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  • £11.95

    Andante And Scherzo (Euphonium Solo) (Concert Band - Score Only)

    A light and tuneful solo for Euphonium, Baritone, Bassoon, Tenor Saxophone, or Trombone.

    Estimated delivery 7-14 working days
  • £49.95

    The Birdcatcher (Euphonium Solo) (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Brand, Geoffrey

    This arrangement can be played as a solo for euphonium (baritone) or bassoon. The introduction and "The Birdcatcher's Aria" are as in Mozart's opera 'The Magic Flute' (where the aria is sung 3 times), with the distinctive flute figure as a feature. In this arrangement, a variation has been added to provide the soloist with the opportunity to display instrumental prowess.

    Estimated delivery 7-14 working days
  • £9.95

    The Birdcatcher (Euphonium Solo) (Concert Band - Score Only) - Mozart, Wolfgang Amadeus - Brand, Geoffrey

    This arrangement can be played as a solo for euphonium (baritone) or bassoon. The introduction and "The Birdcatcher's Aria" are as in Mozart's opera 'The Magic Flute' (where the aria is sung 3 times), with the distinctive flute figure as a feature. In this arrangement, a variation has been added to provide the soloist with the opportunity to display instrumental prowess.

    Estimated delivery 7-14 working days
  • £84.95

    Tuscan Serenade (Euphonium Solo) (Concert Band - Score and Parts)

    Hauntingly beautiful, Grainger captures the essence of Faure's song. A lovely euphonium solo sings the melody before the full ensemble expresses the mood of Tuscany and the poem that the Faure song is based upon.

    Estimated delivery 7-14 working days
  • £16.95

    Tuscan Serenade (Euphonium Solo) (Concert Band - Score Only)

    Hauntingly beautiful, Grainger captures the essence of Faure's song. A lovely euphonium solo sings the melody before the full ensemble expresses the mood of Tuscany and the poem that the Faure song is based upon.

    Estimated delivery 7-14 working days
  • £44.95

    Whirlwind (Flute Solo with Concert Band - Score and Parts)

    Whirlwind is a flute solo and (despite the title!) it will be found that a steady waltz tempo works best. Obviously, it is important that the accompaniment remains delicate and that dynamics are adhered to.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1.30

    Estimated delivery 7-14 working days

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  • £67.95

    CLOUD DANCING (Euphonium/Baritone solo)(Progress Concert Band)

    (Euphonium/Baritone solo)

    Estimated delivery 7-14 working days

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  • £36.95

    The Red Kite (Euphonium Solo with Concert Band - Score and Parts)

    At one time the Red Kite was close to national extinction in the UK but now it is possible to admire this distinctive bird of prey with its red colouring and forked tail. I love watching it soaring so gracefully through the sky. I attempted to catch that feeling in this solo composed for Martin Smith. In writing it I had in mind making the euphonium glide solitary and effortlessly, occasionally swooping down then reclaiming its high altitude.To create the desired atmosphere, I avoided too many root position chords and enhanced the feeling of floating by adding notes to a lot of the harmony, giving it subtle colour. The harmonic rhythm is slow but the movement switches in the way that the Red Kite can make slight changes of direction by minor adjustments of its tail. On top of this accompaniment the soloist is left to sing with a sense of grace and freedom.- Rob WiffinDuration: 3.45

    Estimated delivery 7-14 working days

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  • £244.99

    Cantiphonia - Concerto For Euphonium - Bert Appermont

    This spectacular three-part concerto (Contrasti, Romanza and Fugato) for euphonium and grand brass-band orchestra by Bert Appermont was composed upon request by the Swiss euphonium virtuoso Ueli Kipfer who created it in November 2004 with the Schweizer Armee Spiel conducted by Jan Cober. The composer was inspired more by its mood than the analysis of works by Mahler and Rachmaninov. This concerto, which is quite demanding for the soloist and a challenge for the orchestra, is probably one of the most innovative works by Bert Appermont to date. The composer also wrote an easier version of the solo part. More information can be found on our website.

    Estimated delivery 7-14 working days

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  • £206.99

    Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Concert Band - Score and Parts))

    Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.

    Estimated delivery 7-14 working days

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