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  • £144.99

    Like a Child - Andreas Ludwig Schulte

    The young have the future. This is the statement made at the beginning of 'Like a Child' by Andreas Ludwig Schulte. The opening radiates strength and ambition, but one is also made to wonder which direction will be chosen, which choices will have to be made.After the introduction the first steps on the path of life are taken, still somewhat unsteadily (the 3/4th time used illustrates this uncertainty). However, the child has now set off and will meet the future with an open mind, unafraid, even though experience will teach it how easily it can be hurt.Fortunately, it is sometimes allowed to be vulnerable and it discovers there will always be someone to offer shelter,support and love. (Adagio) The last part breathes a far greater independence. Youth is able to face the future, it can even take on the whole world!

    Estimated dispatch 7-14 working days

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  • £69.99

    Cowboy Suite - Alan Laken

    In the tripartite 'Cowboy Suite' Alan Laken takes us to the Wild West, the domain of cowboys, indians, trappers and other fortune hunters. Around 1890 the west coast of America was reached, which in effect meant the end of the Wild West. Its stories, however, survived and have been a source of inspiration for many books, films, and, of course, music. Some characters, such as Jesse James, Billy the Kid, and Buffalo Bill are forever linked to these tales. In the 'Cowboy Suite' we first hear the 'Hoedown'. At the end of an exhausting workday the labourers used to lay down their tools, among others the 'hoes' and spontaneously began to play music on the instruments which they then possessed (guitars, fiddles, and banjos) and to dance. After being jolted on the 'Wagon Trail' we reach the third part, the 'Cowboy Roundup'. In this last part it becomes clear that as a cattle driver it is imperative to stay firmly seated in the saddle. As the cattle are rounded up, i.e. driven together, spectacular things happen.

    Estimated dispatch 7-14 working days

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  • £104.99

    Jubilant Prelude - Toon Hagen

    'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michalskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.

    Estimated dispatch 7-14 working days

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  • £94.99

    Czardas (Clarinet solo) - Monti

    Vittorio Monti was born on January 6, 1868 in Naples (Italy). His musical education (violin and composition), he enjoyed at the conservatory there. Around his 30's Monti went to Paris. He earned a living as a conductor and wrote several ballets and operettas. In his last years, Monti died in 1922, he devoted himself to teaching and composing. His famous "Czardas" has made his name known even today. Initially the czardas was a Hungarian folk dance , but after the mid-nineteenth century it was even a dance for the upper-class. Czardas begins with a slow introduction, the Lassan (slow and sad), and then the fast part, Friska, follows. Czardas is not, as somany people think typical gypsy music.

    Estimated dispatch 7-14 working days

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  • £244.99

    Journey to the Centre of the Earth - Harrie Janssen

    This composition was based on the world-famous novel by the French author Jules Verne. This novel describes the attempt to reach the centre of the earth. The descent of the crater of the volcano called Snaeffels, situated in Iceland, marks thebeginning of this voyage to the sublunary world. The German geologist, professor Lidenbrock, is accompanied on this trip by his nephew Axel and an Icelandic guide named Hans. The last mentioned will be helpful in many occasions. Dark colors & mist The composer tried in this single work to give a musical expression to various significant moments from this novel. In the introduction he sketches an image of the dismal ambience on the island by using dark colors. Risingfragments of mist reveal the flanks of the monumental mountain Scataris. The composer tries to catch this image in a majestic and broad chorale. Away from Iceland Subsequently the ostinato rhythmicity and virtuosity representthe hectic descent of the crater of the volcano. The party descends ever more and more and travels south, away from Iceland. On the way, they see all kinds of rock formations, fossils and minerals. At a depth of thirty hours walking distance, atabout 150 kilometers below the surface, they reach a sub terrestrial sea which is called the Lidenbrock sea. Genuine eruption of sounds Strange electric manifestations and unpredictable weather conditions accompany thissingular phenomenon. An orchestral tutti-episode expresses this impression musically. On a make-shift raft, the party continues its voyage, heading to the south coast of this huge sea. Once ashore, an enormous rock obstructs the passage. The blowingup of this obstacle unleashes a genuine eruption of sounds in the orchestration. Spat out by the volcano But the explosion has an unforeseen side effect. The sea - travelers and raft included - is sucked upwards into a dark hole.Again, our heroes are accompanied on their involuntary voyage, while left to fend for themselves, by an ever increasing ostinato rhythmicity. Before an irruption can destroy the raft, the threesome manages to escape and climb up through acave towards the daylight. They seem to be spat out by the Stromboli volcano on the island of Sicily, far from home. The composition ends with triumphant sounds that represent the scientific triumph of these adventurers.

    Estimated dispatch 7-14 working days

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  • £144.99

    Three Bites of the Apple - Peter Martin

    One of the best known nicknames for a city that is perhaps New York: "The Big Apple". Already in the thirties of the last century, this name is often used in New York jazz scene. With "The Big Apple" Manhattan was intended. It was the place to be. Around 1920 Harlem was the center of a thriving black culture. This period is known as the "Harlem Renaissance". In the famous Cotton Club were many concerts of greats like Duke Ellington. Broadway attracts millions of tourists. Many of them visit here one of the many musicals sometimes for years on the boards are placed. Broadway splashes sparkles and swings. Peter Martin shows usthree bites tests of this imaginary apple. Enjoy!

    Estimated dispatch 7-14 working days

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  • £309.99

    Symphony No. 9, Op. 160 - James Barnes

    Premiered on September 21, 2018 in Lawrence, Kansas by the University of Kansas Wind Ensemble (Dr. Paul Popiel, conducting), James Barnes' Ninth Symphony was composed between January and late June of that same year. This large work was commissioned by a consortium of twenty-one college bands, community bands, professional bands and individuals to help mark the 70th birthday of the composer (b. 1949). It is an expansive forty-minute work in four movements, of which the composer writes, This is my last symphony... this work represents a compendium of all that I have learned during the fifty years of composing and scoring for this wonderful new medium: the modern wind band. The first movement, subtitled Elegy, is based around G minor. It is the longest movement of the symphony. Tragic and despondent in character, it is cast in sonata-allegro form. The second movement is entitled Scherzo. Barnes claims that I have always wanted to write a waltz, and that is how this movement is cast, in a modified rondo form in D minor. In contrast to the mood of the first movement, the scherzo is a delightful posy of expansive melody, splashy color, humor and rhythm. The third movement, which is in a modified tertiary form, is entitled Night Music. In contrast to the scherzo, this movement begins with a mysterious incantation, first displayed by solo Alto flute. The music becomes even darker and more mysterious, while overall the movement effectively expresses an otherworldly mood, ending with a solo soprano offstage which suddenly emerges, eerily singing a modified version of the opening incantation. Cast in sonata-allegro form, the fourth movement is most definitely a rousing Finale, beginning with a brilliant fanfare and undergoing several mood transformations before emerging into the final coda, ending the symphony with an energetic splash of color.

    Estimated dispatch 7-14 working days
  • £76.99

    Miss Saigon

    The Broadway blockbuster of the 90's! From the writers of 'Les Miserables' comes this new stage production, opening to the largest advance ticket sales in Broadway history. The music is truly stunning and Warren Barker'simpressive showcase has captured the dramatic theatrical style. Includes: Sun And Moon: The Heat Is On In Saigon: The American Dream: I Still Believe: The Last Night Of The World: and The Morning Of The Dragon. Helicopter soundeffect can be dowloaded through the Closer Look feature.

    Estimated dispatch 7-14 working days
  • £129.99

    Symphonic Songs for Band (Deluxe Edition) - Robert Russell Bennett

    This enduring perennial - one of a pair of Bennett works popularized by Frederick Fennell's influential Eastman Wind Ensemble - is at last available in a Deluxe Edition including full score. Celebrating the golden anniversary of the work's 1957 premiere, this new publication allows conductors to rehearse with maximum effectiveness and appreciate fully the mastery of Bennett's scoring technique. Prepared by Bennett biographer George Ferencz, the score includes introductory notes and a complete errata list for the original set of parts. (14:30) Recorded by the Keystone Wind Ensemble - Jack Stamp, conductor

    Estimated dispatch 7-14 working days
  • £60.99

    To Celebrate a Miracle - Samuel Adler

    This major work for wind orchestra incorporates the melodies of nine of the most popular and best-known Chanukah-related songs and hymns. Seven are secular and two are liturgical, and are creatively developed and adapted to take advantage of the various timbres and characteristics of the mature ensemble. The number nine here was intended by the composer to represent the nine candles or lights in the Chanukah m'nora (candelabrum) on the last night of the festival.

    Estimated dispatch 7-14 working days