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£111.99Panorama - Pyotr Ilyich Tchaikovsky
Panorama from the Ballet "Sleeping Beauty". Pyotr Ilyich Tchaikovsky's ballet suite "Sleeping Beauty" premiered in St. Petersburg in 1890. To this day, "Sleeping Beauty" remains one of the most popular ballets and is a staple in the classical ballet repertoire. The panorama from the 2nd act of the ballet suite depicts the joint journey of the young, enamored Prince Dsir with the Lilac Fairy through an enchanted forest to his beloved Aurora, whom he wishes to marry. Throughout this enchanting scene, a magical and mysterious music unfolds.
Estimated dispatch 7-14 working days
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£50.50The Last Gladiator - Timothy Loest
Experience the brutal energy of the Roman Colosseum in this larger-than-life work by Timothy Loest. Heart-pounding drums and sword-clashing sound effects tell the heroic story of St. Telemachus, a frail monk whose bravery brought the gladiatorial games to an end. Exhilarating and epic, The Last Gladiator will absolutely be a student and audience favorite!
Estimated dispatch 7-14 working days
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£53.50Six Drummers Drumming
Using fragments from The Twelve Days of Christmas, Jolly Old St. Nicholas, and We Wish You a Merry Christmas, Johnnie has created a clever percussion feature sure to be a hit at your holiday concert and also fun for the entire band. The percussion parts can adjusted based on the number of players you have available, so just remember to change the title to fit your performance!
Estimated dispatch 7-14 working days
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£123.203 Letzte Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£256.0014 Motetten - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892.Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra.These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz.From this developed his personal standpoint, which always pursues the connection between the old and the new.
Estimated dispatch 7-14 working days
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£285.00Mosaici Bizantini - Franco Cesarini
To mark the 30th anniversary of Mosaici Bizantini Franco Cesarini decided to publish this revised version. He added a few instruments to the instrumentation and completely revised the notation. The work is now available in large-sized full score and exclusively from the composer's publishing house.For this grand work, Franco Cesarini was inspired by three byzantine mosaics, which can be seen in churches in Venice and Palermo. He took the musical motives from Gregorian chants.The mosaics concerned depict the following extracts from "The Gospel according to St. Matthew":1. The Nativity2. The Temple of Jerusalem3. Angel of the ResurrectionThis new, revised version of this masterpiece will delight both the orchestra and the audience!
Estimated dispatch 7-14 working days
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£53.50Jingle Jangle Bells - James Curnow
Featuring the familiar carols ft.Jolly Old St. Nicholas ft. and ft.Jingle Bells ft., here is a creative and concise overture that interweaves melodies from both tunes. Using a single tempo throughout and a bright festive mood,this is perfect as a holiday opener or closer!
Estimated dispatch 7-14 working days
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£152.99The Legend Of Spirit Island - Philip Sparke
The Legend of Spirit Island was commissioned by the Twin Ports Wind Orchestra, Duluth, Minnesota (Mark Whitlock, conductor), to honour the euphonium player, Dick Carlson. The piece takes its title from a local legend about Spirit Island, which lies in a gap of the St. Louis River called Spirit Lake. The legend tells the story of Chaska, the son of a Dakota Chief, and Wetona, the daughter of Ojibwe Chief Buckado. He was handsome and she was beautiful; it wasn't long before they fell in love. This is a challenging euphonium solo in which the versatile soloist can explore very expressive melodic sequences, as well as energetic, technical sections.
Estimated dispatch 7-14 working days
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£51.50A Festival Chime - Gustav Holst
The third movement of Opus 34 (Three Festival Choruses), which Gustav Holst penned in 1916, was originally scored for chorus with piano, orchestra, or military band. The easily recognized melody is a nineteenth century Welsh ballad, known to most as the hymn tune "St. Denio," set to the words of English poet, Clifford Bax. In 3/4, this characteristically delightful Holst theme has been freely arranged to incorporate elements of his original score with additional material included to heighten musical interest for contemporary concert bands and audiences alike. As the title implies, chimes are an integral part of this arrangement: however, there are alternate options provided inthe program notes if a suitable instrument is unavailable. This musical setting is complete with a variety of teaching and performance opportunities and a perfect fit for beginning concert bands. (2:00)
Estimated dispatch 7-14 working days
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£54.95Three Miniature Nutcrackers - Pyotr Ilyich Tchaikovsky
Based on Alexander Dumas' adaptation of E. T. A. Hoffman's story The Nutcracker and the Mouse King, the ballet premiered in December of 1892 in St. Petersburg, Russia. Tchaikovsky selected eight pieces from the ballet and created The Nutcracker Suite, which became an immediate success and to this day remains one of the most popular ballets, and contains some of the best-loved Christmas music. This suite of three selected short movements scored especially for beginners includes March, Dance of the Reed Flutes, and Russian Dance (Trepak). The movements can be performed individually or together. A superb classical transcription for teaching and performance to be programmed during theholidays or any time of the year. (3:45)
Estimated dispatch 7-14 working days
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