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£60.00
Danse Napolitaine - Pyotr Ilitch Tchaikovsky - Stephen L. Glover
Estimated dispatch 10-14 working days
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£67.32The Gateway City
Marking 100 years since the first published music of the great American composer, bandmaster, and classic concert band proponent Karl L. King, C. L. Barnhouse is honored to launch the "Karl L. King Centennial Series" of new editions of King music. King's wonderful "The Gateway City March" inaugurates this new series with a flourish! In addition to full score, carefully edited parts, added stylistic practices, dynamics and articulations, this handsome new edition includes extensive information on the composer, this march, history, and performance practices of the "King-style." Long live the KING!
Estimated dispatch 7-14 working days
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£60.50A Canadian Christmas (Concert Band - Score and Parts) - Gassi, Vince
Get ready for an abundance of merriment! This work features carols that have been traditionally sung in Canada for many years and will help to create a spirit of mirth in no time. It opens with the joyous strains of "Il Est N? Le Divin Enfant (He is Born, The Divine Child)" and continues with the plaintive and modal "No?l Nouvelet (Sing We Now of Christmas)." "The Huron Carol ('Twas In the Moon of Wintertime)" is then presented with remnants of "No?l Nouvelet" cleverly woven in. The dramatic conclusion develops brief dialogue between "Good King Wenceslas" and "Il Est N? Le Divin Enfant" that brings the work to an exuberant and powerful close. Juxtaposing the lyrical and expressive with the joyous and cheerful in this masterful arrangement will add a little touch of Canada to your next holiday concert. Duration: 4.00
Estimated dispatch 7-14 working days
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£64.35
Under the Big Top
Take your audience to a three ring Circus with this spectacular arrangement for concert band with "Ringmaster" narration. Using excepts from famous Circus music composed by K.L. King and C.L. Barnhouse, Barry Kopetz has skillfully woven these pieces into a tight fitting excursion back under the "Big Top".
Estimated dispatch 7-14 working days
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£79.95Variations on 'Was Lebet' (Concert Band - Score and Parts) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£15.95Variations on 'Was Lebet' (Concert Band - Score only) - Wainwright, Andrew
Variations on 'Was Lebet' is based on the German chorale of the same name, the first line of which translates as 'O worship the Lord in the beauty of holiness!' The opening fanfare figure in the Trumpets should be supported by bold, organ-like sostenuto chords in the lower band. Ensure that the fanfare in the Trumpets and Trombones from bars 25 to 28 is given equal articulation and volume in the antiphonal parts. After this majestic introductory section, the first of five contrasting variations is presented, although the tune is never realised in full form until the final variation, with fragments gradually being revealed as the piece progresses.Variation I is somewhat classical in approach, with its energy coming from a regular contrast between cantabile references to the theme, set against lively staccato figures. Ensuring a lightness of touch will be important here; the music should be poised and never sound frantic. As a result, careful attention should be paid to the tempo marking, being no quicker than 136 beats per minute. Snippets of the chorale come and go, with the last phrase of the hymn completing the movement. This final statement, at bar 95, should be an immediate change in tempo and a separate statement to the music that comes before.Variation II is plaintive in mood, giving the listener the chance to reflect on the following words, which form part of the second verse: 'Comfort thy sorrows and answer thy prayerfulness, Guiding thy steps as may best for thee be.' There is opportunity for rubato in this movement, at the discretion of the conductor.Variation III is somewhat quirky and volatile in nature, and takes its inspiration from the 3rd and 4th verses which describe the fearful times in life that we must entrust to the Lord. Driven by the Percussion section in particular, there are references here to Variation I with its chorale-like figures and hurtling scalic figures, and there is a feeling of a lack of resolution. A somewhat abrupt ending suggests that our sense of completeness in Christ is yet to be resolved. It is important that clarity and tempo are maintained in the bass line between sections L and M. Aim for consistency of line in the bass parts, particularly with the trade-offs between players here.There is a French romantic feel to the waltz in Variation IV, with the opportunity for various soloists to display their musicianship. A sense of ironic humour pervades throughout. The Clarinet and Bassoon duet from section U should be playful and display a lightness of touch, with that sense of style continued throughout the movement.Variation V is fugal in nature, with each section of the band being handed the theme at various points. Again it is important that a steady tempo is set at Y in order to maintain control. The sense of momentum gradually increases to a grandiose presentation of the full theme, beginning at section CC, affirming our completeness in the Lord, with the words of the first and last verses reiterated: O worship the Lord in the beauty of holiness! Bow down before him, his glory proclaim; With gold of obedience and incense of lowliness, Kneel and adore him, the Lord is his name.Duration: 11.45
Estimated dispatch 7-14 working days
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£99.99The Very Best of Cher (Concert Band - Score and Parts) - Schaars, Peter Kleine
Let yourself be swayed by Cher's irresistible energy with this sparkling pop medley arranged by the versatile arranger Peter Kleine Schaars.In a musical celebration full of glitter, power, and emotion, five great hits of the American pop diva come together. From the revolutionary dance sounds of Believe, the sultry, Mediterranean Dov' l'amore and the rock classic If If I Could turn Back Time to the swinging joyfulness of The Shoop Shoop Song (It's In His Kiss)) and the powerful Strong Enough: every note exudes Cher's iconic sound and flair.Peter Kleine Schaars has masterfully managed to translate the essence of her music into the rich colour palette of the band, in an arrangement that is both challenging for the musicians and irresistible for the audience. This medley is a delightful sing-and-dance-along!Duration: 8.00
Estimated dispatch 7-14 working days
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£64.99Housetop Fantasy (Concert Band - Score and Parts) - Saucedo, Richard L.
Using the holiday classic ?Up on the Housetop? as a point of departure, Richard Saucedo spins a masterful contemporary setting filled with clever scoring devices and unexpected dramatic moments. This unique and appealing arrangement is sure to become a favorite for winter concerts.
Estimated dispatch 7-14 working days
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£79.99Supernova (Concert Band - Score and Parts) - Deleruyelle, Thierry
Supernova is an energetic piece in a pop style that inspires joy and good humour, its rhythm giving it an exceptionally lively and festive character. Its theme is renewal, rebirth and solidarity in the wake of the COVID-19 pandemic. The Confdration Musicale de France commissioned this work as part of the initiative "Concerts solidaires au profit de l'enfance en France et dans le monde" (Concerts in aid of children in France and worldwide).Duration: 4.45
Estimated dispatch 7-14 working days
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£57.50Flight of the Thunderbird (Flexible Ensemble - Score and Parts) - Saucedo, Richard L.
First published in 2004, Richard Saucedo's Flight of the Thunderbird has remained a popular choice for contest and festival for younger players. Skilfully scored in this new edition for flexible instrumentation, this exciting work in one tempo will sound great with an ensemble of any size.
Estimated dispatch 7-14 working days
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