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£84.99Alle Jahre wieder - Michael Friedmann
Alle Jahre wieder (Every Year Again) is an old Christmas song by Friedrich Silcher, who lived from 1789 to 1860. This well-known German song portrays the birth of Christ on earth, bringing peace to all people. The German composer/arranger Michael Friedmann has expertly made this contemporary arrangement of Alle Jahre wieder.
Estimated dispatch 7-14 working days
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£76.99Die Himmel rhmen des Ewigen Ehre - Ludwig van Beethoven
Master-composer Ludwig van Beethoven was born in Bonn, in 1770, but he lived in Vienna from 1792, until his death in 1827. With his innovative style, he has had a great influence on Western classical music. 'Die Himmel rhmen des Ewigen Ehre' (The Heavens Extol the Glory of God) is the first line of the poem 'Die Ehre Gottes in der Natur', which was written by Christian Frchtegott Gellert (1715-1769). The music that Beethoven composed to the text, was published in 1803, as the fourth Lied (song) in a cycle of six (6 Lieder nach Gedichten von Gellert, opus 48). Thomas Doss has arranged the song - in which nature, as created by God, is mirrored majestically - into a wonderfulwork for concert band.Choir parts available separately: 1589-09-050 M
Estimated dispatch 7-14 working days
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£102.99
River Deep, Mountain High - Barry
This song of pop diva Tina Turner brims with energy. This composition was written especially for Tina Turner by three big names from the history of pop: producer Phil Spectorand the composer duo Jeff Barrie and Ellie Greenwich. This song just had to become a hit! A sparkling arrangement to get the audience dancing!
Estimated dispatch 7-14 working days
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£76.99Maria durch ein' Dornwald ging - Traditional
Maria durch ein? Dornwald ging (Blest Mary Wanders Through the Thorn) is a traditional German Christmas song. The earliest known version is recorded in the Andernacher Gesangbuch from 1608. Halfway through the nineteenth century it was a regional pilgrimage song in Thringen, and at the beginning of the twentieth century, the current version was registered in the songbook Zupfgeigenhansl of the German youth movement. Michael Bilkes used the well-known melody to create this attractive arrangement for concert band.
Estimated dispatch 7-14 working days
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£76.99Billionaire
In Spring 2010, Peter Gene Hernandez, better known as Bruno Mars, wrote the song Billionaire. Recorded together with rapper Travie McCoy, the song reached the top of the charts worldwide. A combination of catchy R&B melodies and rhythmical rap proved irresistible in the original version, and is captured brilliantly in this arrangement for concert band from Peter Kleine Schaars.
Estimated dispatch 7-14 working days
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£174.99Klezmer Discovery - Sjaak van der Reijden
The Yiddish word 'Klezmer' has been derived from the Old Hebrew words 'Kley' (tool, instrument) and 'Zemer' (song, singing, making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music, Klezmer music has succeeded in preserving its distinctive Jewish character. 'Klezmer Discovery' is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of anumber of motives from different traditional melodies (a Mitzve Tenzel and L'cha Dodi), followed by a melody in 3/8th time (Kandel's Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently, 'Der Terk in Amerika', a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast, cheerful dance melodies (bulgars) form the finale of 'Klezmer Discovery' (Lebedyk un Freylekh, Lomir sich iberbetn and Sherele).
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£44.95Across the Hills (Concert Band - Score and Parts) - Wiffin, Rob
This short overture, originally titled Sapper 300 was commissioned for the 300th Anniversary of the Corps of Royal Engineers in July 2016. It is formed from the Royal Engineers Regimental March Wings and the Corps song Hurrah for the CRE. Wings itself comprises two tunes - The Path across the Hills and Flugel! Flugel!. Hurrah for the CRE is sung to the traditional South African tune Daar le die ding. All the main melodic material is derived from one of these, although they are often spliced together in unusual ways and set in a manner progressing from dark to light. The work was first performed at the ?€Sapper 300?€ Concert at Rochester Castle, 17 July 2016.
Estimated dispatch 7-14 working days
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£180.00Summer (Concert Band - Score and Parts) - De Meij, Johan
Summer is the second in a series of symphonic poems, inspired by the seasons and the folk music of Scandinavia. In Spring, the composer made use of two Swedish folk tunes, whereas Summer focuses on Finnish folk music. The work opens with an impression of the pastoral landscape of Ostrobothnia, an elongated area on the west coast of Finland. As in Spring, the music continues with a polka, based on the opening bars of Suomis Sang (Song of Finland). After a brief horn interlude, a saxophone quartet plays from behind the stage Ant han dansa med mej (Ant was dancing with me), while the orchestra starts up an ostinato bass line that marks the transition to the finale. A gradual build-up to the 'Sun Theme' from Spring results in a radiant conclusion, with a short quotation from the first Symphony of Jean Sibelius, Finland's musical icon.Duration: 11:30
Estimated dispatch 7-14 working days
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£225.00Five Variants of Dives and Lazarus (Concert Band - Score and Parts) - Williams, Vaughan - Noble, Paul
Five Variants of Dives and Lazarus is a Concert Band arrangement from the original work for string orchestra and harp by Ralph Vaughan Williams. The composition is based on the folk tune Dives and Lazarus, one of the folk songs quoted in Vaughan Williams' English Folk Song Suite. The ancient theme on which these variations are based goes back to the sixteenth century, and is known by various titles. Dives and Lazarus is a story told by Jesus in the Gospel of Luke. It tells of an unnamed rich man and a poor beggar named Lazarus. In the Latin Bible, the unnamed rich man is referred to as Dives from dives, the Latin word for rich. This work, based on the tune that Vaughan Williams had loved all his life, which came from the very soil of England, ageless and anonymous, was played at the composer's funeral service in Westminster Abbey on 19th September 1958.
Estimated dispatch 7-14 working days
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