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£248.99
Odysseia - Maxime Aulio
Washed up on the Phaeacian shore after a shipwreck, Odysseus is introduced to King Alcinous. As he sits in the palace, he tells the Phaeacians of his wanderings since leaving Troy. Odysseus and his men fi rst landed on the island of the Cicones wherethey sacked the city of Ismarus. From there, great storms swept them to the land of the hospitable Lotus Eaters. Then they sailed to the land of the Cyclopes. Odysseus and twelve of his men entered the cave of Polyphemus. After the single-eyed giantmade handfuls of his men into meals, Odysseus fi nally defeated him. He got him drunk and once he had fallen asleep, he and his men stabbed a glowing spike into the Cyclop's single eye, completely blinding him. They escaped by clinging to the belliesof some sheep. Once aboard, Odysseus taunted the Cyclop by revealing him his true identity. Enraged, Polyphemus hurled rocks at the ship, trying to sink it. After leaving the Cyclopes' island, they arrived at the home of Aeolus, ruler of the winds.Aeolus off ered Odysseus a bag trapping all the strong winds within except one - the one which would take him straight back to Ithaca. As the ship came within sight of Ithaca, the crewmen, curious about the bag, decided to open it. The winds escapedand stirred up a storm. Odysseus and his crew came to the land of the cannibalistic Laestrygonians, who sank all but one of the ships. The survivors went next to Aeaea, the island of the witch-goddess Circe. Odysseus sent out a scouting party butCirce turned them into pigs. With the help of an antidote the god Hermes had given him, Odysseus managed to overpower the goddess and forced her to change his men back to human form. When it was time for Odysseus to leave, Circe told him to sail tothe realm of the dead to speak with the spirit of the seer Tiresias. One day's sailing took them to the land of the Cimmerians. There, he performed sacrifi ces to attract the souls of the dead. Tiresias told him what would happen to him next. He thengot to talk with his mother, Anticleia, and met the spirits of Agamemnon, Achilles, Patroclus, Antilochus, Ajax and others. He then saw the souls of the damned Tityos, Tantalus, and Sisyphus. Odysseus soon found himself mobbed by souls. He becamefrightened, ran back to his ship, and sailed away. While back at Aeaea, Circe told him about the dangers he would have to face on his way back home. She advised him to avoid hearing the song of the Sirens; but if he really felt he had to hear, thenhe should be tied to the mast of the ship, which he did. Odysseus then successfully steered his crew past Charybdis (a violent whirlpool) and Scylla (a multiple-headed monster), but Scylla managed to devour six of his men. Finally, Odysseus and hissurviving crew approached the island where the Sun god kept sacred cattle. Odysseus wanted to sail past, but the crewmen persuaded him to let them rest there. Odysseus passed Circe's counsel on to his men. Once he had fallen asleep, his men impiouslykilled and ate some of the cattle. When the Sun god found out, he asked Zeus to punish them. Shortly after they set sail from the island, Zeus destroyed the ship and all the men died except for Odysseus. After ten days, Odysseus was washed up on theisland of the nymph Calypso.
Estimated dispatch 7-14 working days
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£50.50Piata! - William Owens
This spirited, Latin-flavored piece captures all the excitement of a lively party with a colorfully decorated Piata as its centerpiece. Despite using limited ranges and rhythms, William Owens has written melodies and rhythms that are incredibly engaging, capturing the spirit of children as they seek to capture the prizes within! Challenge your motivated percussionists with the advanced part, or take advantage of the more accessible one. Either way, it sounds great!
Estimated dispatch 7-14 working days
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£79.50High Flight - Chris M. Bernotas
This exciting overture by Chris M. Bernotas shares a title with the poem that inspired it, High Flight. The poem by John Gillespie Magee embodies the spirit to explore and dance freely in the sky. This piece offers students many musical opportunities and challenges and is the perfect selection for a contest, concert opener, or closer.
Estimated dispatch 7-14 working days
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£149.40Grevling i taket - Øystein Dolmen og Gustav Lorentzen
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, flutes and clarinets should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the trumpet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. The saxophonists can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 7-14 working days
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£50.50Megawatt Rock - Robert Sheldon
Robert Sheldon's Megawatt Rock will light up your next concert. This high-energy rock-style piece with its rhythmic drive and power chords is sure to amp up the spirit in the performance level of the students. Using only the first seven notes that most beginning band students learn, it is written in Mixolydian mode, with the key signature including the added flat. The rhythms, dynamics, articulation, key, and style provide electrifying teachable moments that occur throughout the piece at no extra "charge!" (1:53) Correlated to Sound Innovations, Book 1, Level 4.
Estimated dispatch 7-14 working days
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£134.99Bacchanalia - Philip Sparke
Bacchanalia was commissioned by the Yokohama Bacchus Brass Orchestra to celebrate their 20th anniversary in 2019. The band wanted the title of this short opener to reflect the reference to Bacchus in their name, so Bacchanalia was agreed upon. The spirit of the Greek god of wine does indeed permeate the piece, with bustling themes, dance motifs and occasional harmonic ambiguity. A lovely piece of music full of joie de vivre.
Estimated dispatch 7-14 working days
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£64.50A Yuletide Holiday
Featuring the well-known Yuletide favorites Angels from the Realms of Glory, The Holly and the Ivy, and Deck the Halls, this festive medley captures the spirit of the season for students and audiences alike. Each carol has roots from the United Kingdom and is charismatically scored, showcasing each section of your band with a wide variety of textures and tempo. Musically compelling! (3:00)
Estimated dispatch 7-14 working days
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£49.95A Carol Franais
Bring a Torch, Jeanette, Isabella is a French Christmas carol written in the 16th century. In the carol, visitors to the manger speak in hushed tones so as not to wake the sleeping child. This gentle arrangement highlights the spirit of the season with enchanting harmonies and sparkling settings of this charming tune. (2:05)
Estimated dispatch 7-14 working days
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£70.50Australiana - Roland Barrett
Drawing its inspiration from the land down under and featuring quotations from the traditional Australian tunes Waltzing Matilda, Bound for South Australia, and Advance Australia Fair in a glorious overture-style medley, this composition salutes the spirit, diversity, and proud heritage of the people of Australia. The musical emotions alternate between the hauntingly beautiful, reverent themes and the joyous, even raucous, folk tunes building to a glorious conclusion. (3:30)
Estimated dispatch 7-14 working days
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£42.50Excelsior! - James Curnow
With its Latin title translated as onward and upward this brief yet energetic overture for second-year players captures the spirit of adventure found in Henry Wadsworth Longfellow's 1841 poem of the same name. The energetic pulseand powerful melodies will engage the imagination of your young players. Dur: 2:20
Estimated dispatch 7-14 working days
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