Results
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£66.95Winchester Cathedral (Flexible Ensemble - Score and Parts) - Stephens, Geoffrey - Sunde, Inge
You see that a song has done well when you see the long list of artists who have recorded cover versions. Here are some of them, after the original recording with The New Vaudeville Band in 1966; Dizzy Gillespie (1966), Frank Sinatra (1966), Ray Conniff (1967), Petula Clark (1967), The Shadows (1967) and The Four Freshmen (1968). This arrangement reflects the original and also allows for highlighting soloists.Flexible instrumentation (Flex 5 ShowBlow) makes it playable for small as well as larger ensembles.Duration: 3.00
Estimated dispatch 7-14 working days
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£159.99In Nomine (Concert Band - Score and Parts) - Schwarz, Otto M.
How often has something been justified by, declared to be, or blessed as 'in the name of' some cause or other? How can it be that opposing armies and the use of weapons are ever 'in the name of...'? This is a common thread in the history of different faiths. Good was created but evil was committed and all 'in the name of...' This thread is also found in the history of the Premonstratensian Abbey at Wadgassen. The abbey was built in the 12th century on unfertile, desolate moorland, which later evolved into the most powerful religious community in the Saarland. The history of the abbey records quite astounding achievements under the motto desertum florebit quasi lilium ('the desert will bloom like a lily'); but also the harsh treatment of delinquents. The order had its own school, in which children were taught the seven liberal arts (which included music as well as geography and astronomy), but the poor were left to starve outside the abbey walls and were only allowed to eat from the members' leftovers on feast days. The medieval witch trials demanded their pound of flesh, and one group that fell victim were ecstatic dancers who moved wildly to music, which was interpreted as the devil's work. The result: a show trial that sentenced the dancers to death by fire. All in the name of... The year is 1789: Abbot Bordier is in the tenth year of his command. He does not yet know that he is to be the last abbot of an almost 700-year tradition. Not far from the abbey is the French border, which has long been making itself felt with the sound of gunfire, and the brothers continue to keep a nervous eye on it. The first portents of the French Revolution loom, but no one wants to believe it, that is, until the French pound the door down, storm the abbey and come right into the brothers' chambers. In a blind fury, all the pipes of the abbey organ are torn out, icons beheaded with swords and brothers beaten death while numerous buildings are set on fire. The abbey church is in flames. A frantic and desperate escape begins. Abbot Bordier and a handful of brothers make their getaway via the River Saar, adjacent to the abbey, to the neighbouring village of Bous. They survive, but their life, the Premonstratensian abbey, is destroyed. While they flee towards Prague and the sanctuary of the Strahov Monastery, the abbey at Wadgassen is razed to the ground and becomes a stone quarry. The desert blooms once more, however. A few short decades later, a glasswork arises from the foundations of the abbey. As peace returns to the region, it brings jobs and a new vision for its people.Duration: 11.15
Estimated dispatch 7-14 working days
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£102.99Music Xperience (Concert Band - Score and Parts) - De Haan, Jacob
The town of Zevenhuizen (Seven Houses) in the Dutch province of Groningen conceived the idea to assemble 777 musicians for an experimental open air concert. Within that context, Jacob de Haan was commissioned to write a special composition for the local music society Concordia on the occasion of its fiftieth anniversary. The full number of musicians could not be realised entirely, but the performance was a great happening nonetheless. Now, the music has been published in a compilation, with the most appealing melodies in a varying style of rock music and ballads. The compelling closing theme of Music Xperience will linger in the minds of many listeners and players long after the concert has ended.Duration: 8.30
Estimated dispatch 7-14 working days
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£137.99The Baltic Way (Concert Band - Score and Parts) - De Haan, Jan
In 1989, the demonstration named the Baltic Way, also known as the Baltic Chain, was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of the first movement, 'Struggle for Independence', is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas Ciurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and, in rhythmic terms, contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, 'Tautiska giesm?' (Lithuania, our homeland). The second movement, 'Decades of Suffering', echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This 'Chain of Freedom' is depicted in the final movement of the work. Duration: 10.30
Estimated dispatch 7-14 working days
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£60.99Songs of the Sea (A Sea Shanty Rhapsody) (Concert Band - Score and Parts) - Vinson, Johnnie
Sea shanties have long been a source of tuneful melodies and rollicking rhythms. Johnnie's setting for band features a wide variety of styles and textures, and is a great choice for contest or festival. Included are traditional folk melodies from "The Drunken Sailor," "The Bonnie Ship the Diamond," "Rolling Down to Old Maui," and "Wellerman."
Estimated dispatch 7-14 working days
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£78.50Mont Blanc (Concert Band - Score and Parts) - Schwarz, Otto M.
With its height of 4,808 meters, Mont-Blanc is called the roof of Europe. The highest mountains on our planet have been insurmountable for a long time. Only in the past 250 years have those giants been mounted. Crystal-hunter Jacques Balmat and Michel-Gabriel Paccard, a doctor, were the first to climb Mont-Blanc, in 1786. Many paths lead to Mont-Blanc's peak: the regular ascent goes through the magnificent voie royale of Saint-Gervais-les- Bains, which was opened in August 1855 by the Englishmen Hudson, Kennedy, and Smythe. Today's most common route to climb up, starting from Saint-Gervais via Aiguille du Gouter (3,863m), Dome du Gouter (4,304m), and Arete des Bosses (4,547m), was first used in 1861. Otto M. Schwarz composed this work inspired by the roof of Europe with its luminous and huge glaciers. Early in the morning, mountain-climbers set off to the peak; they witness the sunrise, and experience the hazards that the journey up to the summit brings along. A snowstorm and falling rocks at Arete des Bosses aggravate their journey. A sudden change of weather, however, enables them to reach the top after a strenuous ascent. This piece invites you to an imaginary journey from Saint-Gervais-les-Bains via the voie royale to the top of Mont-Blanc.Duration: 6.45
Estimated dispatch 7-14 working days
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£150.00Keys To Success: Sonority and Technique (Concert Band - Score and Parts)
A significant addition to your concert band folders, "Keys To Success" is a daily approach to developing stellar sonority and technique with your ensemble. Combining traditional long tone and technique exercises/studies with original chorales, this is a rich resource that has been proven in the classroom over many years. Detailed teaching notes to the conductor are included providing invaluable information beyond most band technique books. Directors are encouraged to listen to the publisher-provided demonstration recording featuring a high school band who has used Keys To Success for years in the development of their ensembles from grades 9-12. A cost effective and teaching-focused resource for all concert bands! Duration: 15.30
Estimated dispatch 7-14 working days
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£60.00Keys To Success: Ear Hustles (Concert Band - Score and Parts) - Bankston, Brian
Start each day with a little hustle! With one page of eight exercises, this routine enhances your beginning band's ensemble sound. This musical workout utilizes long tones, low and high range extensions, finger challenges and scale patterns The workout closes with a chord and chorale exercise to improve balance, intonation and basic phrasing. Duration: 4.30
Estimated dispatch 7-14 working days
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£52.95Monsters, Unite! (Concert Band - Score and Parts) - Dugger, Kelly
Monsters, Unite! by Kelly Dugger is a fun beginning band piece that is sure to be a hit, not only at Halloween time but all year round. Monsters all around the world are waking up to a calling to unite. Some are big, hairy creatures, and others are delicate and fairy-like. They walk and fly long distances to find each other. In the end, they all come together, marching as one. Just when you think they've marched off into the distance, they come together to surprise the audience. Unique percussion effects, timpani glissando and theremin (or flexatone) add to the spooky sound. A tuba solo at the end is followed by a surprising scream that will leave the performers and the audience giggling! Duration: 1.30
Estimated dispatch 7-14 working days
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£85.00Under Spanstind (Concert Band - Score and Parts) - Torskangerpoll, Idar
Suite in Three MovementsThis piece of music is a commissioned work for Lavangen School band and their band music convention in 2019. The piece was performed under the mountain Spanstind (located far north in Norway) by a band consisting of approx 400 amateur musicians. The mountain Spanstind is 1457 meters high and drops into the valley Spansdalen below, an especially scenic venue.The composition is inspired by the sami joik (folk song) Ru?gu?ohkka, the song to Spanstinden. It is also inspired by the nature of the surroundings. Mvt 1 "Ro" (calmless) describes the feeling of calmness in the midnight sun. Mvt. 2 "Uro" (unrest) describes a scene of wind, snow, avalance and the big forces of nature. Mvt 3 "Storhet" (greatness) describes the feeling of greatness the nature has, and how we experience it as majestic and exalted.The piece can be played with the movements alone, or one can add the signals played by soloist(s) off-stage or in the back of the hall. The signals are to be played before, in between, and after the 3 movements. All instruments can be soloists. The soloist performs the signals rhythmically aleatoric, where each soloist repeats the signal 4 times in his or her own tempo. Signal 1 is played before Mvt 1, signal 2 is played between Mvt 1 and 2, signal 3 is played between Mvt 2 and 3, and signal 4 is played while the band holds the last note (long, use stagger breathing). after a while, all the soloists end on the same note and the music fade out.Duration: 6.30
Estimated dispatch 7-14 working days
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