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£89.99All Over the Country (Concert Band - Score and Parts)
In his solo piece for alto saxophone and concert band, Gerald Oswald presents a musical palette of landscapes, moods and human characters. The music reflects different and contrasting moods and lifestyles. The composer set out to show the diversity, the cultural differences and the contrasting ways of life that might exist right next to each other on a piece of land. The result is a varied composition, sure to bring joy to the soloist, the concert band and audience alike! 05:10
Estimated dispatch 7-14 working days
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£50.50Over the Sea to Skye (Concert Band - Score and Parts) - Wagner, Douglas E.
This setting provides a rich tapestry of sound with the ability for your beginners to make real music. The traditional Scottish folk tune is scored in 3/4 time and should not pose any technical challenges for any beginning band. This charming ballad presents multiple teaching opportunities for dynamic contrasts, full value notes, and subtle tempo nuances. Most musical!Duration: 2:15
Estimated dispatch 7-14 working days
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£62.95Over the Rainbow, Variations on (Concert Band - Score and Parts) - Arlen & Harburg - Phillippe, Roy
Initially this lush melody is presented with a soaring trumpet solo and warm full-band accompaniment. Then the variations include a cha-cha version and an oom-pah version. Consider programming all four Roy Phillippe variations to the Wizard of Oz, including "Ding Dong the Witch is Dead" and "If I Only Had A Brain". A most creative set of arrangements!Duration: 5:45
Estimated dispatch 7-14 working days
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£84.50Over the Rainbow (Vocal or Saxophone Solo with Concert Band - Score and Parts) - Arlen & Harburg - Barker, Warren
"But no one will want to sing or play a melody that begins with an octave leap!" said an early critic. That melody that no one would sing or play is now probably the best known in the world. From The Wizard of Oz comes the song that has charmed millions. Warren Barker treats this scoring with care in a lush setting perfect for any concert occasion. If you have no vocalist, an optional alto or tenor saxophone solo part is included in the arrangement. It's a perfect audience-pleaser!Duration: 4:15
Estimated dispatch 7-14 working days
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£38.50When Drummers Take Over the World (Percussion feature with Concert Band - Score and Parts) - Sweeney, Michael
A fun rock groove that features those who will have complete world power in the near future - your percussion section.
Estimated dispatch 7-14 working days
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£75.50The Dream of Tiberius - David Campo
The Roman Emperor Tiberius was born in 42 BCE to Tiberius Claudius Nero and Livia Drusilla, both descendants of prestigious political families, at a time when Rome was undergoing significant political upheaval. Julius Caesar had begun a brutal civil war in 49 BCE to end Rome's rule as a Republic and consolidate his power as supreme ruler. Following Caeser's assassination in 44 BCE, Tiberius' father backed the forces wishing to return Rome to a Republic, but they were defeated by Caesarian loyalists led by Caeser's heir Octavian. As a result, Tiberius' early life was spent on the run and in political exile with his parents. In 27 BCE, Octavian would become the first Emporer of Rome and assume the name Augustus. Augustus forced Tiberius' parents to divorce and took Tiberius' mother as his new bride, separating the family and forcing Tiberius to live with his father. Upon his father's death, Tiberius went to live with his mother and Emporer Augustus, a situation Tiberius found extremely uncomfortable but one over which he had no control. Having been adopted by the Emperor, Tiberius assumed the military and political life thrust upon him. He proved to be an outstanding military and political leader, and with his marriage to Vipsania Agrippina his life took on a heretofore unknown stability. However, Augustus would intervene in Tiberius' life once more, forcing him to abandon his happy marriage and take Augustus' daughter Julia (Tiberius' step sister) as his new wife. This arrangement, while securing Tiberius' place as Augustus' heir and ensuring he would one day be Emperor of Rome, was disastrous. Julia's drunken licentiousness was a constant source of scandal and embarrassment for Tiberius (and her father, the Emperor) and she was eventually exiled by her father Augustus. Tiberius was named Emperor of Rome upon the death of Augustus in AD 14, assuming his position as the most powerful man on Earth. However, no matter how powerful he had become, Tiberius never felt as if he had ever had any control over his life, having been manipulated from childhood through adulthood by the whims of Augustus. As Emperor, he soon became disgusted with the political intrigue of the Roman Senate and by AD 26 left Rome and took up residence on the island of Capri, where he lived out the rest of his life. History does not regard Tiberius fondly and by all accounts towards the end of his reclusive life on Capri, he had become a miserable, sick and mentally unstable old man reveling in debauchery and cruelty. It is also informative to note that he was Emperor of Rome when Jesus of Nazareth was crucified, and while there is no indication that Tiberius was even aware of the existence of Jesus, as Emperor he was responsible for the appointment of Pontius Pilate as Governor of Judea. Even considering this, it is difficult to look on the life of the Emperor Tiberius and not feel some sympathy and pity. It's in this spirit that I composed "The Dream of Tiberius." I imagine the man sitting in thoughtful seclusion on the beautiful island of Capri imagining what his life might have happily been had not power been thrust upon him: husband, father and humble servant of the people.
Estimated dispatch 7-14 working days
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£104.99The Ultimate EUROPE Collection
The Ultimate "Europe" Collection is an exciting medley of explosive 80s rock! Europe, who originally went under the name of Force, were founded in 1979 in the Swedish town of Uppland Vsby. At the beginning the band wrote progressive rock but soon switched their direction to a more accessible, keyboard-laden rock sound. Their worldwide breakthrough came in 1986 with the snappy The Final Countdown. This infectious rock number occupied the number one slot in the charts the world over. At the end of the 80s Europe had various other hits, of which Rock the Night, Carrie and Superstitious are the best known. The band, which over time has released eightstudio albums, is still going strong and has a loyal fan base. In The Ultimate "Europe" Collection four of the biggest of Europe's hits are brought together: The already-mentioned Rock the Night, Carrie and Superstitious and of course also the megahit The Final Countdown !
Estimated dispatch 7-14 working days
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£79.99Elegy in the Baroque Style - James Barnes
Cast in G minor, ELEGY IN THE BAROQUE STYLE is a somber work written in memory of the composer_x001A_s mentor and lifelong friend Kenneth Bloomquist. Its emotional introduction eventually eases into a baroque-style chaconne. A chaconne is a set of variations based on a repeated chord progression, as opposed to a passacaglia, which is a set of variations over a ground bass. In this case, the core of the piece is structured over eleven repetitions (variations) of the chord progression that is initially stated in trombones and tubas. Each variation is distinct in structure and scoring. The work concludes with an extended coda, finally settling on a low-voiced g minor chord in low brass and bassoons.
Estimated dispatch 7-14 working days
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£65.50
The Old Buccaneer - Richard Summers
Fifteen men on the dead man's chest! This phrase will give you an idea of the basis for this delightful new piece from composer Richard Summers that is inspired by the Robert Louis Stevenson book Treasure Island. The piece is bold, yet very playable for the grade level. There are plenty of teaching opportunities too with nice counterpoint in a piece the students will love to play over and over again. Your band will sound its best on this contest style piece that invokes the adventurous spirit of pirates!
Estimated dispatch 7-14 working days
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£84.50Power Of The Redstone - Amy Webb
"Power of the Redstone is dramatic, exciting, and, most of all, it is fun to play! While I have written the piece in g minor, I have thrown in some diminished 7 chords and added some v chords for extraordinary sounds and novelty that students (and teachers who are tired of hearing I-iv-v-I over and over) are sure to latch on to and enjoy. The ranges on all of the instruments are well within the grade level of the piece, with Trumpet 1 going as high as 4th line D (just a couple of times), flute going no higher than their "C" and Trombone hitting their high E-flat one time. Dynamics are a very crucial part of this piece." - Amy Webb
Estimated dispatch 7-14 working days
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