Results
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£13.95Light-Walk (Concert Band - Score Only) - Gott, Barrie
A toe-tapping 'big-band' arrangement from the renowned composer and arranger Barrie Gott. A hit wherever it is played, this 'great fun' music allows the band to 'let its hair down' and the Flugel Horn (or Trumpet) the chance to take centre stage.The 'big-band' arrangement that brought the arranging skills of Barrie Gott instantly to the attention of the brass world. Still a hit wherever it is played, this 'great fun' music allows the band to 'let its hair down' and the Flugel Horn the chance to take centre stage.
Estimated dispatch 7-14 working days
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£109.99Coast Life (Concert Band - Score and Parts) - Nijs, Johan
Coast Life is an easy concert work composed by Johan Nijs and orchestrated for concert band. The three movements of this piece describe life on and around the coast. You can visit the bustling harbour, take a trip on the sea whether it be calm or stormy, or you can take a coast trip - either on the beach or along the promenade. All aspects of the seaside are portrayed in this attractive work.Duration: 6:30
Estimated dispatch 7-14 working days
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£89.99Auld Lang Syne Wind Band Set (Score & Parts)
Whereas 'Auld Lang Syne' may be considered the best-known Scottish song ever, yet at the same time it is an obscure one, for there are but few people who know the complete text by heart. After the familiar 'Should auld acquaintance be forgot .....' many people take their refuge to lyrics like 'rum tee dum ta dee ..... lah, lah, lah ........... for auld lang syne'. Even in Scotland only a handful of persons know the entire text and are able to give a correct rendering of it. The current lyrics have been attributed to the Scottish poet Robert Burns. Burns, however, he did not write the whole poem : after he had heard an old man sing the centuries-old Scotch ballad, he wrote it down and added a number of stanzas (1788). Historical research teaches us that the ballad served many purposes, both political and religious. Nowadays, 'Auld Lang Syne' is sung as a Christmas Carol and it is also sung on New Year's Eve at the turning of the year. Apart from that, though, the song is also sung on many other occasions - sometimes with different lyrics, which usually have Love, Friendship and/or Parting as their themes, as these go well with the fascinating melody. In this arrangement a low-sounding solo instrument is central. The harmonization in the accompaniment fits in perfectly with the sentiments this song will evoke. Should auld acquaintance be forgot And never brought to mind? Should auld acquintance be forgot. And days of auld lang syne? For auld lang syne, my dear, For auld lang syne, We'll take a cup of kindness yet, For auld lang syne. 03:00
Estimated dispatch 7-14 working days
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£76.99
Dance Starters Wind Band Set (Score & Parts)
Using themes based on semi-quavers Peter Kleine Schaars has carefully crafted these four contrasting dances for the De Haske Flexible 4 Series. Each of the parts take a turn to play the melody so no player feels left out. Take your players on a musical dance lesson in which you'll hear a paso doble, a slow waltz, a tango and a swinging jive. Fantastic fun for the smaller ensemble. 0:04:15
Estimated dispatch 7-14 working days
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£84.50Dave Brubeck: It's About Time (Concert Band - Score and Parts) - Sayre, Charles
The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines "Take Five," "Unsquare Dance," and "Blue Rondo a la Turk" to take us back to when it all began. This is a magnificent medley! Duration: 4.45
Estimated dispatch 7-14 working days
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£74.95Coloured Glass (Concert Band - Score and Parts) - Wiffin, Rob
In this cheerful, minimalist piece, the composer seeks to capture the effects of light shining, refracting, and reflecting through glass of various colours and densities. While adopting familiar minimalist features - repetition, consonant harmony, and a steady pulse - the composer is mindful of the inherent risk in the style of allowing ideas to linger for too long. To avoid this, the patterns and colours shift subtly, creating a sense of gentle transition alongside an impression of dance and energy. Most of the woodwind instruments take on fluid semiquaver movement at some point, though the music itself is not technically demanding.Duration: 3.45
Estimated dispatch 7-14 working days
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£14.95
Coloured Glass (Concert Band - Score only) - Wiffin, Rob
In this cheerful, minimalist piece, the composer seeks to capture the effects of light shining, refracting, and reflecting through glass of various colours and densities. While adopting familiar minimalist features - repetition, consonant harmony, and a steady pulse - the composer is mindful of the inherent risk in the style of allowing ideas to linger for too long. To avoid this, the patterns and colours shift subtly, creating a sense of gentle transition alongside an impression of dance and energy. Most of the woodwind instruments take on fluid semiquaver movement at some point, though the music itself is not technically demanding.Duration: 3.45
Estimated dispatch 7-14 working days
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£36.95Sing Lullaby (Concert Band - Score and Parts) - Wiffin, Rob
Sing Lullaby, also known as The Infant King, is an arrangement of a Basque Carol. The words were translated into English by Sabine Baring-Gould (1834-1924) an Anglican priest and folk song collector. The melody was harmonized by the English organist and music editor Edgar Pettman (1866-1943) who included it with other Basque carols (also rendered by Sabine Baring-Gould) in The University Carol Book in 1922. I use a little of Pettman's harmony but also take a different look. I also set it in 3/4 time rather than Pettman's 6/8 (starting with an anacrusis) which allowed me more freedom of expression and a chance to use a few hemiolas in poignant moments. It is a beautiful, tender carol as befits a lullaby though not without a few suspensions which allude to the future trials of the Infant King described in Baring-Gould's words.- Rob WiffinDuration: 4.15
Estimated dispatch 7-14 working days
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£8.99Disney Favorites (Concert Band Instrumental Folio Books) - Longfield & Vinson
There's no better way to motivate your band than with some popular Disney music! This collection from Essential Elements works with all ensembles, regardless of what method you're using, and features great songs your band members are sure to know. The arrangements work for the whole ensemble to play together, but also as solo works for each instrumentalist! The songs are carefully correlated to correspond with instruction in the Essential Elements method books 1 and 2 so you'll know exactly when your group is ready to take on another song. A handy chart is provided in the table of contents so you can see the progress requirements.Songs include:Beauty and the Beast (from Beauty and the Beast)Can You Feel the Love Tonight (from The Lion King)Colors of the Wind (from Pocahontas)He's a Pirate (from Pirates of the Caribbean: The Curse of the Black Pearl)Let It Go (from Frozen)Remember Me (Ernesto de la Cruz) (from Coco)Try Everything (from Zootopia)Under the Sea (from The Little Mermaid)We Don't Talk About Bruno (from Encanto)We're All in This Together (from High School Musical)Each student book includes parts for the full band arrangement as well as separate pages for solo use. The conductor's edition includes full scores of all the band arrangements and a sample solo page of each song as well as access to online full-band recordings of each song.The Value Pack includes:1 x Conductor Book with Online Audio6 x Flute1 x Oboe1 x Bassoon6 x Clarinet1 x Bass Clarinet4 x Alto Saxophone1 x Tenor Saxophone1 x Bari Saxophone6 x Trumpet2 x F Horn2 x Trombone1 x Baritone BC1 x Baritone TC1 x Tuba2 x Percussion1 x Keyboard Percussion
Estimated dispatch 7-14 working days
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£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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