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£53.99Triton Fanfare - Robert W. Smith
This sparkling concert opener will make your band sound mature beyond their years! With the numeral three as the creative seed, teaching opportunities abound from the meter to the use of the tri-tone. Flowing melody combined with fanfare flourishes combine to make Triton Fanfare by Robert W. Smith a wonderfully effective addition to any concert program.
Estimated dispatch 7-14 working days
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£52.99Future Force - Larry Neeck
A mysterious opening melody quickly leads to driving and intense musical moments in "Future Force" a tour-de-force for your band's next concert. The energetic and rhythmic themes of this piece provide plenty of excitement for your wind players and involve the entire percussion section. Offering a wide variety of teaching opportunities, "Future Force" will be a hit with your developing band and their audience.
Estimated dispatch 7-14 working days
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£93.50
American Riversongs - Pierre la Plante
This outstanding composition is a favorite of bands and audiences everywhere! A melody of "Down the River," "Shenandoah," "Glendy Burk" and "La Bamboula." A fantastic arrangement!
Estimated dispatch 7-14 working days
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£65.99
Wind Castle - Joseph Pappas
This wonderful work will capture every ones attention! The opening features eerie chords and wind-sounds and then transitions to the fast and driving Phrygian melody. The mood once again changes with a beautiful euphonium solo and climaxes to the dramatic Da Capo Finale. This colorful work will delight your players and audience. Lots of good things in one small piece!
Estimated dispatch 7-14 working days
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£58.50Wind Song - R.W. Smith
Featuring a melody that is simple, gentle and memorable, WIND SONG is a lyrical work for the developing band by Robert W. Smith. Each section of the band is actively engaged in this warm, artistic musical experience with teaching opportunities throughout. Suitable for both festival and concert performance, Wind Song is simply beautiful.
Estimated dispatch 7-14 working days
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£104.99Fanfare and Jubilation - Naoya Wada
Fanfare and Jubilation was commissioned by the Yahata Technical High School Band (Fukuoka, Japan) to celebrate the 40th edition of their annual concert, and is dedicated to its directors, Mr. Satoru Yoshihara and Ms. Akane Morimoto. The premiere took place on June 14, 2007 in Kitakyushu City, Fukuoka, Japan with Mr. Satoru Yoshihara conducting.The piece is comprised of two parts: a festive opening fanfare; and a scintillating melody that reflects the celebratory atmosphere. Its melodic character, uplifting mood and punchy wit make Fanfare and Jubilation equally suitable as an opening piece or a concert work.
Estimated dispatch 7-14 working days
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£89.99Intermezzo (From Cavalleria Rusticana) - Pietro Mascagni
Pietro Mascagni's Cavalleria Rusticana" is his only work that is widely known. Especially this beautiful "Intermezzo" is a melody that appeals to the imagination. It is a stylish and melodious work for a well-balanced concert programme. This work is also eminently suitable for warm-up purposes.
Estimated dispatch 7-14 working days
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£109.99
Dublimania - Menno Bosgra
This new work is based on Irish folk music.In the first part, the main theme is presented as a ballad, starting with the piccolo (as replacement for the flute which is widely used in Ireland), moving on the wood section to end with the entire orchestra.It then changes to a kind of rock style theme: powerful, rhythmic accompaniment with effects in dampers, a pedal point and the use of the spoons which is typical of Irish music (Irish pub), high-range bongo drum (replacement for the Bodhran), etc.In this second part I introduced a second theme as a counterbalance, played by several groups, which has clearly a more legato character and therefore sounds more melodious.The climaxof the work starts in the low-range brass section with its marcato theme that is developed with a great deal of rhythmicity in the accompaniment, clusters, etc. into a percussion solo interspersed by the orchestra in five-eight time with frequent parallel movement in chords (folk music style).Towards the end, theme 2 recurs twice: first as heard earlier with an extra counter melody and accompaniment pattern, then in a canonical form, in which the theme is played by three groups. The conclusion is a repeat of the middle section in five-eight time.I have tried to use many of the colours of a wind orchestra by having the wood sections and brass section play alone and making extensive use of dampers. Percussion also has a prominent role throughout the work.
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£106.95
Merry-Go-Round - Yukiko Nishimura
As the title suggests, this new piece from composer Yukiko Nishimura depicts the joy of riding on a merry-go-round or carousel. The main melody is delightful and memorable. Yukiko's orchestration colors are unique and fresh. Her harmonic sensibilities lead a bit toward the Jazz idiom making her compositions different and very interesting.
Estimated dispatch 7-14 working days
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