Results
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£84.50The Wizard of Oz (Concert Band - Score and Parts) - Arlen & Harburg - Barnes, James
Three Academy Awards were bestowed upon the original motion picture and the music from the soundtrack has become some of the most memorable of this generation. Now, for concert band, James Barnes creates magic with Over the Rainbow, Ding! Dong! The Witch is Dead, We're Off to See the Wizard, The Merry Old Land of Oz and If I Only Had a Brain. This is a musical must-have!Duration: 6:30
Estimated dispatch 7-14 working days
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£309.99In the Spring (At the Time When Kings Go Off to War) (Concert Band - Score and Parts) - Holsinger, David R.
Winner of the 1986 American Bandmasters Association Ostwald Award, the composition is based on I Chronicles 20, v. 1-3 detailing King David's armies laying siege to the land of Amonites. Using a variety of musical idioms from diatonic to "sound mass", aleatoric to metric, vocal to synthetic, the composer hs woven a tonal picture of the pathos, triumph and tragedy of this Old Testament episode. Duration: 12.00
Estimated dispatch 7-14 working days
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£76.99The Phantom of the Opera, Medley from (Concert Band - Score and Parts) - Lloyd Webber, Andrew - Vinson, Johnnie
This Broadway blockbuster finally hits the silver screen complete with the unforgettable music of Andrew Lloyd Webber. Johnnie's impressive medley for young bands includes The Phantom of the Opera, All I Ask of You, Think of Me, Angel of Music and The Music of the Night. Keep your eye on the chandelier!
Estimated dispatch 7-14 working days
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£105.00Danceries (Set I) (Concert Band - Score and Parts) - Hesketh, Kenneth
The term 'Danceries' can be found in a copy of Playford's Dancing Master, an extensive collection of folk and popular tunes of the seventeenth century (and no doubt earlier). This publication was used by master fiddle players to teach the various dance steps of the day to a nobleman's house or a king's court. Whilst this present set of 'Danceries' cannot be said to be an aid to terpsichorean agility, it will at least set feet tapping! The melodies themselves are a mixture of new and old--well, nearly. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The harmonies and rhythms bring a breath of the new into these themes and add to the drama of the set.Movement 1: Lull me beyond thee. Gentle and lilting, almost a barcarole, this movement is very much a reverie. The original tune had the name 'Poor Robin's Maggot' - a rather disconcerting title; maggot, however, in seventeenth-century parlance meant whim or fancy. This theme can also be found in The Beggar's Opera by John Gay (first performed in 1728) under the title 'Would you have a young lady' (Air 21).Movement 2: Catching of Quails. A colourful, buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-bodied tuttis. The last few bars fade away to almost nothing before a final surprise!Movement 3: My Lady's Rest. A tender pavane, also on an original theme, with Moorish leanings. Solos for principal winds and brass contrast with warmer tutti passages. The movement culminates with a final presentation of the theme before evaporating in held flute and trumpet chords.Movement 4: Quodling's delight. The final movement to the set combining one of the melodies from Playford's Dancing Master ('Goddesses') with an original contrasting melody. A dramatic and exuberant ending to the set of 'Danceries'.Duration: 12.00
Estimated dispatch 7-14 working days
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£169.95JOURNEY TO THE CENTRE OF THE EARTH (Concert Band) - Graham, Peter
Journey to the Centre of the Earth is one of Verne's best known works. The novel takes the form of a sequence of diary entries by Axel, nephew of Professor Otto Lidenbrock. The pair follow coded instructions in a old document guiding them to Iceland where, together with their guide Hans, they enter the open crater of an extinct volcano Sn?fells and pursue a trail to the centre of the earth. There follows hair-breadth escapes and ventures perilous as the intrepid explorers encounter a vast interior world. Peter Graham has taken some of the key scenes .from the book and set them as a sequence of symphonic extracts. The subtitles are; (I) Sn?fells, (II) Descent, (III) The Wonders of the Terrestrial Depths, (IV) The Day of Rest, (V) Lost in the Labyrinth, (VI) The Whispering Gallery, (VII) Rescue from the Abyss, (VIII) Battle of the Antediluvian Creatures and Ascent, (IX) Homecoming
Estimated dispatch 7-14 working days
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£139.99
The Golden Age Wind Band Set (Score & Parts)
The Golden Age is a programmatic composition in four movements. I Overture For the Netherlands, the seventeenth century was a period of great flourishing in the fields of economy, culture and politics; thus it is called the Golden Age. Overseas trade boomed, and the Dutch East India Company (known as the VOC by the Dutch) was founded and expanded to become a powerful -and, at the time - modern enterprise. II ?Adios espa?oles!(Farewell, Spaniards!) In 1567, the Spanish army invaded, led by the Duke of Alva. There was a fierce resistance against the Spanish tyranny; toward the end of the sixteenth century, the Dutch proclaimed the Republic. However, the Spanish continued the war. Only with the Treaty of M?nster in 1648 did the Dutch get their much sought-after independence. This was also the end of the Eighty Years' War. III Rembrandt's Night WatchThe field of culture, particularly literature, painting, sculpture, architecture, the art of printing, and cartography developed fast. It was in the Golden Age that the celebrated painter Rembrandt van Rijn created his famous Night Watch. IV The Admiral Overseas trade entailed the colonization of large areas in Asia, from where precious products that yielded lots of money were brought in. Surrounding countries were also involved in such practices. Colonizers poached on each other's territories in the literal and figurative sense - in this context the Anglo-Dutch Sea Wars are legendary. The fourth movement starts with the English patriotic song Rule Britannia, after which the Dutch Admiral Michiel de Ruyter makes the English change their tune; one can even hear the roaring of cannons. When the smoke of battle has cleared, a small fragment of a Dutch song about Michiel de Ruyter appears, followed by a fitting closing. 0:11:30
Estimated dispatch 7-14 working days
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£99.00
The Quest (Symphony No. 3, 'Don Quixote,' Mvt. I)
At long last, Robert W. Smith gives us another major work based upon classic literature. Symphony No. 3 Don Quixote musically portrays the classic tale of the errant knight, his trusty yet bumbling squire and their adventures in the name of chivalry. The Quest, the first of four movements, is distinctly Spanish in flavor. Using a blend of classic and contemporary techniques, the composer weaves together a sonic tale of the gentleman of La Mancha who takes up his lance and sword to defend those that are helpless and destroy those that are evil. Captivating, musical and full of vivid imagery, Symphony No. 3 "Don Quixote" will be a performance that is memorable for performer and audience alike.
Estimated dispatch 7-14 working days
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£47.52
The Recession Depression Holiday Blues
In these challenging economic times, what better way to show creativity and compliance than this hilarious setting of the traditional Jingle Bells? The opening announcement reminds the audience that our budgets have been cut and the band has been forced to reduce the amount of new instrument purchases. As a result, the band went to the toy shop and bought several new instruments including the kazoo, toy drum, toy xylophone, and trash can lid cymbals among others. Following the "tuning" of the toys, the swing setting kicks off and features the toys in melody, improvisation and response quotes throughout. "Now that's what I call using our resources!"
Estimated dispatch 7-14 working days
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£2.25The Poppy Red (Upper Voices Vocal Score) - Park, Owain
Commissioned by the Military Wives Choirs to commemorate the centenary of 1918, the end of the First World War. The Military Band Accompaniment is available separately - NOV167387To mark the centenary of the end of World War I, the Military Wives Choirs - 69 choirs from across Britain and abroad - commissioned Owain to write a piece for their album, 'Remember'. The text for Owain's work, 'The Poppy Red', is inspired by the 1918 poem 'We Shall Keep The Faith' by Moina Michael, itself inspired by John McCrae's 'In Flanders Fields'. The recording brought together 1105 voices with The Band of the Household Cavalry, conducted by Hilary Davan Wetton.
Estimated dispatch 7-14 working days
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£78.00
The girl who sat on the hill (CB) - Norwegian Traditional - Fredrick Schjelderup
A lovely arrangement of the Norwegian folktune 'Vetlejento sat i lauet tuska' which originates from the area around Bergen.
Estimated dispatch 7-14 working days
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