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£66.95Legend of the Saura (Concert Band - Score and Parts) - Harbinson, William G.
Commissioned by the South Stokes Band Boosters of North Carolina, Legend of the Saura is a tribute to the Saura Indians who lived in what today is Stokes County. The piece opens with a vibrant flourish of woodwinds and percussion that immediately leads into the pensive yet driving main theme. The contrasting middle section pulls back to a reflective and mysterious solo for recorder (or optional flute), accompanied by exotic percussion instruments. Then, the beautiful theme is continued by solo trumpet, making for a truly incredible moment. Duration: 5.00
Estimated dispatch 7-14 working days
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£64.99Apollo 13, Music from (Concert Band - Score and Parts) - Horner, James - Moss, John
James Horner's magnificent score plays a key role in the drama of this blockbuster movie. John Moss' medley for band opens with the plaintive solo trumpet theme, and includes several of the film's memorable and inspiring themes. Includes: Main Title; End Credits; Re-Entry and Splashdown.
Estimated dispatch 7-14 working days
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£44.95Starbound (Concert Band - Score and Parts) - Fraser, Bruce
Starbound is a strong, driving piece and relies on good rhythmic playing from the bass instruments. It is a good introduction to playing triplets for all sections of the band and this could be introduced in the preliminary exercise. The trumpet solo could be played by the whole section if preferred.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
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£128.00Aquarium (Concert Band - Score and Parts) - De Meij, Johan
The Suite Aquarium is Johan de Meij's third composition for symphonic band and features six tropical fishes, each of them represented by a motif, and surfacing as such in several guises. The composition consists of three movements of which the second and third merge uninterruptedly into each other. I) Allegretto grazioso (Neon Tetra, Electric Eel and Angelfish) II) Andante / Adagio (Sea Horse and Zebrafish) III) Finale: Allegro giocoso (Guppy & Co.) The Neon Tetra motif functions as a kind of 'Leitmotiv' and describes the beautifully coloured, frisky fish: A number of variants have been derived from this theme and will also appear in the other movements. The Electric Eel in fact is not represented by a motif, but by a rhythm based on the restless electric pulses made audible in some aquaria. The Angel fish is represented by elegant cluster chords. In the second movement the Sea Horse emerges out of the water vegetation and starts a dialogue with the Zebrafish, which is represented by one melodic phrase in unison, getting more and more threatening by added parallel fifths and octaves. Simultaneously with the Sea Horse motif the Neon Tetra theme emerges, this time in 3/4 time and in Eb minor. The third movement starts with only two instruments (trumpet and xylophone), but as it is often the case with Guppies their number rapidly increases. Piccolo and Alto Saxophone introduce the Guppy Theme followed by several instrumental combinations. Every theme from the first movement 'swims by' once more, after which the principal motif leads us to a brilliant ending.Duration: 9.00
Estimated dispatch 7-14 working days
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£53.50Queenwood Overture (Concert Band - Score and Parts) - McGinty, Anne
Ingeniously built on a single melodic fragment first stated by the trumpets, the opening section of this very easy overture alternates between a bold full band statement and a more lyrical melody in the woodwinds. A contrasting slow section features a flowing melody in the woodwinds with trumpet answering statements before returning to the fast tempo. First published in 1984, this is a proven winner for beginning bands.
Estimated dispatch 7-14 working days
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£59.40Bisham Grange Overture (Concert Band - Score and Parts)
A brilliant fanfare for full band leads to an interesting melody in the Bristish folksong style. Constantaly shifting harmonies add color and interest. Solos for trumpet and flute are brief and not technically demanding. Very nice!
Estimated dispatch 7-14 working days
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£43.56Chillaxin' (Concert Band - Score and Parts)
Let your young musicians kick back a bit and let the trumpet section lay down this cool groove for developing bands. Set in a minor key, "Chillaxin' " provides the spotlight your young trumpeters crave, all while providing interesting accompanying roles for the rest of the band. Your students will ask to play this over and over again!
Estimated dispatch 7-14 working days
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£105.00Danceries (Set I) (Concert Band - Score and Parts) - Hesketh, Kenneth
The term 'Danceries' can be found in a copy of Playford's Dancing Master, an extensive collection of folk and popular tunes of the seventeenth century (and no doubt earlier). This publication was used by master fiddle players to teach the various dance steps of the day to a nobleman's house or a king's court. Whilst this present set of 'Danceries' cannot be said to be an aid to terpsichorean agility, it will at least set feet tapping! The melodies themselves are a mixture of new and old--well, nearly. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The harmonies and rhythms bring a breath of the new into these themes and add to the drama of the set.Movement 1: Lull me beyond thee. Gentle and lilting, almost a barcarole, this movement is very much a reverie. The original tune had the name 'Poor Robin's Maggot' - a rather disconcerting title; maggot, however, in seventeenth-century parlance meant whim or fancy. This theme can also be found in The Beggar's Opera by John Gay (first performed in 1728) under the title 'Would you have a young lady' (Air 21).Movement 2: Catching of Quails. A colourful, buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-bodied tuttis. The last few bars fade away to almost nothing before a final surprise!Movement 3: My Lady's Rest. A tender pavane, also on an original theme, with Moorish leanings. Solos for principal winds and brass contrast with warmer tutti passages. The movement culminates with a final presentation of the theme before evaporating in held flute and trumpet chords.Movement 4: Quodling's delight. The final movement to the set combining one of the melodies from Playford's Dancing Master ('Goddesses') with an original contrasting melody. A dramatic and exuberant ending to the set of 'Danceries'.Duration: 12.00
Estimated dispatch 7-14 working days
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£79.20
Glory and Triumph (Concert Band - Score and Parts)
A marvelous follow-up to Niehaus' best-selling ``Morro Bay.'' Opening with a vibrant melody over biting percussion rhythms, this piece moves into a lush middle section and short solos for trumpet and flute. Your band will definitely enjoy working on this one.
Estimated dispatch 7-14 working days
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£36.63
Joyant Winds (Concert Band - Score and Parts)
Feature your young trumpet section on this tasteful Sammy Nestico original. The bright rhythms and contemporary harmonies assure that this will become a standard of young band literature. Sammy's skillful writing gives this number a sophistication not usually found in numbers at this grade level.
Estimated dispatch 7-14 working days
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