Results
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£62.95The Message on the Rock (Narrator with Concert Band - Score and Parts) - Sheldon, Robert
The musical inspiration for this piece came from the scenes and speeches on a rock emblazoned with battle scenes from our nation's history. The piece opens with a military-sounding march that leads to a solemn section over which a narrator reads the speeches seen on the rock while a muted trumpet plays "Taps" in the background. The initial march then returns, with fragments of numerous patriotic melodies juxtaposed with the original melody, coming to an exciting ending. Duration: 4.45
Estimated dispatch 7-14 working days
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£99.99Veni Immanuel (Concert Band - Score and Parts) - Sparke, Philip
Mediation on O Come, O Come ImmanuelThe Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries.The tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo trumpet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium.Duration: 5:30
Estimated dispatch 7-14 working days
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£76.99Bolero (Concert Band - Score and Parts) - Ravel, Maurice - Bocook, Jay
This well-known Ravel classic is a study in orchestration as it gradually builds intensity from the quiet opening to the powerful and explosive finish. Jay does a masterful job of adapting this work for concert band using solos for clarinet, flute and trumpet and skilful use of the entire ensemble.Duration: 4:30
Estimated dispatch 7-14 working days
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£42.50Largo (from New World Symphony) (Concert Band - Score and Parts) - Dvorak, Antonin - Vinson, Johnnie
Here is a rich and harmonious chorale treatment of this well-known melody from Dvor?k's New World Symphony. After the distinctive opening chords, the first statement can be performed as a trumpet solo or soli. The arrangement builds nicely to a full band climax, then tapers to a quiet and effective ending. This is a great introduction to classic repertoire for your beginning students. Duration: 3.30
Estimated dispatch 7-14 working days
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£72.99Spirit of the Falcon (Concert Band - Score and Parts) - Saucedo, Richard L.
Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emotional and dramatic building sections is created. Short melodic solos are included for alto sax, flute, horn, and trumpet. Requires a strong percussion section (3 mallet parts) and optional parts are included for synthesizer and SATB chorus. Well worth the effort!Duration: 5:00
Estimated dispatch 7-14 working days
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£60.99And the Fire Raged! (Concert Band - Score and Parts) - Ricketts, Ted
Displaying a variety of colours and musical styles, here is an impressive offering from Ted Ricketts. The calm setting in the beginning gradually gives way to a faster, emotionally-charged section featuring the trumpet section with rhythmic answers from the rest of the ensemble. Also featured is a contrasting section for woodwinds and brief solos for clarinet and flute before returning to the powerful faster strains and exciting ending.Duration: 4.00
Estimated dispatch 7-14 working days
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£60.99Nessun Dorma (No One Sleeps) (Concert Band - Score and Parts) - Puccini, Giacomo - Bocook, Jay
One of the most memorable melodies ever written, this Puccini masterpiece is wonderfully adapted for band by Jay Bocook. The opening theme is presented by a solo baritone (cued for trumpet or oboe) followed by soaring statements for woodwinds and horn. The trumpets are added as the pieces build towards the climactic ending.Duration: 2:15
Estimated dispatch 7-14 working days
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£104.99Sing, Sing, Sing (Concert Band - Score and Parts) - Prima, Louis - Iwai, Naohiro
The swing classic Sing, Sing, Sing, which in 1937 was a major hit for the Benny Goodman Orchestra,was written by its trumpet player Louis Prima. Prima, born in New Orleans, did not only later become known for his spectacular live and radio performances, he also created his own jazz style, a mix of dixieland and swing. This arrangement for concert band brings the unforgettable sound of the big bands from the thirties back to life.Duration: 5:30
Estimated dispatch 7-14 working days
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£41.50El Dorado (Concert Band - Score and Parts) - Williams, Mark
The sounds of the Wild West are everywhere in this exciting original piece for young bands. From the syncopated opening, to the lyrical 3/4 middle section (featuring solo trumpet), to the powerful conclusion, your band will enjoy this strong concert and contest selection. Duration: 4.00
Estimated dispatch 7-14 working days
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£44.95Two Susato Dances (Concert Band - Score and Parts) - Susato, Tielman - Ellerby, Martin
Around 1540 Tielman Susato, the Belgium trumpet player and composer, established himself in Antwerp as a printer of music. In 1551 he brought out The Third Little Music Book, a collection of instrumental dances. Most of these are arrangements, possible by Susato himself, of popular dance tunes. In keeping with sixteenth-century practice, this book details no specific instrumentation; something to be worked out by the players with whatever available means. Doubtless many of the dances were performed on wind instruments at festive outdoor events. The date of Susato's birth is unknown but estimated to be around 1500. The same applied to his death, which is thought to be somewhere between 1561-64.The third Little Music Book gives several examples of the traditional sixteenth-century genre, the dance pair, a predecessor of the Baroque suite. In such a pair the first dance was often in slow or moderate duple time, the second in quick triple time. This is the case in the pair presented here, which consists of a lively round dance followed by a Hop Up or saltarello.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2.00
Estimated dispatch 7-14 working days
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