Results
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£66.95Mash-Up Vol.2 (Concert Band - Score and Parts) - Roszell, Patrick
The Broadway classic "I've Gotta Be Me" and Barbra Streisand's iconic "Don't Rain on My Parade" meet head-on in this exciting "Mash-Up" drawn from tunes performed on the popular television show Glee. This arrangement is presented in a high-energy style that allows for teaching of swing techniques.Duration: 2:15
Estimated dispatch 7-14 working days
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£195.00A John Rutter Christmas I - Carols (Concert Band - Score and Parts) - Rutter, John - Noble, Paul
After arranging a number of John Rutter's magnificent compositions for Concert/Wind Band, he invited me to create a medley of his most popular Christmas carols for band. I am pleased to present A John Rutter Christmas to the world of band music, with the hope that conductors, players, and audiences alike will enjoy this outstanding music. Somehow, John Rutter's carols shout Christmaswithout a word being spoken! - Paul Noble
Estimated dispatch 7-14 working days
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£195.00A John Rutter Christmas III - Rejoice! (Concert Band - Score and Parts) - Rutter, John - Noble, Paul
After arranging a number of John Rutter's magnificent compositions for Concert/Wind Band, he invited me to create a medley of his most popular Christmas carols for band. I am pleased to present A John Rutter Christmas to the world of band music, with the hope that conductors, players, and audiences alike will enjoy this outstanding music. Somehow, John Rutter's carols shout Christmas without a word being spoken! - Paul Noble
Estimated dispatch 7-14 working days
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£225.00Amsterdam Suite (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 1st Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 2nd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£85.00Amsterdam Suite, 3rd Movement (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
The Amsterdam Suite, written in 1995 and first performed by the Slaithwaite Philharmonic Orchestra the following year, seeks to convey some impressions of a city I have visited several times. It opens with the waltz sequence, Barrel Organs, recalling the hurdy-gurdies positioned at strategic points in the city with the aim of parting tourists with their loose change. The tunes, however, are mine rather than an attempt to reproduce the real thing. Amsterdam takes its Saturday nights seriously, with the result that those who get up (or are still up) early on Sunday morning will find themselves in eerily deserted streets, whose atmosphere to me suggests one instrument above all, the saxophone, which plays a prominent part in Lonely City. The Saturday nights themselves are depicted in Trams and Crowds. I have taken liberties with the chronology for the obvious musical reason of wanting to go out with a bang rather than a whimper. The basic structure is very much that used by Eric Coates for similar piece, a bustling outer section with a quick march trio, presented in a fuller and more embellished orchestration on each of its three appearances. - Matthew Curtis.
Estimated dispatch 7-14 working days
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£54.95Las Lluvias Grandes (Concert Band - Score and Parts) - Graham, Peter - Bowen, Brian
This three movement suite in Latin American style features the songs; 'Count Your Blessings', 'Make me a Blessing' and 'Showers of Blessing' and will bring a touch of the Caribbean to any concert!
Estimated dispatch 7-14 working days
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£10.95
Las Lluvias Grandes (Concert Band - Score Only) - Graham, Peter - Bowen, Brian
This three movement suite in Latin American style features the songs; 'Count Your Blessings', 'Make me a Blessing' and 'Showers of Blessing' and will bring a touch of the Caribbean to any concert!
Estimated dispatch 7-14 working days
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£64.99Disney Film Favorites (Flexible Ensemble - Score and Parts) - Vinson, Johnnie
Music from Disney's animated classics has become a part of our culture and reaches across generations with its appeal. This medley of familiar melodies will bring back fond memories for players and audience alikeIncludes:Under the Sea (The Little Mermaid)Circle of Life (The Lion King)Friend Like Me (Aladdin)Beauty and the Beast
Estimated dispatch 7-14 working days
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