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£113.30Via Della Terra - Marco Somadossi
Composing music also involves being able to imagine the sound of something that has no sound of its own. "Via della Terra" is a soundtrack without a film, a story without a narrator; "Via della Terra" is a street in a town, but not just any street, because if a street could tell its story, "Via della Terra" would not know where to start or where and indeed if it should finish. Like all "Vie della Terra", this street in this piece is full of sounds, none of which, however, have ever belonged to it for more than a fleeting moment, just long enough to be reflected here and there and then up and away from the earth, to be lost in the air. The steps of Mozart as a child as he whistled a piece of music, never again to be remembered or written; the philosophical thoughts, or mere everyday cares, uttered to a friend by Rosmini (whispered? or declaimed?); the excited or humorous comments of people who saw Depero's futuristic works for the first time; the voices of marketstall owners, rendered louder and more acute by the noisy crowd of women sorting through the stalls of rustling and colourful silk (so many desires; silent pauses between one item of gossip and the next); the absolute and devastating roar of cannons that violated every corner of the town, injuring bodies and mutilating the memories of its inhabitants... followed by a seeming eternity, as the citizens held their breath, waiting... "Via della Terra" is the old imperial road along which the town of Rovereto was built and has developed. "Via della Terra" is music for an imaginary, impossible and simultaneous representation of all its stories. The composer has always lived in this town, which he dearly loves, and on innumerable occasions he has imagined the voices, smells, people and the lives that have been such a part of it. With his composition, "Via della Terra", Marco Somadossi won second prize (no first prize was awarded) at the XXI Corciano International Competition for original band music in the grade 4 category.
Estimated dispatch 7-14 working days
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£149.99
Noah's Ark - Bert Appermont
Noah's Ark is a composition based on the well-known bible-storys in which Noah builds an ark to conquer the flood. This work portrays four impressions, each of them introduced by a theme. To add dramatic power a synthesizer or a wind-machine can be used. The story can also be read by a narrator during the performance.
Estimated dispatch 7-14 working days
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£64.99The Night Before Christmas - John Moss
(for narrator and band). John Moss has painted a musical backdrop of fantasy and wonderment for this timeless Christmas poem. This superb program number offers an ideal opportunity to invite a faculty member, mayor, or local personality to be a part of your holiday program.
Estimated dispatch 7-14 working days
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£76.99Peter And The Wolf - Sergei Prokofiev
In this unique adaptation of Prokofiev's most recognizable work, James Curnow has made the traditional narrator optional for concert performances. Impeccably scored in a playable setting. (Grade 3)
Estimated dispatch 7-14 working days
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£225.50Vier Burleske Szenen Aus Der Mond - Carl Orff
Carl Orff wrote his little world-theatre "Der Mond" [The Moon], based on old fables, between 1936 and 1938. The score written for actors who sing, a narrator and large orchestra, also contains parts important for wind band. Four scenes have been selected for the present arrangements which are best performed on different sets of instruments. The arranger, Hermann Regner (born 1928), worked very closely with Carl Orff for many years. This work is sure to be a success in concerts for bands at an advanced level.
Estimated dispatch 7-14 working days
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£55.00The Declaration of Arbroath - Andrew Duncan
Programme notes from the composer, Andrew Duncan:Originally written for The West Lothian Schools' Annual Concert 2006 and scored for Concert Band, Brass Band, Highland Bagpipes, Children's Choir and Narrator. This version has been rescored for Concert Band with optional parts for Highland Bagpipes and Narrator. The piece celebrates the internationally renowned Declaration of Arbroath. The music begins in the uncertain times of Scotland's early 14th century, following the Battle of Banockburn and the death of William Wallace. The narrator describes this scene and explains the origins of the Declaration. The music builds to a climax, but once again gives way to uncertainty, allowing the narrator to explain further the history surrounding the Declaration. A group of Scottish Nobles wrote the Declaration which was an appeal to the Pope to recognize Scotland's independence. The piece then reflects a positive outcome following the Pope's support of the Declaration. Further information is provided by the narrator which draws to a rousing build to express the emotive inspiration behind this composition.The original scoring (to include Concert Band, Brass Band, Highland Bagpipes, Choir and Narrator) is also available by request.
In stock: Estimated delivery 1-3 days
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£13.95
Roman Trilogy
1Royal Windsor PortraitsMartin EllerbyRichard Moore (Vocal) with Royal Northern College of Music Wind Orchestra13.292Turquoise WaterTom MossMay Crick (Alto Saxophone) with Royal Northern College of Music Wind Orchestra7.143Old World OvertureNigel ClarkeRoyal Northern College of Music Wind Orchestra5.354-6Trombone ConcertoRob WiffinBrett Baker (Trombone) with Royal Northern College of Music Wind Orchestra I. Movement I 7.01 II. Movement II 6.53 III. Movement III 4.287Storm SurgeNigel ClarkeBenjamin K. Lewis (Narrator) with Royal Northern College of Music Wind Orchestra12.468Still WatersRob WiffinIsabelle Orford (Oboe) wiith Royal Northern College of Music Wind Orchestra4.289-11Roman TrilogyMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Colosseo di Roma 4.32 II. Cappelia Sistina 4.11 III. Fontana di Trevi 2.32
Estimated dispatch 7-14 working days
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£210.80The Pied Piper of Hamelin (Concert Band - Score and Parts) - Schwarz, Otto M.
Stories, sagas and legends--who among us don't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the 'Soup-Kasper' of Hoffmann's Struwwelpeter dies from starvation rather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless.In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scorn and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems--rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in colourful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rats and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognise this man's skills and knowledge and were only prepared to pay for simple labour. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town's children were so enchanted by his playing that they followed him. He led them out of the town and disappeared with them forever into a mountain forever. Of all the children, only two survived--however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event. The work may be performed in two different versions: 1. Purely instrumental (without narrator)--the GPs (pauses) must be kept short 2. With narrator--he speaks in the GPs but not during the music.Duration: 14.15
Estimated dispatch 7-14 working days
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£44.55A Visit From Saint Nicholas
For band with narrator. Len Orcino's delightful and entertaining new arrangement of "The Night Before Christmas" for narrator and developing bands that is destined to become the highlight of many holiday performances. A wonderful way to involve your Principal or any local celebrity in your band's concert. Band parts are very effective and playable! A timeless "Classic" that just can't be beat!
Estimated dispatch 7-14 working days
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£85.95CASEY AT THE BAT (with narration) (Concert Band) - Holcombe, Bill
A setting for narrator and concert band of the classic poem by Ernest L. Thayer. Can be performed without narrator.
Estimated dispatch 7-14 working days
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