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£159.99Alliance Day - Thierry Deleruyelle
On 22 January 1963, the signing of the lyse Treaty between France and Germany marked the beginning of a solid relationship of cooperation and friendship, embodying the reconciliation of two nations after decades of conflict. Alliance Day celebrates this treaty by using the French and German national anthems as compositional material. Emblems of each nation, they are transformed throughout the work, symbolising the journey towards unity. The piece moves between intense, lyrical moments and playful, melodic ones. The orchestral climax culminates in an explosion of sound before reaching a grandiose finale.
Estimated dispatch 7-14 working days
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£171.00Passacaglia and Fugue in C-minor BWV 582 - Johann Sebastian Bach
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.
Estimated dispatch 7-14 working days
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£224.99Lux Futura - Kevin Houben
Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.
Estimated dispatch 7-14 working days
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£168.50For the Mystic Harmony - Dan Welcher
Commissioned for a consortium of high school and college bands in the north Dallas region, For the Mystic Harmony is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon, patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavor from five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources to appear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: "For the joy of ear and eye, For the heart and mind's delight, For the mystic harmony, Linking sense to sound and sight," giving rise to the work's title.
Estimated dispatch 7-14 working days
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£144.99Devil's Tower - Thomas Doss
This piece tells the story of the tower as the only remain of the once legendary castle in Waldneukirchen. The Devil took possession of the tower and of course this leads to nothing good. A fantastic piece featuring Renaissance sequences hidden within a filmic compositional style, plus other sound effects integrated into this spectacular and challenging piece full of beautiful melodies and themes!
Estimated dispatch 7-14 working days
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£79.99Villages - Michael Sweeney
Calling for the band to be divided into four separate ensembles (and spread apart if space permits), Villages explores a wide range of harmonic and rhythmic interplay between each of these musical villages. The opening creates adense canopy of sound, out of which the unique identity of each group variously emerges then melts back into the texture. As the fast pace continues, melodic fragments are bounced from group to group with interjections from thepercussion. A slower lyric section provides contrast before the frantic pace returns leading to the exciting conclusion. Innovative in its conception, this stunning work will expose your students and audience to dramatically newsounds for band! Dur: 8:15
Estimated dispatch 7-14 working days
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£87.99
All Cried Out
At the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don't Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrotefine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song.
Estimated dispatch 7-14 working days
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£68.99
Celtic Fantasy - Keiichi Kurokawa
"Celtic" is a widely used term. Its history and culture expands to modern day Spain, Portugal, and North America.However, in this piece, I have based my music on the typical "Celtic" areas of Ireland and Scotland.The Bagpipe drone at the beginning reappears several times.After the introduction, the music transitions to an Irish Reel, The Wind That Shakes The Barley. Reel is a fast tempo dance, often in 4/4 or 2/2 time.Next is the Scottish folksong Auld Lang Syne, known as "Hotaru no Hikari" in Japan.The third movement is called Scotland the Brave. It is often performed by military bagpipe ensembles. Once air is blown into the bag, there is a constant reservoir of sound for Great Highland Bagpipes.A Part (advanced) is a grade 2.5-3 in American grading system. B Part (beginner) is 1-1.5.B Part is accessible for elementary school and junior high school beginning band students in Japan. However, the drone-sounding sections require a certain technique to hold the sound steady.It is my sincere desire that beginning musicians understand the importance of fundamentals through performing good music.Keiichi Kurokawa
Estimated dispatch 7-14 working days
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£78.95
Castlebay - Gene Milford
This fresh new setting of two traditional Scottish folk songs, Will Ye No Come Back Again and Keel Row, was written in honor of its namesake, the Scottish village Castlebay. Composer Gene Milford has crafted a well-scored offering for contest/festival performance that is reminiscent of English-style band pieces. After the striking opening, the piece moves to the more fiddle-like Keel Row in a lilting 6/8. All of the sections of the ensemble get to shine and the band will sound formidable with this piece.
Estimated dispatch 7-14 working days
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£84.50
Interplay - Bill Calhoun
As the title implies, this dynamic new piece from Bill Calhoun is full of interplay between sections of the band, colors of sound, harmonic progressions and even contrasting styles. This piece has a little bit of everything: a fanfare opening, a bold brass melody, lush woodwinds and so much more. You will love the slow, beautiful middle section that will stretch the musicianship of your young band. This piece will be the highlight of your next concert or festival performance.
Estimated dispatch 7-14 working days
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