Fossa, Salvio
We invite your band to experience the wistful wonder of a snow day sleigh ride with this delightful music. "The Red Sled" recounts the exhilaration of every child's first ride down a snowy hill, from the plodding climb up to the dashing and dangerous descent. Simple grace notes for the flutes, percussion features, and trombone glisses are just some of the unique features of this very accessible work that will assuredly be a winter favorite. Duration: 2.10
Estimated dispatch 7-14 working days
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£57.50Moana, Highlights from (Flexible Ensemble - Score and Parts) - Miranda, Lin-Manuel - Vinson, Johnnie
Skilfully arranged for flexible or incomplete instrumentation, here is an entertaining medley that features catchy songs from the composer of Broadway's Hamilton, Lin-Manuel Miranda. Includes: Where You Are, How Far I'll Go, You're Welcome and We Know the Way.
Estimated dispatch 7-14 working days
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£53.95Shadows Unseen (Concert Band - Score and Parts) - Stalter, Todd
Composed using modified student-submitted melodic examples and ideas, this is a uniquely collaborative work evoking the darkness of the shadows we sometimes keep to ourselves. The piece ends optimistically, reminding us that shadows are small compared to the light around them. Duration: 3:45
Estimated dispatch 7-14 working days
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£144.99Red Mountain (Concert Band - Score and Parts) - Jeanbourquin, Marc
We all set ourselves certain goals in life, some of which can be compared to mountains and are not always easy to reach. Red Mountain depicts these moments, variously strewn with doubts, confidence, calm and emotions. Duration: 9.15
Estimated dispatch 7-14 working days
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£89.95Variations on 'Laudate Dominum' (Concert Band - Score and Parts) - Gregson, Edward - Wiffin, Rob
The theme is a noble hymn tune by Sir Hubert H. Parry, associated with the words 'O praise ye the Lord'. There are seven contrasting variations that will provide much interest to the player as well as the listener, the seventh of which is a fugato which leads into a triumphant finale where the theme is heard for the first time in its completion. This, we feel, will be a significant work for Wind Band as it has been for the brass band movement.
Estimated dispatch 7-14 working days
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£17.95
Variations on 'Laudate Dominum' (Concert Band - Score Only) - Gregson, Edward - Wiffin, Rob
The theme is a noble hymn tune by Sir Hubert H. Parry, associated with the words 'O praise ye the Lord'. There are seven contrasting variations that will provide much interest to the player as well as the listener, the seventh of which is a fugato which leads into a triumphant finale where the theme is heard for the first time in its completion. This, we feel, will be a significant work for Wind Band as it has been for the brass band movement.
Estimated dispatch 7-14 working days
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£60.50A Winter Celebration (Concert Band - Score and Parts) - Story, Michael
Open or close your winter concert with this medley of three well-known holiday carols. Containing "Deck the Halls," "The First Noel," and "We Wish You a Merry Christmas," each of the songs are set in a contrasting style and key. A reverent and joyous addition to every holiday program.Duration: 3:30
Estimated dispatch 7-14 working days
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£32.95Trombone Concerto (Trombone Solo with Concert Band - Score only) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
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£164.95
Trombone Concerto (Trombone Solo with Concert Band - Score and Parts) - Wiffin, Rob
The composer writes:My Trombone Concerto was commissioned by Brett Baker following an earlier piece I had written for him called Shout. The concerto was composed in Spain the summer of 2010. Once I started writing I realised this concerto was, inevitably, going to draw on my own experiences as a trombone player.The first movement was really a matter of getting the right thematic ideas and balancing the tutti and solo passages so, for formal structure, I studied the Gordon Jacob Trombone Concerto. There is a lyrical section preceding the first Allegro that owes much in spirit (but not the actual music) to The Eternal Quest, Ray Steadman-Allen's Salvation Army solo.The slow movement seemed determined to come out in the vein of a Richard Strauss song. I wanted to write ineluctably cantabile as we trombone players rarely get a chance to play the melody! There is a brief allusion to that wonderful moment when the trombone gets to sing above the orchestra in Sibelius' seventh symphony. Arthur Wilson (my teacher at college) died in the summer of 2010 so it seemed appropriate to dedicate this movement to him.The last movement is the lightest of the three in style and is slightly jazz-inflected, hopefully providing some fun for the soloist.While wanting to test the instrument, I did not set out with the intention of making the concerto difficult but there are undoubtedly challenges of technique, range and style to be met by the soloist.Recorded on Polyphonic CD QPRM161D Roman TrilogyDuration: 19:30
Estimated dispatch 7-14 working days
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