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  • £157.50

    In War Time - David Del Tredici

    David Del Tredici's In Wartime - the first work for wind band by one of America's masters of orchestral music - matches its emotional depth with immediate musical appeal. The opening hymn laces fragments of Abide With Me with swirling counterpoint, while the following Battlemarch brings an ominous march-theme into a frenzied conflict with the Persian national song, Salamati, Shah! Daring, brilliantly orchestrated and absolutely unique, In Wartime is a landmark in the repertoire. (18:30)

    Estimated dispatch 7-14 working days
  • £75.50

    Interlude - Andrew Pearce

    As a young man, Andrew Pearce had fond memories of playing cornet in the local Youth Brass Band, where he first experienced the power and beauty of brass music. After completing 'The Maestro' concertino for Philip Cobb, he decided to write a more gentle and lyrical piece for him, which paid homage to his musical roots in the Salvation Army. 'Interlude' is ideal for a proficient solo cornet player in any brass band: tuneful, reflective and elegiac with lots of expression.

    Estimated dispatch 7-14 working days

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  • £124.20

    The Queen - Nuno Osório

    The work gives us a portrait of ngela's characteristics, as a person (confidence, flexibility, honour, gratitude, respect, empathy, determination, sensitivity and courage...) and as a professional in the musical universe. In this way, throughout the work, the composer tries to find and explore contrasting and versatile sounds.

    Estimated dispatch 7-14 working days

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  • £78.20

    Domingos Barros - Vitor Resende

    A fresh and traditional Paso Doble with surprising melodies, offered by the board of the Associa�o Recreativa e Musical de Vilela - Portugal to Domingos Barros as a token of gratitude for his loyal friendship and contribution to this institution.

    Estimated dispatch 7-14 working days

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  • £64.40

    Misirlou - Traditional

    Misirlou became very popular in Western culture because of Dick Dale's American surf rock version in 1962. After that, several versions were recorded and in 1994 Quentin Tarantino reused Dick Dale's version in his film Pulp Fiction. Arguably the most iconic musical moment in this film.

    Estimated dispatch 7-14 working days

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  • £119.60

    BAIA - Lionel Beltrán-Cecilia

    BAIA is a symphonic episode inspired by the submerged Italian city. Through its melodies and sound effects, the authoraims to transport the audience to different moments, providing an aquatic perspective from the eyes of a restless andadventurous fish. This musical journey leads to the exploration of the city of Baia and its archaeological richness preservedbeneath the marine depths, even across time.[...In its time, Baia was an ancient Roman city that flourished during the 1st and 2nd centuries AD. It was a luxuriousdestination and a significant political and social centre in the Roman Empire. Renowned for its thermal baths, impressivearchitecture, and beautiful natural surroundings, the city became a popular retreat for Roman high society, including emperors,nobles, and artists. However, over the centuries, Baia was affected by volcanic activity and changes in the coastline, resulting ina significant portion of the city being submerged underwater. Today, the remains of Baia lie beneath the waters of the gulf,turning it into a fascinating underwater archaeological site...]

    Estimated dispatch 7-14 working days

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  • £96.60

    Happy Phone - Henri Gerrits

    In this sparkling work, the conductor is interrupted in the middle of a musical adventure by a spontaneous phone call from a member of the orchestra. This unexpected moment adds an extra layer of liveliness and humour to the performance, creating a unique experience every time. This piece is perfect for training orchestras looking for a challenging and inspiring addition to their epertoire. A masterpiece that breaks the boundaries of traditional orchestral music and leaves unforgettable impression at every performance.

    Estimated dispatch 7-14 working days

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  • £138.00

    San Pedro de Alcntara - Valdemar Gomes

    The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the "salero" of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the "grand finale", in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.

    Estimated dispatch 7-14 working days

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  • £87.40

    Lord of Seven Seas - Kees Vlak

    The plot of this overture takes place in the year 3000 A.D. At that time traffic between the earth and the planets relies exclusively on space flights. War as a last resort to "settle" arguments between people on earth no longer exists. There is only one gigantic spacecraft which is able to navigate both above and beneath the surface that supervises the oceans. This vessel, the "Lord of Seven Seas", is a hundred times larger than the "Nautilus" or the "Titanic" and must not be compared to any ship of our times. In the introduction of the overture, the gigantic vessel is presented by employing a musical style which is commonly associated with space flights. The introduction isfollowed by a fragment, which evokes the wild fury of rain and storm, and therefore reminds us of the story of the "Flying Dutchman". The middle section is written as a barcarole. The vessel investigates the local fauna in the depths of the Arctic Ocean. People on board enjoy the calmness as well as the variety and beauty of the animals. In the final part, the gigantic vessel emerges from below the surface and climbs to high altitudes flying from one ocean to the other. The magnificent finale portrays once again the incomparable sight which is offered by the impressive "Lord of Seven Seas".

    Estimated dispatch 7-14 working days
  • £69.00

    Goldene Kameraden - James Barnes

    "Goldene Kameraden" was commissioned to celebrate the 50th anniversary of Musikverlag RUNDEL. The title of the piece is a combination of the golden anniversary of the company and all my friends who work there - but it is also a humorous pun on one of my favorite German marches: "Alte Kameraden". Although marches are rather out of favor in the U.S. these days - unless they are by John Philip Sousa - I love to write them. And so I was happy to have the opportunity to compose this for Thomas Rundel, his family and the team at Musikverlag RUNDEL. The strict form of marches and the necessary march-like clichs required may seem restricting to other composers, but I perceive this as a musical challenge. It is like completing a crossword puzzle: one must go by all the traditional rules" but still produce something creative.

    Estimated dispatch 7-14 working days