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£69.99Cowboy Suite Wind Band Set (Score & Parts)
In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West, the domain of cowboys, indians, trappers and other fortune hunters. Around 1890 the west coast of America was reached, which in effect meant the end of the Wild West. Its stories, however, survived and have been a source of inspiration for many books, films, and, of course, music. Some characters, such as Jesse James, Billy the Kid, and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools, among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars, fiddles, and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part, the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up, i.e. driven together, spectacular things happen. 04:45
Estimated dispatch 7-14 working days
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£94.99
Czardas (Clarinet solo) Wind Band Set (Score & Parts) - Monti, Vittorio
Vittorio Monti was born on January 6, 1868 in Naples (Italy). His musical education (violin and composition), he enjoyed at the conservatory there. Around his 30's Monti went to Paris. He earned a living as a conductor and wrote several ballets and operettas. In his last years, Monti died in 1922, he devoted himself to teaching and composing. His famous "Czardas" has made his name known even today. Initially the czardas was a Hungarian folk dance , but after the mid-nineteenth century it was even a dance for the upper-class. Czardas begins with a slow introduction, the Lassan (slow and sad), and then the fast part, Friska, follows. Czardas is not, as so many people think typical gypsy music. 05:30
Estimated dispatch 7-14 working days
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£94.99
Czardas (Xylophone solo) Wind Band Set (Score & Parts) - Monti, Vittorio
Vittorio Monti was born on January 6, 1868 in Naples (Italy). His musical education (violin and composition), he enjoyed at the conservatory there. Around his 30's Monti went to Paris. He earned a living as a conductor and wrote several ballets and operettas. In his last years, Monti died in 1922, he devoted himself to teaching and composing. His famous "Czardas" has made his name known even today. Initially the czardas was a Hungarian folk dance , but after the mid-nineteenth century it was even a dance for the upper-class. Czardas begins with a slow introduction, the Lassan (slow and sad), and then the fast part, Friska, follows. Czardas is not, as so many people think typical gypsy music. 05:30
Estimated dispatch 7-14 working days
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£45.54
Hope Everlasting (Concert Band - Score and Parts)
This beautiful, yet simplistic ballad, sends the much-needed message of lasting hope for one and all. It also serves as the perfect opportunity to teach expressive playing while the emotional melodic lines are accompanied by rich and lush harmonies. The key change in the closing moments of the work adds that last special touch of musical magic. A great change of pace!
Estimated dispatch 7-14 working days
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£248.99
Hydra Concerto Wind Band Set (Score & Parts)
The innovative Spanish composer Ferrer Ferranhas taken Greek mythology as an inspiration forhis concerto for trumpet and concert band. Hydra,the water monster decapitated by Hercules andIolaus, terrorised the area of Lerna, near Argos.The concerto is in three sections which contrastwith each other. The first section is rhythmical andtriumphant, the second is calm and melodious andthe last part provides an aggressive ending. Awelcome addition to the repertoire for solo trumpetand concert band. 15:15
Estimated dispatch 7-14 working days
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£104.99
Jubilant Prelude Wind Band Set (Score & Parts)
Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Micha?lskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself is heard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section. 04:30
Estimated dispatch 7-14 working days
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£132.95MEDITATIONS (Prestige Concert Band - Score and Parts) - Ellerby, Martin
'Meditations on the Seven Last Words of Our Saviour from the Cross' takes its form from a work by Haydn. It consists of seven slow movements prefaced by a slow introduction and concluded by a presto movement representing the earthquake that occurred after Christ's death. Performance time 12'50" Grade 5 (Recorded on QPRM143D DREAMSCAPES, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£37.95
MEDITATIONS (Prestige Concert Band - Score only) - Ellerby, Martin
'Meditations on the Seven Last Words of Our Saviour from the Cross' takes its form from a work by Haydn. It consists of seven slow movements prefaced by a slow introduction and concluded by a presto movement representing the earthquake that occurred after Christ's death. Performance time 12'50" Grade 5 (Recorded on QPRM143D DREAMSCAPES, Royal Northern College of Music Wind Orchestra)
Estimated dispatch 7-14 working days
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£109.99Metalla Wind Band Set (Score & Parts)
Metalla was commissioned by the 'Kreisverband Altenkirchen' of Germany and dedicated to Ottomar Jung. The composer himself conducted the premiere of the piece, which was performed by the 'Jugendorchester Kreisverband Altenkirchen' on 25 March 1999.The region of Altenkirchen is known for its iron mines, which find musical expression in the dark mood of the introduction (andante misterioso). This effect is accomplished with overlapping seventh intervals, orchestral crescendos, a succession of broad chords and the presentation of most themes in the middle register of the band.The dynamic section (allegro energico) that follows the introduction is characterized by concise figures in the brass and a second motif, a kind of rippling motion depicting the Sieg River, an important element in the landscape of the Altenkirchen region.The work closes with a final theme that returns a number of times, albeit in different guises. After a brief repeat of the seventh intervals from the beginning, a last radiant chord signals the end of the piece. 0:05:15
Estimated dispatch 7-14 working days
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£264.99
Panoptikum (Concert Band - Score and Parts)
Armin Schaer commissioned this work in his search for a new piece for the tuba. More specifically, he wanted a work that showed off the versatility of this splendid instrument, written in a musical style that is both fresh and modern, while not banishing the orchestra to a simple supporting role. Taking all these specifications into account, Thomas Doss created a work that allows stylistic leaps and is fun, exciting, romantic, and virtuosic, but does not lose sight of the thread that connects the opening measures to the very last.Armin Schaer describes his Panoptikum as follows:Panoptikum is a show of appreciation for my beautiful home and community at Lake Constance, an eventful life, the people that have enriched this life, and a fascinating instrument: the tuba. This work musically embodies the many different moods found around theBodensee - cheerfulness and melancholy, departures and longing, calm and agitation. The roles of the soloist and the orchestra were consciously crafted in a way that does not follow the usual conventions of the genre. The work should spark emotions, address broad segments of listeners, and persuade them of the tuba's ability to be a solo instrument as well as the richness symphonic wind ensembles have to offer. I hope this work enriches the lives of all the soloists and orchestras that cross its path, as well as everyone in the audience who gets to partake! 15:30
Estimated dispatch 7-14 working days
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