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£84.50
Orion's Sword - Alan Lee Silva
An evocative and mysterious opening, heroic themes and cinematic scoring characterize this varied and musically rich piece by the well-known television and film composer, Alan Lee Silva. The band writing is fresh and the tune from the slow middle section, which is divided among solo flute, oboe and clarinet, is particularly appealing. This piece will be a great choice for contest and concert use.
Estimated dispatch 7-14 working days
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£73.50The Hobbit: An Unexpected Journey, Selections from (Concert Band - Score and Parts) - Shore, Howard - Story, Michael
The spectacular music from this blockbuster Howard Shore film score is perfectly set for your developing band. Allowing the director a variety of programming options, the music is presented in suite format in four individual movements. Includes: The Adventure Begins; A Very Respectable Hobbit; Axe or Sword? and A Good Omen; Erebors.Duration: 5.45
Estimated dispatch 7-14 working days
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£84.50The Hobbit: An Unexpected Journey, Suite from (Concert Band - Score and Parts) - Shore, Howard - Wagner, Douglas E.
Faithfully presented in this exciting suite, these five movements from Howard Shore's brilliantly conceived original soundtrack capture the adventure, excitement, and tender moments of the first of the prequels to the epic Lord of the Rings trilogy. Includes: Old Friends and The Adventure Begins; Axe or Sword?; Song of the Lonely Mountain; The Dwarf Lords; Dreaming of Bag End.Duration: 9:00
Estimated dispatch 7-14 working days
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£84.99The Sword in the Stone (Concert Band - Score and Parts) - Appermont, Bert
This musical fairy tale takes place during the middle ages in England, at the court of King Arthur and his knights of the round table. Bert Appermont wanted to cast knights, castles, and princesses as the lead role and let young bands and smaller/incomplete ensembles enjoy this rich fantasy. Duration: 4.40
Estimated dispatch 7-14 working days
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£45.95Sword Dance (Concert Band - Score and Parts) - Dennison & Phillips
Although this outstanding arrangement is accessible by even very young bands, every section has the melody at various times, and each variation is represented with a different texture and accompaniment, keeping the lively dance tune fresh and invigorating as the piece catapults toward the surprise presto ending! Thoughtful use of percussion adds to the colourful scoring. Students will love this high-energy delight from the Renaissance era.Duration: 1:30
Estimated dispatch 7-14 working days
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£53.50The Sword of Lancelot (Concert Band - Score and Parts) - Moss, John
There is a flavor of medieval chivalry in this appealing easy overture. Strong themes and active percussion writing characterise the opening section. A brief slow section featuring the woodwinds precedes the energetic and powerful finish. Impressive yet very playable.Duration: 3.00
Estimated dispatch 7-14 working days
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£39.50With Fire and Sword (from 'For England, Harry and St. George') (Concert Band - Score and Parts) - Gorb, Adam
The little pieces that form 'For England, Harry and St. George' may be played individually, in pairs, scattered through a programme or, when given complete, may even be played in a different order. All take their inspiration from the music of mediaeval and renaissance Britain, the scene of political intrigue, social turmoil and military strife. Performers should keep in mind the combination of vigour, mysticism and grandeur which so characterised English music of this bygone age. AB grade 2 - 2.5Duration:01:30
Estimated dispatch 7-14 working days
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£98.50Ithaca (from The Odyssey, Symphony No.2) (Concert Band - Score and Parts) - Smith, Robert W.
The dynamic conclusion to Robert W. Smith's long awaited second symphony, The Odyssey, will bring the house down without fail. You'll hear the arrows pass right by your head, the sword fight ensue, and an overall tremendous work for concert band. Monumental! Program it alone or, for a awe-inspiring concert, program it with the other three movements, The Iliad, The Winds of Poseidon, and The Isle of Calypso. Duration: 6.00
Estimated dispatch 7-14 working days
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£87.50The Iliad (from The Odyssey, Symphony No.2) (Concert Band - Score and Parts) - Smith, Robert W.
Calls to war are the prelude to this first movement of Robert W. Smith's Second Symphony for band, based on the classic story of 'The Odyssey'. You'll experience the squeaky wheels of the Trojan horse, the forest burning, and the sword fight amidst the distinguished regal melodies and energetic rhythms that drive to a conclusion. The ocean's presence is evident in the optional transition to the second movement, "The Winds of Poseidon". Much awaited, this work is monumental in nature. Duration: 7.45
Estimated dispatch 7-14 working days
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£44.95The Kings Go Forth (Concert Band - Score only) - Gregson, Edward
This work was commissioned jointly by the Royal Air Force Music Service and an American Universities Consortium and received its world premiere during the 1996 RAF British Tour. It is scored for large symphonic wind band, with the addition of voices.The work is a sequel to the highly successful The Sword and the Crown which was premiered in 1991 by the mass bands of the RAF (and also was an RAF commission). That work was based on music written for the Royal Shakespeare Company productions of The Plantagenets and Henry IV, parts 1 and 2 (for productions between 1988 and 1991).The Kings go Forth is similarly based on musical material for those productions. It uses different thematic elements and incorporates them into a three-movement suite entitled: The Church; The People; The State.This reflects the fact that in Henry IV Parts 1 and 2, Shakespeare introduces The People as an important element in the dramatic structure. The Church and The State are, of course, both leitmotivs throughout the entire plays. An Agnus Dei is heard at the outset from a solo voice. The ensuing Dies Irae is a fast and, at times, quite violent dance. The two sections which form the basis of the second movement, The People, concentrate on popular elements and reflect to some extent the tavern scenes in the plays. The two ideas presented are a harvest hymn reflecting the country scenes set in Gloucestershire, and a jazzy, 'up-tempo' dance based on the medieval song, Sumer is icumen in. The third movement, The State, deals with the Kings theme in the title of the piece. The juxtaposition of battle music with funeral music for Henry IV and Henry VI leads to a reworking of the leitmotif from the beginning of the work. The final section is Coronation music for Henry V, eventually leading to a triumphant climax. - Edward GregsonDuration: 17.15Recorded on QPRM 125D Festival of Music 1996, Massed Bands of the Royal Air ForceRecorded on QPRM 134D The Kings Go Forth, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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