Results
-
£84.99
Ave Verum Corpus - Edward Elgar
Edward Elgar (1857-1934) originally composed this work in 1887, as a Pie Jesu, when he was an organist in the St George's Church in Worcester. Years later, in 1902, he transformed the Pie Jesu into an Ave Verum for soprano and tenor solo, mixed choir and organ. This excellent arrangement was created by Robert van Beringen and skilfully retains the wonderful atmosphere of the original composition.
Estimated dispatch 7-14 working days
-
£94.99Vocalise - Satoshi Yagisawa
Vocalise is the second movement from Satoshi Yagisawa's Trombone Concerto. Yagisawa finally decided to publish this movement as a separate piece, since it has been frequently performed independently and on the euphonium, tenor saxophone or the trombone. Just like the title implies, Vocalise exhibits a warm, gentle chorale-like feel that any audience will enjoy. Also available in an edition with piano accompaniment.
Estimated dispatch 7-14 working days
-
£45.00Rumble and Roar! (Concert Band - Score and Parts) - Neeck, Larry
Get ready to "Rumble and Roar!" This fun and unique piece features your band's "beasts" - trombones, baritones, tubas, bass clarinets, tenor, and bari sax - in a fun, easy, and full-sounding original work. Putting the bottom of the band out front, this music builds technique and enthusiasm in the sections that don't always get a chance to shine. The colorful interplay with the rest of the band allows everyone to be part of the action, while the solid rock groove will captivate students and audience alike. Duration: 2.00
Estimated dispatch 7-14 working days
-
£99.99Meditation (Saxophone Section Feature with Concert Band - Score and Parts) - Hassler, Hans Leo - Sparke, Philip
This timeless melody by Hans Leo Hassler (1564-1612) is now chiefly remembered because of its inclusion in J.S. Bach's St. Matthew Passion (hence its title), where it is treated to a variety of rich harmonisations. This setting features alto and tenor saxophones, who first play a lyrical descant to the famous hymn tune and then the melody itself, against a Bach-like obbligato in the upper woodwinds. This fabulous new arrangement presents a wonderful opportunity to feature your saxophones.Duration: 4:15
Estimated dispatch 7-14 working days
-
£44.95Two Susato Dances (Concert Band - Score and Parts) - Susato, Tielman - Ellerby, Martin
Around 1540 Tielman Susato, the Belgium trumpet player and composer, established himself in Antwerp as a printer of music. In 1551 he brought out The Third Little Music Book, a collection of instrumental dances. Most of these are arrangements, possible by Susato himself, of popular dance tunes. In keeping with sixteenth-century practice, this book details no specific instrumentation; something to be worked out by the players with whatever available means. Doubtless many of the dances were performed on wind instruments at festive outdoor events. The date of Susato's birth is unknown but estimated to be around 1500. The same applied to his death, which is thought to be somewhere between 1561-64.The third Little Music Book gives several examples of the traditional sixteenth-century genre, the dance pair, a predecessor of the Baroque suite. In such a pair the first dance was often in slow or moderate duple time, the second in quick triple time. This is the case in the pair presented here, which consists of a lively round dance followed by a Hop Up or saltarello.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2.00
Estimated dispatch 7-14 working days
-
£44.95Three Folk Miniatures (Concert Band - Score and Parts) - Fraser, Bruce
Three Folk Miniatures (Good Mornin' to Ye; Shepherd Song; When the Sun Shines) reflect the style of old English folk songs offering young players the opportunity to show off several acquired skills in performance.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2:20
Estimated dispatch 7-14 working days
-
£44.95Ye Olde Dance Musicke (Concert Band - Score and Parts) - Fraser, Bruce
This piece reflects the style of Elizabethan dance music. The opening tempo should be quite steady, though played with energy. Good balance is required to achieve the contrasts. The change of tempo should be easily achieved, again taking care with the balance, dynamics and accents to produce an energetic performance.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
-
£44.95Starbound (Concert Band - Score and Parts) - Fraser, Bruce
Starbound is a strong, driving piece and relies on good rhythmic playing from the bass instruments. It is a good introduction to playing triplets for all sections of the band and this could be introduced in the preliminary exercise. The trumpet solo could be played by the whole section if preferred.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
-
£44.95Totally Tropical! (Concert Band - Score and Parts) - Barry, Darrol
Totally Tropical! is in bright Caribbean mood and will benefit from good, rhythmic playing. Flutes, oboes, clarinets and trumpets all have to play the little chromatic figure that starts the main tune and this may need slow practice to become fluent. Additional percussion instruments may be added to give a 'Calypso' sound.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
-
£44.95Whirlwind (Flute Solo with Concert Band - Score and Parts) - Fraser, Bruce
Whirlwind is a flute solo and (despite the title!) it will be found that a steady waltz tempo works best. Obviously, it is important that the accompaniment remains delicate and that dynamics are adhered to.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1.30
Estimated dispatch 7-14 working days
View Music