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£156.99Shaker Suite
Legendary composer, arranger, and author Rayburn Wright is responsible for initiating the storied jazz program at the Eastman School of Music, and was also a composer for film and television. His masterful setting of Shakermelodies includes the familiar Simple Gifts, along with The Happy Journey and I've Set My Face for Zion's Kingdom. Used to feature a separate brass quintet or with members within an ensemble's brass section, this is truly amemorable setting adapted by current Eastman Wind Ensemble conductor Mark Davis Scatterday. Dur: 9:50 (Grade 5) Audio recorded by the Canadian Brass and the Eastman Wind Ensemble on Manhattan Music (OD 7368) - Mark DavisScatterday, conductor Dur: 9:50
Estimated dispatch 7-14 working days
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£156.99Shaker Suite (Brass Quintet with Concert Band - Score and Parts) - Wright, Rayburn - Scatterday, Mark Davis
Legendary composer, arranger, and author Rayburn Wright is responsible for initiating the storied jazz program at the Eastman School of Music, and was also a composer for film and television. His masterful setting of Shaker melodies includes the familiar Simple Gifts, along with The Happy Journey and I've Set My Face for Zion's Kingdom. Used to feature a separate brass quintet or with members within an ensemble's brass section, this is truly a memorable setting adapted by current Eastman Wind Ensemble conductor Mark Davis Scatterday.Duration: 10.00
Estimated dispatch 7-14 working days
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£186.20 -
£84.99The Second Waltz (Concert Band - Score and Parts) - Shostakovich, Dmitri - Waignein, Andre
from Jazz Suite No.2. Duration: 3.45
Estimated dispatch 7-14 working days
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£225.00Birthday Madrigals (Concert Band with opt. Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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£90.00Come Live with Me (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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£90.00It was a Lover and his Lass (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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£90.00When Daisies Pied (from Birthday Madrigals) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Birthday Madrigals was written in 1995 to celebrate the seventy-fifth birthday of the great jazz pianist, George Shearing. This arrangement is written for combined band and choir, but may be performed by band alone. In honour of George Shearing's noted style, a vibes part has been added to this arrangement, as well as an optional piano part. The original setting was a suite of five movements. The arranger has chosen three of the movements, numbers 1, 3 and 5, because of their similarity in style. This is a special opportunity for Concert Bands, or combined Concert Bands and Choirs, to perform in a true jazz medium, featuring a set drummer and string bass along with the full band.
Estimated dispatch 7-14 working days
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£169.95CATS TALES (Concert Band) - Graham, Peter
Cats Tales pays tribute to four wonderful musicians who shared a love of jazz and New York City. Film composer Elmer Bernstein is remembered in 1) Catalonia before a musical gear change that references the work of his contemporary colleague, "Bernstein East", aka Leonard Bernstein. The presence of West Side Story looms large here. Henry Mancini's most famous composition (which concerned a cat of the pink variety) provides the inspiration for the 2nd movement, 2) Catwalk before saxophone legend Sonny Rollins's jazz standard Airegin is given a contrafact treatment in 3) Scat! allowing a number of instrumental soloists to shine. NB: The suite can be extended by including the trombone solo Catnap (see above) and the Toccata (see below), available separately
Estimated dispatch 7-14 working days
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£149.99
Trois Rag-Caprices - Darius Milhaud
The French composer Darius Milhaud (1892-1974) was a member of the 'Groupe des Six'. This group of six composers gathering Honegger, Poulence, Auric, Durey, Tailleferre and Milhaud, imitated Erik Satie by revolting against the deeply rooted traditional conventions of that time. They reacted against impressionism (Debussy) and romanticism (Wagner, Mahler) and felt very strongly about the music of Satie and Strawinsky. Milhaud's most popular work is undoubtedly the ballet 'La Cration du Monde', one of the most striking examples of jazz influences in classical music. The premire at the 'Th?tre des Champs Elyses' in October 1923 caused a real scandal with the Paris public.The 'Trois Rag-Caprices' for piano were composed one year earlier, in the summer of 1922, and could be considered as a kind of preliminary sketch for 'La Cration du monde'. There are indeed clear similarities between both compositions as to the rhythmical and harmonic aspects. The 'Trois Rag-Caprices' were orchestrated for symphony orchestra by Milhaud himself some time later. The same happened to 'Saudades do Brasil' (1920), a piano composition punctuated with Latin-American influences, which was written after his stay in Rio de Janeiro (1917-18) exactly as his ballet 'Le Boeuf sur le Toit'. Johan de Meij's orchestration of 'Trois Rag-Caprices' for symphonic band is a most welcome addition next to the original band works of Milhaud, such as 'Suite Fran?aise' (1945) and 'West Point Suite' (1951).
Estimated dispatch 7-14 working days
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