Results
-
£151.99Out of the Dark - Thomas Doss
A Miner's TaleThis work is dedicated to the miners, who often had to perform their duties under the most difficult conditions, frequently risking their lives. Many lost their lives in accidents throughout history, and many families lost their fathers. A Miner's Tale describes the beginning of a shift, marked by the signal on the wooden board. The foreman and the miners begin their arduous work underground. Suddenly, danger strikes, leading to a terrible collapse.Trapped beneath the rubble, the miners are overwhelmed by fear, despair, and loneliness. Only their camaraderie and the memory of their loved ones keep them going. In the darkest moment, in the dim light of their fading mining lamp, a vision of Saint Barbara - the patron saint of miners - appears before them. Shortly thereafter, they hear the sound of approaching rescue. Overcome with joy and relief, they begin to hum the Steigerlied" in exhaustion.Bar 3 - The signal on the wooden board announces the start of a new underground shiftBar 10 - Glck auf! (Miner's traditional greeting: "Good luck!")Bar 24 - Foreman and miners - the shift begins Bar 62 - Hardships deep underground Bar 91 - Sudden danger arisesBar 100 - Fear of never returningBar 108 - Thoughts of familyBar 121 - Resigned to fateBar 132 - Vision of Saint Barbara and rescueBar 146 - "Steigerlied" - Homecoming and church bells
Estimated dispatch 7-14 working days
-
£82.95Soundtrack 823: Zoey's Theme - Patrick Roszell
Fast-paced and energetic, Soundtrack 823 honors the memory of the composer's beloved pet, Zoey. It is full of energetic melodies, modern harmonies, and lyricism that will be an exciting addition to your concert program. (5:30) The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:Assignment, recording, and assessment tools within MakeMusic CloudPiece-specific exercises focused on skills and techniquesPrintable sheet music (with a standard MakeMusic Cloud subscription)Educational tips and suggestions to support learningAvailable in print and digital formats.
Estimated dispatch 7-14 working days
-
£119.00Heritage - Shawn E. Okpebholo
Shawn Okpebholo's Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties.The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song: Ekine leleyea do obhimen la doeki nalo (My investment in you is paid off. Because of your hard work, your future is bright).Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian.
Estimated dispatch 7-14 working days
-
£152.99A Midsummer Night's Dream - Felix Mendelssohn Bartholdy
Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op. 21). Sixteen years later, in 1842, he composed the incidental music (opus 61) for King Frederick William IV of Prussia, in which he incorporated the existing overture. The overture premiered in Stettin (then in Prussia, now Szczecin, Poland) on February 20, 1827, conducted by Carl Loewe. Mendelssohn had to travel 80 miles through a raging snowstorm to get to the concert, which became his first public appearance. The first British performance of the overture was conducted by Mendelssohn himself on June 24, 1829, at the Argyll Rooms in London. After the concert, Thomas Attwood was given the score of the overture for safekeeping, but left it in a taxi and was never found. Mendelssohn later rewrote the overture entirely from memory.
Estimated dispatch 7-14 working days
-
£76.99A Little Tune - Thomas Doss
It's the little things that enrich our lives and bring a smile to our faces: a sunrise, a beautiful memory, a friendly conversation or even just a lovely melody. Hopefully, you'll find this is also true for Thomas Doss' little tune which the composer had written for his wife and youngest son as a souvenir of their road trip through Ireland.
Estimated dispatch 7-14 working days
-
£72.99Soundtrack Highlights from Yesterday - John Lennon
Featuring the magical music of the Beatles throughout, this imaginative movie explores a world where everyone loses memory of the iconic British band and their music except one person who takes full advantage. Includes I Want toHold Your Hand: Let It Be: Ob-La-Di, Ob-La-Da: Back in the U.S.S.R.: Hey Jude: and of course Yesterday.
Estimated dispatch 7-14 working days
-
£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
-
£58.50
A Child's Lullaby - Robert Sheldon
This piece is dedicated to Olivia Caldwella beautiful and charming little girl who was taken by cancer at the age of 20 months. Her grandparents commissioned this piece in her memory to recognize her sweetness, strength, and courage. (3:45)
Estimated dispatch 7-14 working days
-
£141.99Wind In The Reeds - Philip Sparke
Wind in the Reeds was commissioned by Deena Draycott in memory of John Watson, an army bandsman, teacher and bassoonist. Wind in the Reeds is both a tribute and lasting memorial to John. The piece is largely pastoral in nature, evoking images conjured up by the 'play on words' in the title, but includes a faster central section which exploits other aspects of the character of the bassoon. Transitions between the various sections of the piece are achieved through a series of accompanied cadenzas for the soloist.
Estimated dispatch 7-14 working days
-
£99.99Salute to the Victor - Philip Sparke
Salute to the Victor is in traditional march form and contains, as a tribute to Victor Grieve who was a devotee of English music (in particular that of Sir Edward Elgar), a short quote from Elgar's Sea Pictures in the trio. Salute tothe Victor was commissioned by Helen, Alex and James Grieve for the Golden Kangaroos (Hornsby Concert Band) from Sydney, Australia, in memory of their parents, Louise and Victor Grieve, Founder and Director.
Estimated dispatch 7-14 working days
View Music