Results
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£147.20At World's End - Hans Zimmer
The soundtrack of the movie picture 'Pirates of the Caribbean': 'At World's End', released in May 2007, was composed by one of the 'masters of the soundtrack', Hans Zimmer. Erik Rozendom made a faithful and extremely well sounding arrangement of this fine score which, in the meantime, has become very popular. This arrangement can possibly call on the vocal capacities of the musicians of your band.
Estimated dispatch 7-14 working days
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£34.95
Dreaming of Dreams - Thomas Kelly
Dreaming of Dreams is a slow-paced and 'feel-good' piece, written for grade 2 Wind Band. After a short reflective introduction, the light and delicate main melody is introduced by the first clarinets followed by a broad and nostalgic counter melody at letter B played by the tenor saxophone, bassoon, first trombone and euphonium. At section D the main melody returns in the first clarinets, this time augmented by the first trumpets and at E we hear the main melody and counter melody together. After a repeat of the opening material, a new melody is featured at letter G played by the first flutes in a new key. The main melody and counter melody are then heard for one final, triumphant time, back in the home key. Fragments of the main melody are then heard throughout different sections of the band as the piece fades away to the final chord.
Estimated dispatch 7-14 working days
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£75.00
Vranjanka - Kenneth Hesketh
Vranjanka (pronounced VRAHN-yahn-kah) means "From Vranje," a town in southern Serbia. It is loosely based on the traditional folksong ano Duo. The melody is extant in two versions, one in 7/8 and one in 3/4. The musical form of the piece starts with a fairly slow introductory section, a faster second section cast in a set of variations on the folksong. Vranjanka was commissioned by Timothy and Hilary Reynish in memory of their son William.
In stock: Estimated delivery 1-3 days
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£95.00
The Gilded Theatre - Kenneth Hesketh
The Gilded Theatre was commissioned by the National Youth Wind Orchestra of Great Britain on the occasion of its fortieth anniversary. They gave the first performance on 10th August 2008, at St. John's Smith Square, London conducted by James Gourlay.The Gilded Theatre can, in some ways, be seen as a continuation of dramatic forms as presented in a previous piece by Hesketh, Diaghilev Dances. Unlike the Dances, however the music in The Gilded Theatre is conceived as one continuous span and stretches of music are also subtitled and refer to stock characters or scenarios redolent of the commedia dell'arte or 17th Century French Theatre.The subtitles are Rideau, Les Idiots Ou Les Amants, Le Combat Commence, Desespoir, L'apparition, Folie, La Mort, Rideau. The music narative progresses through dramatic, comedic, romantic and aggressive moods supporting the idea of the abstract play to which the the above subtitles refer. Throughout the piece the composer has sought to challenge the players both technically and emotionally, and it is the players themselves who are in fact the protagonists in the piece.
In stock: Estimated delivery 1-3 days
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£29.95
Share My Yoke - Score and Parts - Joy Webb
Program NotesMajor Joy Webb has a unique and special gift for writing songs that achieve massive popularity, both for the purity of their musical integrity and for the depth of their poetic and literal strength. One of the members of The Salvation Army's 1960s phenomenon "The Joystrings," Joy Webb has a string of popular songs to her name, several of which contributed to the charts successes of enjoyed by the group. In more recent years, many of her tunes have found their why into instrumental repertoire.A prime example of Joy's remarkable gifting is her beautiful Share My Yoke. Although the deeply spiritual words of Share My Yoke may be unfamiliar to some, the sheer beauty of the melody is without doubt. The chorus is reproduced here to offer an insight into the song's meaning:Your slightest movement I will feel and understand.Share my yoke, and come the way that I must go,In our togetherness my peace you'll know.The world beholding us will see it's so.Calling for real sensitivity both from soloist and accompanying group, this is an extremely rewarding piece to play - and a moving listening experience for the audience.The arranger, Ivor Bosanko, who lives in California following retirement from the post of Territorial Music Director in The Salvation Army's USA Western Territory, is himself a respected songwriter, composer and arranger. He has produced this wonderfully sensitive and evocative arrangement of the song for cornet soloist and band. Already widely used and recorded in its original brass band form, this arrangement for concert band will undoubtedly be a useful and valuable addition to repertoire.
Estimated dispatch 7-14 working days
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£5.95
Share My Yoke - Score only - Joy Webb
Program NotesMajor Joy Webb has a unique and special gift for writing songs that achieve massive popularity, both for the purity of their musical integrity and for the depth of their poetic and literal strength. One of the members of The Salvation Army's 1960s phenomenon "The Joystrings," Joy Webb has a string of popular songs to her name, several of which contributed to the charts successes of enjoyed by the group. In more recent years, many of her tunes have found their why into instrumental repertoire.A prime example of Joy's remarkable gifting is her beautiful Share My Yoke. Although the deeply spiritual words of Share My Yoke may be unfamiliar to some, the sheer beauty of the melody is without doubt. The chorus is reproduced here to offer an insight into the song's meaning:Your slightest movement I will feel and understand.Share my yoke, and come the way that I must go,In our togetherness my peace you'll know.The world beholding us will see it's so.Calling for real sensitivity both from soloist and accompanying group, this is an extremely rewarding piece to play - and a moving listening experience for the audience.The arranger, Ivor Bosanko, who lives in California following retirement from the post of Territorial Music Director in The Salvation Army's USA Western Territory, is himself a respected songwriter, composer and arranger. He has produced this wonderfully sensitive and evocative arrangement of the song for cornet soloist and band. Already widely used and recorded in its original brass band form, this arrangement for concert band will undoubtedly be a useful and valuable addition to repertoire.
Estimated dispatch 7-14 working days
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£248.99Odysseia (Concert Band - Score and Parts) - Aulio, Maxime
Washed up on the Phaeacian shore after a shipwreck, Odysseus is introduced to King Alcinous. As he sits in the palace, he tells the Phaeacians of his wanderings since leaving Troy. Odysseus and his men fi rst landed on the island of the Cicones where they sacked the city of Ismarus. From there, great storms swept them to the land of the hospitable Lotus Eaters. Then they sailed to the land of the Cyclopes. Odysseus and twelve of his men entered the cave of Polyphemus. After the single-eyed giant made handfuls of his men into meals, Odysseus fi nally defeated him. He got him drunk and once he had fallen asleep, he and his men stabbed a glowing spike into the Cyclop's single eye, completely blinding him. They escaped by clinging to the bellies of some sheep. Once aboard, Odysseus taunted the Cyclop by revealing him his true identity. Enraged, Polyphemus hurled rocks at the ship, trying to sink it. After leaving the Cyclopes' island, they arrived at the home of Aeolus, ruler of the winds. Aeolus off ered Odysseus a bag trapping all the strong winds within except one - the one which would take him straight back to Ithaca. As the ship came within sight of Ithaca, the crewmen, curious about the bag, decided to open it. The winds escaped and stirred up a storm. Odysseus and his crew came to the land of the cannibalistic Laestrygonians, who sank all but one of the ships. The survivors went next to Aeaea, the island of the witch-goddess Circe. Odysseus sent out a scouting party but Circe turned them into pigs. With the help of an antidote the god Hermes had given him, Odysseus managed to overpower the goddess and forced her to change his men back to human form. When it was time for Odysseus to leave, Circe told him to sail to the realm of the dead to speak with the spirit of the seer Tiresias. One day's sailing took them to the land of the Cimmerians. There, he performed sacrifi ces to attract the souls of the dead. Tiresias told him what would happen to him next. He then got to talk with his mother, Anticleia, and met the spirits of Agamemnon, Achilles, Patroclus, Antilochus, Ajax and others. He then saw the souls of the damned Tityos, Tantalus, and Sisyphus. Odysseus soon found himself mobbed by souls. He became frightened, ran back to his ship, and sailed away. While back at Aeaea, Circe told him about the dangers he would have to face on his way back home. She advised him to avoid hearing the song of the Sirens; but if he really felt he had to hear, then he should be tied to the mast of the ship, which he did. Odysseus then successfully steered his crew past Charybdis (a violent whirlpool) and Scylla (a multiple-headed monster), but Scylla managed to devour six of his men. Finally, Odysseus and his surviving crew approached the island where the Sun god kept sacred cattle. Odysseus wanted to sail past, but the crewmen persuaded him to let them rest there. Odysseus passed Circe's counsel on to his men. Once he had fallen asleep, his men impiously killed and ate some of the cattle. When the Sun god found out, he asked Zeus to punish them. Shortly after they set sail from the island, Zeus destroyed the ship and all the men died except for Odysseus. After ten days, Odysseus was washed up on the island of the nymph Calypso.
Estimated dispatch 7-14 working days
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£239.99The Three Musketeers, Op. 8 Wind Band Set (Score & Parts)
Les Trois Mousquetaires (The Three Musketeers) was commissioned by the Miraphone company for the Miraphone Tuba Quartett and the Musique des Gardiens de la Paix (Paris, France). It was premi?red in Guebwiller (France), on 28 June 2003 by its dedicatees.Even if you have never read a line of the mythical novel The Three Musketeers (1844) by Alexandre Dumas, father, you will at least have?heard of the "four invincibles"; four extraordinary names - D'Artagnan, Athos, Porthos, and Aramis - and one unique motto "All for one, and one for all." The musical texture of Les Trois Mousquetaires is focused on specific elements of a character's personality rather than on its influence on the book's plot. Maxime Aulio has largely turned his attention on D'Artagnan, the sensitive, romantic and perfect gentleman who is easily charmed by women such as the gentle Constance Bonacieux and the perfidious Milady de Winter whose beguiling beauty seduced him. The first movement - D'Artagnan - is true to the character of the young provincial noble of the Gascony region: heroic and enthusiastic in all circumstances. The second movement entitled Constance Bonacieux, is romantic, delicate and passionate. The third and last movement is as duplicitous as the bewitching femme fatale its reveals: Milady de Winter.
Estimated dispatch 7-14 working days
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£75.00Silent Night (Concert Band with Optional Choir - Score and Parts) - Gruber, Franz - Noble & Willcocks
Silent Night (German: Stille Nacht, heilige Nacht) is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was declared an intangible cultural heritage by UNESCO in 2011. Over the years, because the original manuscript had been lost, Mohr's name was forgotten and although Gruber was known to be the composer, many people assumed the melody was composed by a famous composer, and it was variously attributed to Haydn, Mozart, or Beethoven. However, a manuscript was discovered in 1995 in Mohr's handwriting and dated by researchers as c. 1820. It states that Mohr wrote the words in 1816 when he was assigned to a pilgrim church in Mariapfarr, Austria, and shows that the music was composed by Gruber in 1818. This is the earliest manuscript that exists and the only one in Mohr's handwriting. The song has been recorded by a large number of singers across many music genres. This haunting setting by David Willcocks also includes slight textual alterations to the piece that has been translated into about 140 languages. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.
Estimated dispatch 7-14 working days
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£499.00The Venetian Collection (Concert Band - Score and Parts) - De Meij, Johan
The Venetian Collection by Johan de Meij consists of four movements which are all a musical reflection of the four paintings of the same names from the Peggy Guggenheim Museum in Venice.Voice of Space is the first movement of The Venetian Collection. The picture on which the music is based on was painted by the Belgian surrealist artist Ren? Magritte. Along with Ensor, Permeke and Delvaux he was one of the most important painters of the 20th century.The Red Tower was inspired by the painting of the same name (La Torre Rossa) by the Italian artist Giorgio de Chirico, and was awarded first prize in the International Composition Contest in Oman. One of the towers of the mediaevalwalls of the Italian town of Soncino (home to the band for whom Johan de Meij wrote the work for) shows a remarkable resemblance to the tower in the work of De Chirico. Magic Garden contrasts starkly with the other movements of the cycle. As with the painting, Johan de Meij has tried to reflect the colourful, naive dream world of Paul Klee. The transparent texture, in which the woods play an important role, makes a striking impression throughout this serene movement.Empire of Light is also based on a work by Ren? Magritte. He was a versatile and productive artist producing over 1100 paintings and 700 gouaches. Johan de Meij used the painting Empire of Light as his theme for the last movement of his Venetian Collection. Duration: 35.00
Estimated dispatch 7-14 working days
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