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£149.40Norwegian Dance No. 1 - Alfred Evensen
Alfred Evensen (1883 - 1942) was born in Troms, but moved to Harstad 16 years old to start as a student at The Military School of Music. He was director and chief of the military band in 1918, and worked there for 12 years. In 1930 he was appointedto conductor of the military band in Bergen, and worked there until he was appointed to take over from Johannes Hanssen (Valdres march) as manager and conductor of the military band in Oslo in 1934.With this band he participated in a majorinternational military music collection in Paris in 1935 With a great success. In addition to his work in military music, he was a highly respected conductor of choir and composed, in additionto his compositions for bands, many songs for choir.He died in Oslo, after he was arrested because of his resistance against the German occupation. At his own request he was buried in Harstad, and there is also a statue of him.Norwegian Dance No. 1 and No. 2 dates from 1911 and 1912respectively. They are composed in the style of Grieg's Norwegian Dances, Op. 35, but, unlike Grieg, Evensen has used his own themes for the compositions.
Estimated dispatch 7-14 working days
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£105.80No War - Marco Somadossi
The theme of this composition is immediately evident from the title, which almost requires no further explanation. It will never be possible to represent or reproduce the full implications of a tragedy such as war, all too often forgotten, concealed, exploited or written off as being an evil that is "necessary" for the development of civilisation. War changes the course of human history: man kills man, fathers bury their sons, children take up arms, and mankind is devastated by evil, choosing death over life. The atrocities, repeatedly perpetrated and evident to all observers, are an offence to human dignity. Yet they are tolerated and, at times, even re-interpreted as inevitable remedies for "obstacles" to the global economy, in order- it would seem- to build "a better world". And all this goes on despite the fact that the terrible scars left by past wars are still evident and should serve as a warning to ensure that such tragedies do not return to devastate our world. "No War" is thus a heart-felt protest against any form of culture that justifies war as a means of gaining wealth and power, satisfying the economic needs of the richest countries at the expense of the poorest nations. In so doing the one truly fundamental value is annihilated, that of human life.
Estimated dispatch 7-14 working days
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£104.99
Wingin' It! - Gilbert Tinner
Wingin' It! is an entertaining concert piece. It makesespecially high demands on the rhythmic qualities ofthe band and requires exact articulation and phrasingaccording to the composer's instructions. After abrilliant opening, a catchy theme crystallizes whileall sections take turns to come to the forefront.Based on this theme, a swing in the classic big bandstyle, a peaceful Bossa (in which the woodwindsdominate) and a section with typical rock and funkrhythms follow. The two-step feeling closes thecircle to lead to the grand finale. This compositionfeatures all the essential elements of a contest pieceand provides a particular challenge in the understandingand execution ofpopular styles. It alsooffers all the facets that make a work attractive forthe audience as well as the musicians.
Estimated dispatch 7-14 working days
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£36.95Sing Lullaby (Concert Band - Score and Parts) - Wiffin, Rob
Sing Lullaby, also known as The Infant King, is an arrangement of a Basque Carol. The words were translated into English by Sabine Baring-Gould (1834-1924) an Anglican priest and folk song collector. The melody was harmonized by the English organist and music editor Edgar Pettman (1866-1943) who included it with other Basque carols (also rendered by Sabine Baring-Gould) in The University Carol Book in 1922. I use a little of Pettman's harmony but also take a different look. I also set it in 3/4 time rather than Pettman's 6/8 (starting with an anacrusis) which allowed me more freedom of expression and a chance to use a few hemiolas in poignant moments. It is a beautiful, tender carol as befits a lullaby though not without a few suspensions which allude to the future trials of the Infant King described in Baring-Gould's words.- Rob WiffinDuration: 4.15
Estimated dispatch 7-14 working days
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£99.99Overture Con Spirito (Concert Band - Score and Parts) - Doss, Thomas
This work was commissioned by the Musikverein Prechtal e. V. (Germany) for its 100th anniversary in the year of 2021. The composition opens with a powerful rhythmic motif, which soon develops into the main theme of this brisk overture. The unwavering, joyful melodies and a positive atmosphere give the work a high-spirited energy. The strong pulse has the music firmly in its grasp and only quietens gradually in a pensive middle movement that seems to emanate from another world. This atmospheric passage can evoke dreamy thoughts and a variety of visions. But then the liveliness of the previous motifs returns, to take us back to the vivacious here and now, full of optimism and determination for the hundred years to come. On to a wonderful future! Duration: 8.45
Estimated dispatch 7-14 working days
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£52.95Silk Road (Concert Band - Score and Parts) - Sheldon, Robert
Take a journey on the Silk Road, the ancient trade route that linked the Far East with the Western world in this imaginative piece by Robert Sheldon. Exotic harmonies combine with driving rhythms and colorful percussion to create a soundscape of shifting sands and faraway lands. A solo alto saxophone references the sound of a Turkish sorna to open the piece, leading to the persistent rhythm and modal melodies. Finger cymbals, shakers, and hand drums help to represent the culture of this remote part of the world. Duration: 2.15
Estimated dispatch 7-14 working days
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£122.50Mercury Rising (Concert Band - Score and Parts) - Sparke, Philip
Mercury Rising was commissioned by sinfonisches blasorchester wehdel and its conductor Thomas Ratzek, to celebrate their 50th anniversary in 2018. They premiered this piece in their half-century concert on 2nd November 2018 in the Bremerhaven Stadttheater in Germany. Designed as a virtuosic and lively opener, Mercury Rising opens with nervous energy and driving, syncopated rhythms in a blaze of colour. The horns and saxophones then introduce a broad melody, which the trumpets subsequently take up after a change of tonality. A quieter moment introduces a distant fanfare on muted horns over bubbling semiquavers in the low clarinets. This is interrupted by a passionate tenor melody but soon returns on the full brass section, accompanied by echoes of the opening woodwind figuration, and is extended to bring the piece to a triumphant close. Duration: 3.30
Estimated dispatch 7-14 working days
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£73.50Flamingo Road (Flexible Ensemble - Score and Parts) - Hodges, Steve
This version of Flamingo Road by Steve Hodges is designed with maximum flexibility for use by any mix of instruments: wind, strings, and percussion, including like or mixed-ensembles with as few as 5 players. The suggested instrumentation and a customisable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. Flamingo Road is a Latin-inspired piece that starts in the fast lane and never lets up! Featuring an active percussion section and some catchy themes, each section of the band will take a turn in the driver's seat. Stay in your lane! Duration: 2.15
Estimated dispatch 7-14 working days
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£407.00Symphony No.3 (Urban Landscapes) (Concert Band - Score and Parts) - Cesarini, Franco
Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City". Duration: 27.00
Estimated dispatch 7-14 working days
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£53.95Wings (Concert Band - Score and Parts) - Gassi, Vince
The men and women of the Royal Canadian Air Force are the inspiration behind this original composition by Vince Gassi. The first work in his Armed Forces Suite, it takes off with a bright, spirited theme first heard in the flutes. The rest of the ensemble soon joins in the maneuvers and offers a fuller tactical report. Clarinets take over with dignity, providing a lyrical contrast, and are supported by a stately accompaniment. It isn't long before we start to feel the "spirit of adventure" building to a contrasting section conveying images of stealth and intrigue. Covert operations lead finally to a restatement of the opening theme by the brass with flute and clarinet obligato. Interlace with fragments from the covert section and we are carried to a soaring conclusion. If you are looking for a spirited concert opener or closer, look no further!Duration: 3:15
Estimated dispatch 7-14 working days
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