Results
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£79.99Nexus - James Curnow
The word nexus is defined as a tie or link between people and events. Nexus for solo trumpet and band includes several links between composer James Curnow and educator Alfred Watkins, to whom the work is dedicated. A well-knowntheme (particularly to Mr. Watkins' students) is drawn upon as the piece utilizes two primary musical settings - an energetic and agile scherzo that appears in the beginning and again at the end, contrasted with an expressiveballad theme. The soloist at the premiere (and on the recording) is Christopher Watkins, Alfred's son. This is a well-crafted and rewarding work for soloist and band alike. Dur: 6:00 (Recorded by the University of Alabama atBirmingham Wind Symphony - Dr. Sue Samuels, conductor. Christopher Watkins, trumpet soloist.) Also available for trumpet with piano reduction - HL00231702.
Estimated dispatch 7-14 working days
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£13.95MYSTERIES OF THE HORIZON (Royal Northern College of Music Wind Orchestra) (Wind Band CD)
Great British Music for Wind Band Vol.21. Royal Northern College of Music Wind Orchestra. Conductors: Clark Rundell, Mark Heron & Jeffrey Mathews. Special Guest Soloist: Brendan Ball (Trumpet)MAJESTY (Rob Wiffin) 3:29 (A Little Ceremonial Music No.1)A MAN FOR ALL SEASONS (Martin Ellerby) 13:00Parts 1: Spring Steps (4:32)Part 2: Winter Tales/Autumn Memories (5:25)Part 3 Indian Summer (3:03)TOCCATA IN BLUE Duncan Stubbs (4:08)MYSTERIES OF THE HORIZON Nigel Clarke 21:05(Concerto for Trumpet and Wind Orchestra - Solo Trumpet: Brendan Ball)1. The Menace Assasin (6:29)2. The Dominion of Light (2.15)3 The Flavour of Tears (6:31)4. The Discovery of Fire (5:5)A STAR DANCED (Y Seren Delawns) (Nichola Renshaw) 5:54CLOUD DRIFT (Rob Wiffin) 4:14Solo Bassoon: Andres Yauri AndoquiaWATERLOO 200 (A Commemorative Suite) (Martin Ellerby) 16:311. Overture: Return of the Emperor (3:13)2. Intermezzo: At the Duchess of Richmond's Ball (2:39)3. Scenario: On the Field of Waterloo (7:17)4. Finale: Thine Be the Glory (3:22)
Estimated dispatch 7-14 working days
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£159.99Resurrection - Kevin Houben
"Man wird mit Keulen zu Boden geschlagen und dann auf Engelsfittichen zu den hchsten Hhen gehoben." (Mahler over zijn 2de symfonie "Wederopstanding", Juli 1894)*"You are clubbed to the ground and then lifted to the highest heights on angels' wings"Commissioned by and dedicated to Concertband Maasmechelen (BE), conducted by Mark Prils.Kevin Houben was inspired for this work by Gustav Mahler's 2nd symphony, better known as the Resurrection symphony.The work can be regarded as a Ma(h)lerei of various compositional and spherical elements that refer to the Austrian composer but that appear in this composition in an embedded, contemporary way.As Mahler often drew his inspiration from nature, the opening of this piece brings nature right to the audience. The work starts with a solo for alto flute accompanied by a pedal note in four octaves with harmonic responses echoing the solo.From the start, Kevin Houben provides Mahler's material with a contemporary touch. He replaces the nature sounds that Mahler uses (perfect fourth) with tritone intervals. The off stage trumpet signals have been preserved but are provided with a new accompaniment. Gradually, throughout the work, the orchestra undergoes its own independent development. Mahler's musical signature remains recognizable, but Kevin Houben allows it - e.g. through the use of various timbres - to flourish in a more modern musical idiom, which characterizes numerous contemporary compositions for wind band (cfr. Where Angels Fly).The work comes to a grandiose end with a passage of the famous chorale from Mahler's 2nd symphony. The rich orchestration of this chorale gives the listener the illusion of the presence of a choir and organ without actually using them.In Resurrection, each instrument group comes into its own: in solo fragments, in transparent thematic passages or in splendid tuttis. Therefore, the work forms an interesting challenge for a wind band on several levels, both technically and melodically - the latter due to the long suspenseful melodic phrases that the musical structure requires.The piece is accessible to a wide audience and can be regarded as an enrichment for any concert programme. Resurrection takes the audience through various atmospheres and experiences: from stunning to chilling, from calming to delighting...Die Musik muss immer ein Sehnen enthalten, ein Sehnen ber die Dinge dieser Welt hinaus." (Gustav Mahler, 1860-1911)"Music must always involve a longing, a yearning beyond the things of this world."
Estimated dispatch 7-14 working days
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£78.99Latin Sun - Jutras
A melodic solo for either Alto Sax or Trumpet (it would also sound great on flugelhorn) with band. The solo parts are medium in difficulty and the band parts are slightly easier. Originally written to be performed as a second movement to "Daydreams", this writers earlier solo with band piece which has proven so popular. Excellent program material for you to show off one of your best students or to use when you bring in a guest soloist. This is very nice!
Estimated dispatch 7-14 working days
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£104.99Sugar Blues - Clarence Williams
Imagine yourself in a smoky pub with all the joys that entails. A nice jazzy solo puts you in the mood. This Sugar blues dates from the thirties and is a classic in the jazz scene. A wonderful solo in this case, a saxophone, but also for other instruments such as clarinet, trumpet or trombone (there are different transpositions of the solo part included).
Estimated dispatch 7-14 working days
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£72.99The Carnival of Venice (Fantasie and Variations) - Julius Benedict
Solo Feature for Flute, Trumpet, Trombone, Baritone B.C., Tuba B.C., or Xylophone One of the best-known solo vehicles ever written is now available for younger players in this skillfully crafted setting by Johnnie Vinson. Withseveral options for the featured instrument, this is a great way to showcase standout players year after year. (solo grade 4, band grade 3)
Estimated dispatch 7-14 working days
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£64.35Latin Sun
A melodic solo for either Alto Sax or Trumpet (it would also sound great on flugelhorn) with band. The solo parts are medium in difficulty and the band parts are slightly easier. Originally written to be performed as a second movement to "Daydreams", this writers earlier solo with band piece which has proven so popular. Excellent program material for you to show off one of your best students or to use when you bring in a guest soloist. This is very nice!
Estimated dispatch 7-14 working days
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£184.95PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score and Parts) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£44.95
PARTITA for Concert Band (Darrol Barry) (Prestige Concert Band - Score only) - Barry, Darrol
This work is cast in four movements: Introit; Impromptu; Elegy (31.12.04); Finale. Grade 5. (Recorded on QPRM150D, CHIVALRY, Royal Northern College of Music Wind Orchestra) PARTITA FOR CONCERT BAND is cast in four movements: Introit - begins majestically with brass, saxes and percussion carrying the main theme from which most of the following ideas originate. It is repeated by the woodwinds and moves via a solo side drum into the piu mosso. New ideas are introduced by trombones, the horns and euphoniums leading to the central idea played by oboe. This leads, in turn, via full band to the closing movement. 2. Impromptu -once again the opening theme is the basis of the whole movement, using most of the composer's tricks, augmentation, retrograde, inversion and fugato, it moves along in a very confident style. A muted solo trumpet links into the third movement. Elegy (26/12/04) - this movement was prompted by the devastating events of Boxing Day 2004, the Asian Tsunami. The movement opens bleakly until a solo flute gives us the main theme over a troubled accompaniment. The opening mood returns but timpani and tam-tam herald return of the main theme for the full band. The opening theme is heard again as the music subsides but never settles. Finale - this spirited 6/8 vivo opens up with percussion and horns and trumpets announce the main idea, punctuated with short chords from the lower band. A new four bar theme is heard over a bass tread, the theme overlaps itself and quavers swirl up and down the band. Material from the first movement is heard transformed by the energy of the finale and the music surges towards a sudden close. Performance time: 15:35
Estimated dispatch 7-14 working days
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£104.99
Sugar Blues Wind Band Set (Score & Parts)
Imagine yourself in a smoky pub with all the joys that entails. A nice jazzy solo puts you in the mood. This Sugar blues dates from the thirties and is a classic in the jazz scene. A wonderful solo in this case, a saxophone, but also for other instruments such as clarinet, trumpet or trombone (there are different transpositions of the solo part included). 03:00
Estimated dispatch 7-14 working days
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