Results
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£98.20Space Lab - Giuseppe Ratti
A long pedal-note of evanescent chords, based on empty parallel fifths, announces the theme;flutes and reed instruments exploit some almost imperceptible micro-fragments, supported by muted trumpets, creating what is an almost surreal and spatial atmosphere. This was Giuseppe Ratti's starting point for his "Space Lab", a laboratory of sounds and, later (when the main theme is taken up once more), of rhythms. Although it may sound complicated, this piece is ultimately based on a single motif: the descending fourth played on the second beat by the woodwinds. In this piece, Giuseppe Ratti, with his usual pallet of clear, transparent colours at hand, appropriate for the general public, together with simple, effective themes, has sought to experiment with new atmospheres and rhythms. First of all we hear the entire theme in the Allegro. Then the rhythm changes in a simple but at the same time complex manner: almost a genetic mutation. The part leading up to the final Lento flows smoothly for the listener but requires great skill and experience on the part of those performing it. In the final lento the main theme reappears in all its simplicity and sincerity, purified of all contrasts. A metaphor for a life that leads us towards unimaginable frontiers but which, in the end, always brings us back to the point from where we started.
Estimated dispatch 7-14 working days
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£157.50Composizione Prima - Flavio Vicentini
Many works are composed with the precise aim of describing landscapes, atmospheres or telling stories. "Composizione Prima", on the other hand, was composed with the sole intention of experimenting with some uses of modern musical language. The piece is formally structured in three movements: allegro, adagio and fanfare, without however complying with any standard pattern. The main theme, "fanfara", can be heard several times throughout the piece. It is the only feature of this work that in any way evokes an onomatopoeic sound, to indicate the gradual approach through three dimensional space of a Napoleonic band (fanfare).
Estimated dispatch 7-14 working days
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£126.50Expansion - Claudio Dorigato
This piece features two themes: one is slow and contemplative, the other is quicker and more rhythmic. The themes are repeated and rearranged several times in a combination of different harmonies and sound mixtures. Both arising out of one phrase, the two themes have been developed in a number of ways using modality as a language. Tiny fragments of the theme introduce and link the various moments. These fragments, repeated using different rhythms and combinations, lead to a finale where the melodic and harmonic elements come closer, continuously imitating each other and becoming more and more similar, until everything overlaps in different scales.
Estimated dispatch 7-14 working days
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Athabasca - Peter Meechan
The stunning Athabasca Glacier, in the Columbia Icefield in the Canadian Rockies, provided the inspiration for this work. After having visited the Glacier in 2016, I knew that it would find a place in my music - the sheer magnitude of it was stunning, the visual was breath-taking, and the rate at which it is receding (5 meters per year) completely devastating.Now sadly collapsed, beneath the Glacier there were great, expansive ice caves - thankfully they were photographed by explorers, and it is these photos that provided the inspiration for the work; an imaginary walk through these fragile, beautiful structures; what music would sound like in them, what talking would sound like in them; and what moments of listening would sound like in them.When writing the piece I also wanted to try and acknowledge the diminishing nature of the Glacier. Whilst not being something you can visibly notice by simply observing for a short time, it is still happening in front of very eyes. This is represented by the tempos in the piece - almost doubling from the original tempo to the fastest tempo of the work (around 2/3rds of the way through), and - hopefully - almost imperceptibly.When commissioned by Ray Baril and the Edmonton Winds to write a new work for them, the Alberta connection between the group and the Glacier was impossible to resist.Peter Meechan 2018
Estimated dispatch 5-14 working days
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£70.00
The Ringing Isle - Jonathan Dove
Handel called Britain 'the ringing isle' because when he moved to London, he heard bells ringing everywhere: great bells in church towers, and handbells in some of the first private houses he visited. The sound of people 'ringing the changes' is a peculiarly British sound of celebration, and it seems a good starting point for a piece celebrating British musical life. Within The Ringing Isle, Dove incorporates some traditional change-ringing patterns, from 'Grandsire Doubles', 'Oxford Treble Bob Minor' and his own version of 'Plain Bob Major'. Handel's phrase also conjures up an image of a magical island, and so this is how Dove envisaged how it must have been to approach Britain from an ocean voyage.
In stock: Estimated delivery 1-3 days
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£34.95
Amazing Grace - Score and Parts - Traditional
Program NotesThe life story of John Newton is well-documented and his occupation as a slave-trader and subsequent conversion and ordination as curate of Olney, Buckinghamshire, well-known. This incredible story probably makes the words to Amazing Grace! so remarkable, although, Newton can only be credited for the first three verses. This arrangement, although not technically difficult, will require a sustained sound towards the end during its climactic conclusion. It is therefore advisable that the physical demands be understood before commencement so that the correct measurement of exertion can be made throughout the presentation.
Estimated dispatch 7-14 working days
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£6.95
Amazing Grace - Score only - Traditional
Program NotesThe life story of John Newton is well-documented and his occupation as a slave-trader and subsequent conversion and ordination as curate of Olney, Buckinghamshire, well-known. This incredible story probably makes the words to Amazing Grace! so remarkable, although, Newton can only be credited for the first three verses. This arrangement, although not technically difficult, will require a sustained sound towards the end during its climactic conclusion. It is therefore advisable that the physical demands be understood before commencement so that the correct measurement of exertion can be made throughout the presentation.
Estimated dispatch 7-14 working days
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£39.95
Hammond - Score and Parts - Kenneth Downie
Program NotesThe hymn tune arrangement Hammond is a setting of a beautiful song 'In the Love of Jesus' with a melody by William Hammond and words by Ivy Mawby. The beautiful sequential curves of the melodic line are exploited in this arrangement to produce a full and rich texture, which will sound immensely satisfying once balanced and refined.The words that are associated with this tune are as follows:In the love of Jesus there is all I need,While I follow closely where my Lord may lead;By his Grace forgiven,In his presence blest,In the love of Jesus,In the love of Jesus, is perfect rest.
Estimated dispatch 7-14 working days
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£7.95
Hammond - Score only - Kenneth Downie
Program NotesThe hymn tune arrangement Hammond is a setting of a beautiful song 'In the Love of Jesus' with a melody by William Hammond and words by Ivy Mawby. The beautiful sequential curves of the melodic line are exploited in this arrangement to produce a full and rich texture, which will sound immensely satisfying once balanced and refined.The words that are associated with this tune are as follows:In the love of Jesus there is all I need,While I follow closely where my Lord may lead;By his Grace forgiven,In his presence blest,In the love of Jesus,In the love of Jesus, is perfect rest.
Estimated dispatch 7-14 working days
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£39.95
Keep the Faith - Score and Parts - Duncan Stubbs
Program NotesKeep the Faith originally started as a personal tribute to my late mother. Not long after writing the opening ideas I was approached to write music to accompany a rendition of the poem "We Will Keep the Faith" by Moina Michael for performance as part of the 100th Anniversary of the start og World War I. The appropriateness of the music already written and the sentiment behind both concepts was a coincidence too good to overlook. Rarely sentimental and always practical I feel sure my mum would be delighted that the music she originally inspired was being used to portray a much wider universal message of remembrance.Whether performed with or without the poem a fully sustained sound should always be aimed for. The 'bugle' call at bar 20 and again at bar 76 should reflect a distant call across the trenches, the cornet remaining prominent over the upper woodwind. The tempo indication is a guide only and allowance must be made for the acoustic in which the piece is performed. The music must always flow, but appropriate rubato should be freely used together with appropriate tenuto in the middle of phrases.- Duncan Stubbs
Estimated dispatch 7-14 working days
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