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£174.10Waltz for Debby - Bill Evans
"Waltz for Debby" was written by American jazz pianist and composer Bill Evans (1929-1980). It was heard for the first time on his 1956 debut record "New Jazz Conceptions". This recording made the tune his most famous one, included on several later recordings both for solo piano and his usual trio format. It also became a favorite on almost all his concerts. The tune is a kind of a musical portrait of Evans' niece, Debby Evans. In Scandinavia, Swedish singer Monica Zetterlund made it popular for a wider audience through her 1964-recording accompanied by Evans and his trio. On this recording, the song was renamed "Monicas vals".
Estimated dispatch 7-14 working days
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£69.99Corona - Wim Laseroms
This attractive concert march starts with an elevated, determined intro, followed by a playful theme in the descant register - with, in the reprise, an added counterpart in the tenor register. The following stately bass solo is accentuated by the trumpet section, and a dynamic contrasting effect adds extra colour. The trio part starts with a new cantabile theme, which transforms into a solid tutti version with ornamentations in the descant. After a dynamically varying interlude the trio part is repeated.
Estimated dispatch 7-14 working days
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£65.99Triad - Richards
A delightful trumpet trio with band accompaniment by J.J. Richards. The trumpet trio parts are very effective and not too demanding while the band accompaniment lends just the right amount of support. Although it sounds very "Leroy Anderson-ish" it was written several years before "Bugler's Holiday". A superb change of pace on any concert program!
Estimated dispatch 7-14 working days
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£78.99
The Caravan Club - Karl L. King
The great Karl King wrote many wonderful marches, and "The Caravan Club" is one of his most interesting and unusual works. Heavy and ponderous at times, light and frisky at others, this march was used often in the circus to accompany tiger acts. An ominous introduction leads to a lumbering first strain, followed by a delightful contrasting, almost ragtime-like second strain. The trio features a wonderful melody with euphonium countermelody, in the style made so famous by King. The weighty breakstrain returns to a minor key feel, and then concludes with an embellished version of the trio. One of the march "King's" very best! Immense!
Estimated dispatch 7-14 working days
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£71.50
The Three Solitaires - Victor Herbert
A wonderful cornet trio from the pen of great American composer Victor Herbert. Your trio can show off its triple-tongue virtousity with this dazzling work!
Estimated dispatch 7-14 working days
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£98.50
Carbine and Lance - McCall
Carbine & Lance is a great concert selection that emulates the compositional techniques of some of America's most prolific march composers. This march is accessible to bands of all levels and its use of both 6/8 and 2/4 present a colorful change in pace moving into the trio. Closing out the march, a careful listener may catch the Star Spangled Banner in the trio and final strain.
Estimated dispatch 7-14 working days
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£95.95
Scholastics March - Joseph Compello
A classic march written by popular composer Joseph Compello, Scholastics March contains all of the American style march trademarks! From bugle calls to lush trio writing, you'll hear echoes of Sousa, Fillmore and King. You'll also recognize the trio melody as the old time popular songSchool Days, just like any master march composers would have done. An excellent piece!
Estimated dispatch 7-14 working days
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£84.99
Paso Bella - Peter Riedemann
Paso Bella is full of the typical fiery and melodic characteristics of the paso doble. The hot Spanish temperament can be heard from the opening themes in the minor key, as is usual in a paso doble, to the last bars of the trio. The trio is followed by an exuberant closing which will reverberate in the ears of both musicians and audience for a long time.
Estimated dispatch 7-14 working days
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£218.30Norsk Kunstnerkarneval Op.14 - Johan S. Svendsen
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in "Kunstnerforeningen".An early title for the work was "Bryllup paa Dovre". The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Sterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835 "Te voglio bene assai".I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen -
Estimated dispatch 7-14 working days
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£160.00Norsk Kunstnerkarneval Op.14 (Norwegian Artists' Carnival Op.14) (Concert Band - Score and Parts) - Svendsen, Johan S. - Nordhagen, Stig
This well-known work was composed in Christiania in 1874 for a burlesque Carnival in Kunstnerforeningen.An early title for the work was Bryllup paa Dovre. The manuscript score and parts at The National Library in Oslo of the early version with this title have much more music than the version printed by C.F. Peters, Leipzig in 1881. The form in this first version was ABA with an additional trio part that later were discarded. In the trio Svendsen used the melody Saeterreisen (Os har gjort kva gjeras skulle) from Lindeman's collection of Norwegian Folk Tunes. (Vol. I/115). In the A-part a wedding tune (Bruraslaatten) from Sogn is used (Lindeman Vol. I/476). The Carnival's literary theme was the connection between the cold north and the warm south. Musically the south is represented in Svendsen's music by Raffaele Sacoo's melody from 1835, Te voglio bene assai.I believe that if Norwegian quality music from this period is going to be performed, it must at least be available. There must be editions for modern instrumentations with full scores. I do this as my contribution to expand and enrich the repertoire for Concert Bands.- Stig Nordhagen
Estimated dispatch 7-14 working days
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