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£76.99Stevie Wonder in Concert (Concert Band - Score and Parts) - Murtha, Paul
The music of Stevie Wonder is timeless and continues to resonate even today. Paul Murtha has taken his best-known hits and created this upbeat and hard-hitting medley for the concert stage.Includes:Sir DukeYou Are the Sunshine of My LifeI WishSigned, Sealed, Delivered I'm Yours
Estimated dispatch 7-14 working days
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£49.99Aquia Landing (Gateway to Freedom March) (Concert Band - Score and Parts) - Murtha, Paul
During the Civil War, this pivotal transportation point located on the Potomac River and Aquia Creek was an important hub for both north and south. In addition, it was a key link in the "network of freedom" for fugitive slaves. Paul Murtha pays tribute to this historical site with this great-sounding Sousa style march at an easy level.
Estimated dispatch 7-14 working days
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£55.50Na Na Hey Hey Kiss Him Goodbye (Concert Band - Score and Parts) - Cook, Paul
"Na Na Hey Hey Kiss Him Goodbye" was initially recorded by the pop-rock group Steam and became a number 1 hit on the Billboard Hot 100 in the late '60s. Paul Cook has stirred up this young band arrangement that will have your students clapping and singing and your audience joining in, a real multitasking musical winner!Duration: 1.45
Estimated dispatch 7-14 working days
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£53.95Largo (from the New World Symphony) (Concert Band - Score and Parts) - Dvorak, Antonin - Cook, Paul
Antonin Dvorak's "Largo" from his 9th Symphony From the New World is a favourite for audiences here and abroad for its simplistic, yet moving melody. Paul Cook's stirring arrangement brings Dvorak's cherished theme to your beginners. The percussion parts can be performed as written or eliminated for a more traditional setting. Aside from adding some musical history, this arrangement supports instruction of balanced dynamics, proper breath support, and tone quality.Duration: 1.45
Estimated dispatch 7-14 working days
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£57.50The A-Team, Theme from (Concert Band - Score and Parts) - Carpenter & Post - Murtha, Paul
Featured in the popular TV series from the '80s, and brought back for the 2010 motion picture, here is the iconic theme song in a hard-hitting arrangement by Paul Murtha. Sure to be enjoyed by audiences of all ages
Estimated dispatch 7-14 working days
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£135.00A Shakespeare Suite (from Richard III) (Concert Band - Score and Parts) - Walton, William - Noble, Paul
This music was composed in 1955 for the film Richard III and has been adapted for orchestral concert use by Muir Mathieson, and this Concert Band arrangement by Paul Noble. The orchestra version has been recorded on Columbia Records by the Philharmonia Orchestra conducted by the composer, under the title Shakespeare Film Music. Concert Bands will find this music to be quite accessible, with abundant doubling, as was in the original scoring. The quality of William Walton's compositions should make this adaptation a must for festival performance, and a delight for audiences with an interesting touch of Renaissance.
Estimated dispatch 7-14 working days
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£104.95Czardas (Concert Band - Score and Parts) - Hart, Paul
Some time ago Charles Hine, a dear friend, asked me 'Isn't it about time you wrote a Czardas?' It wasn't such a silly idea. I'd studied violin as a child and having learnt numerous show pieces in that style I felt quite at home with the genre. Later in my youth I was lucky enough to work occasionally as accompanist to a lovely lady & singer Eve Boswell, who was partly Hungarian, and was generous enough to give me further insight into the nature of Czardas. Whilst the Wind Ensemble is not the instrumentation one might expect for such a piece the form is albeit rather more long-winded than some of the fiddle 'lollypops'.' - Hart, Paul.
Estimated dispatch 7-14 working days
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£20.95
Czardas (Concert Band - Score only) - Hart, Paul
Some time ago Charles Hine, a dear friend, asked me 'Isn't it about time you wrote a Czardas?' It wasn't such a silly idea. I'd studied violin as a child and having learnt numerous show pieces in that style I felt quite at home with the genre. Later in my youth I was lucky enough to work occasionally as accompanist to a lovely lady & singer Eve Boswell, who was partly Hungarian, and was generous enough to give me further insight into the nature of Czardas. Whilst the Wind Ensemble is not the instrumentation one might expect for such a piece the form is albeit rather more long-winded than some of the fiddle 'lollypops'.' - Hart, Paul.
Estimated dispatch 7-14 working days
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£375.00Facade - An Entertainment, Suite from (Concert Band with Optional Narrator - Score and Parts) - Walton, William - Noble, Paul
This Suite from Facade - An Entertainment, composed by William Walton, with poems by Dame Edith Sitwell, presents for the first time a grouping of movements selected and arranged by Paul Noble for Concert Band and optional Reciter. The original composition was written between 1921 and 1928, containing forty-three numbers. They had their origin in a new style of poetry that Edith Sitwell evolved in the early 1920s, poems that her brother Osbert later described as 'experiments in obtaining through the medium of words the rhythm and dance measures such as waltzes, polkas, foxtrots... Some of the resulting poems were sad and serious... Others were mocking and gay... All possessed a quite extraordinary and haunting fascination.' Possibly influenced by the dance references in some of the numbers, Osbert declared that the poems might be further enhanced if spoken to a musical accompaniment. The obvious choice of composer was the young man who lived and worked in an attic room of the Sitwell brothers' house in Carlyle Square W[illiam] T[urner] Walton, as he then styled himself. The now historic first performance of the Facade Entertainment took place in an L-shaped first-floor drawing-room on January 24, 1922. Accompaniments to sixteen poems and two short musical numbers were performed by an ensemble of five players. The performers were obscured from the audience by a decorated front curtain, through which a megaphone protruded for Edith to declaim her poems. This was, as she put it, 'to deprive the work of any personal quality'. The first public performance of Facade was given at the Aeolian Hall on June 12, 1923. By now, fourteen poems had been set, others revised or rejected, and an alto saxophone added to the ensemble. The occasion gave rise to widespread publicity, both pro and contra, and the name of the twenty-one year old W. T. Walton was truly launched. In the ensuing years the Facade has gone through revisions and additions, with full orchestral arrangements of selected movements being made without the Reciter. Former Band Director Robert O'Brien arranged some movements for band, again without Reciter, which are now out of print. So this 'history making' addition is the first opportunity for Concert Bands to present some movements of Facade with poems as originally intended. The luxury of electronic amplification allows the full ensemble to perform without necessarily overshadowing the Reciter. And the arrangements are written with considerable doubling so that the ensemble may play in full, or reduced in size as may be desired for proper balance. And, though not encouraged, the arrangements are written so that the band can perform the music without the Reciter. Program notes are adapted in part from those written by David Lloyd-Jones and published by Oxford University Press in the Study Score of William Walton's Facade Entertainments.
Estimated dispatch 7-14 working days
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£57.50Jump, Jive an' Swing (Concert Band - Score and Parts) - Murtha, Paul
Including the popular swing hits Flip, Flop and Fly; Rock This Town and Jump, Jive and Wail, here is an entertaining medley for band that will have everyone dancing in the aisles. Paul Murtha has skilfully adapted this fun, jazzy style for the concert stage.Duration: 3.30
Estimated dispatch 7-14 working days
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