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£84.50Band of Brothers Symphonic Suite - Michael Kamen
From the HBO mini-series, Jerry Brubaker has captured the essence of Michael Kamen's score in this diverse medley for Symphonic or Concert Band. From the lovely soaring ballads to the drivingly intense splashes of sound, it's allthere. Simply stunning! (5:13)
Estimated dispatch 7-14 working days
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£134.99Four Original Warm-Ups For Band - Bert Appermont
From his experience as a conductor and adjudicator, Bert Appermont knows that bands often experience the same problems: lack of sound control, intonation difficulties, uncontrolled articulation and insufficient phrasing. Practising these aspects is very demanding and there is little material available that is also enjoyable to play. Four Original Warm-Ups consists of four fun warm-up pieces. Each piece focuses on one of the problems without the music being dull. The four pieces work equally well when played together or as individual items either at rehearsals or in a concert.
Estimated dispatch 7-14 working days
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£76.99Music from Braveheart - James Horner
The music from this Oscar-winning film has drawn a lot of attention to the talents of composer James Horner. The evocative ethnic sound of the Braveheart score makes a great concert piece for band.
Estimated dispatch 7-14 working days
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£71.50
Ancient Badlands - Laura Estes
Inspired by the South Dakota Badlands, this new work from Composer Laura Estes will make your ensemble sound its best. Wonderful writing for this age group makes putting this together for concerts a breeze. A winner for sure!
Estimated dispatch 7-14 working days
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£76.99Santana in Concert
The engaging, smooth sound of Carlos Santana has remained popular for more than four decades. This marvelous medley for the stage is written all in one tempo and features Santana hits through the years including: Evil Ways, Smoothand Oye Como Va.
Estimated dispatch 7-14 working days
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£57.50Beach Boys On Stage
This medley of enduring classics about fun in the sun will put a smile on everyone's face! Including the Beach Boys favorites I Get Around, In My Room, and Fun, Fun, Fun, this medley is easy to learn and will sound terrific withyoung players.
Estimated dispatch 7-14 working days
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£104.99
Triumphal March - Franco Cesarini
The Gran Finale from the second act of Verdi's famous opera Aida, composed in 1869, is a complex part of the drama as in one single scene many different characters, allwith contrasting emotions, appear onstage at the same time. The scene opens in Ancient Egypt when the Egyptian general Radames and his troops, which have just beaten Ethiopia, come marching in. The Egyptians sing a celebration song for him and there is a sound of trumpets playing the triumphal march to receive the hero. The well-known triumphal march, transcribed in this edition for concert band by Franco Cesarini, closely follows Verdi's original score and will bring any concert to a dramatic close.
Estimated dispatch 7-14 working days
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£141.99
Deep Blue Valley - Itaru Sakai
Composed in 2008 for the Ryukoku University Symphonic Band as a free-choice piece in the All Japan Band Competition of that year.[Additional Note for Instruments]In measure 35, the instruction "tumble over an aluminum mute" means to "roll an aluminum mute." However, there is no need to literally roll the mute, as long as the sound resembles that of an empty can being blown by the wind.
Estimated dispatch 7-14 working days
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£84.99Somebody to Love - Freddie Mercury
Somebody to Love, from rock legends Queen, is one of the most popular rock ballads of all time. Taking its inspiration from gospel choirs, the band's vocal lines were multiplied many times over to create a full choral sound. This layered effect has been carefully preserved in Peter Kleine Schaars' powerful arrangement for concert band.
Estimated dispatch 7-14 working days
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Athabasca - Peter Meechan
The stunning Athabasca Glacier, in the Columbia Icefield in the Canadian Rockies, provided the inspiration for this work. After having visited the Glacier in 2016, I knew that it would find a place in my music - the sheer magnitude of it was stunning, the visual was breath-taking, and the rate at which it is receding (5 meters per year) completely devastating.Now sadly collapsed, beneath the Glacier there were great, expansive ice caves - thankfully they were photographed by explorers, and it is these photos that provided the inspiration for the work; an imaginary walk through these fragile, beautiful structures; what music would sound like in them, what talking would sound like in them; and what moments of listening would sound like in them.When writing the piece I also wanted to try and acknowledge the diminishing nature of the Glacier. Whilst not being something you can visibly notice by simply observing for a short time, it is still happening in front of very eyes. This is represented by the tempos in the piece - almost doubling from the original tempo to the fastest tempo of the work (around 2/3rds of the way through), and - hopefully - almost imperceptibly.When commissioned by Ray Baril and the Edmonton Winds to write a new work for them, the Alberta connection between the group and the Glacier was impossible to resist.Peter Meechan 2018
Estimated dispatch 5-14 working days
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