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£69.99
Along Came the Cowboys - Stephen Bulla
Spirited rhythmic underpinnings support three great Old West songs in Stephen Bulla's ALONG CAME THE COWBOYS. You'll find a bonanza of great teaching tools in this Western extravaganza: phrase extensions, style contrasts, dynamic and articulation considerations, rhythmic counterpoint, and much more. Your young musicians will really enjoy playing music that employs the types of mechanisms standardized by decades of cowboy movie underscoring. This is something your students can definitely get into! What a great supporting assignment to have your students try to find examples of comparable musical treatments on their movie videos and DVDs.Head 'em up! Move 'em out!
Estimated dispatch 7-14 working days
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£94.99
When the morning stars sang - James Curnow
At times intimate and reflective, at times boisterous and unrelenting, this uplifting new work by James Curnow was inspired by the biblical story of Job and his "never give up" attitude. The old spiritual Balm in Gilead is incorporated as the piece takes us through tribulation and solace, turmoil and relief. The full spectrum of orchestration from rich, dark Brasses to flashing Woodwinds, and some small solo recitatives create contrast in density as well as mood. There is a great deal to appreciate in the scoring and construction of this piece as you prepare for performance.
Estimated dispatch 7-14 working days
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£79.99Joyride - Timothy Johnson
What fun you'll have with this descriptive tone picture by Timothy Johnson! All kinds of creative rhythmic and orchestration effects bring the old Model T to life once again. Young musicians will revel in the fun of interpreting this joyous look at the "old days." It's a perfect contrast to lighten up your concert and refresh the audience. There's also plenty to teach in the realm of style, articulation, phrasing, and much more, let alone the opportunity for cross-curricular teaching in U.S. history. It makes learning fun.
Estimated dispatch 7-14 working days
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£79.99Sailing - Virginia Allen
This charming A-B-A form tone poem takes us on a memorable pleasure sailboat ride on the Chesapeake. Skillful scoring and natural melodies make sure this piece will show your group well on the concert stage. After a calm opening, the contrasting detached middle section of the piece sparkles as you feel the gentle breeze pick up to push the boat along on a joyously exciting cruise. Pleasing to play and pleasant to hear, you'll want to add Virginia Allen's Sailing to your music library right away.
Estimated dispatch 7-14 working days
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£134.99
The Enemy God and the Dance of the Spirits - Sergei Prokofiev
The Russian ballet director Sergei Diaghilev commissioned many composers to write music for the theatre. This was what caused Serge Prokofiev to compose the four part Scytische Suite (also known as Ala and Lolli) in 1916, from which The Enemy God and the Dance of the Spirits can be heard on this CD. This suite is one of Prokofiev's first works, and received negative criticism following its first performance on account of its being "uncivilised". Prokofiev himself wrote after this first performance ". . . The timpani player beat the skin of the timpani to tatters, and the whole orchestra voiced a protest. A cellist complained that he only put up with the violence, createdby the blaring brass, on account of his sick wife and three children . . .".
Estimated dispatch 7-14 working days
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£154.99Symphonic Variations - Jacob de Haan
This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to amusical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.
Estimated dispatch 7-14 working days
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£204.99
The Titanic Saga - Piet Swerts
Following the spectacular movie Titanic, the story of the world famous ship stood in the spotlights once again. Piet Swerts was inspired by this catastrophic saga to compose this beautifully narrative piece, reflecting the masses of people in Southampton, playing children and the undulating sea. The piece gradually picks up impetuously culminating with the looming iceberg and the dramatic sinking of the Titanic.
Estimated dispatch 7-14 working days
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£109.99
From Russia with Love
A characteristic of many Russian folksongs is the emotion that they contain - sometimes exceptionally fierce, sometimes, in contrast, resigned and melancholic. This makes the music captivating and gives it its special, distinctive atmosphere. The same can also be said for From Russia with Love, in which Roland Kernen has made use of three beautiful Russian love songs. In the cheerful and stirring Kalinka, the singer tells of a girl whom he fell head over heals in love with, so much so that she is always on his mind. Lutshje Bulo is the story of a man who wants to break up with his girlfriend and in Otschi Tschornije attention is focused on a dangerous woman who can seduce many menwith her piercing black eyes.
Estimated dispatch 7-14 working days
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£69.99Ad Fontis - Harm Evers
The Latin title Ad Fontis means ?to the source?. This lively march in 2/4time follows traditional forms of march composition with a cheerfulopening followed by a somewhat more lyrical trio. This ceremonialgenre of old is often used in the army to keep up the morale of thetroops, however a march can also serve perfectly well to add luster toany concert and bring immense pleasure to the audience.
Estimated dispatch 7-14 working days
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£332.99Cantica de Sancto Benedicto - Jacob de Haan
Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, whereBenedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements ofCantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the othertexts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the threemovements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor:For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never soundstogether with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensionalperformance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir couldalso sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately.
Estimated dispatch 7-14 working days
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