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£62.95A Touch of Jazz! (Concert Band - Score and Parts) - Brubaker, Jerry
In the words of the great Duke Ellington, 'It Don't Mean a Thing (If It Ain't Got That Swing),' and that song title is just one of the tasty morsels in this concert band salute to the world of jazz. The medley just plain cooks when these other classics are added to the pot: The Swingin' Shepherd Blues; 'Round Midnight; Take Five; Li'l Darlin'; C Jam Blues; Cute. Duration: 6.30
Estimated dispatch 7-14 working days
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£134.99Hunting Tower (Concert Band - Score and Parts) - Respighi, Ottorino - Cesarini, Franco
Not much is known about the origin of Huntingtower, except for the fact that this ballad was composed in 1931 by the Italian composer Ottorino Respighi (1879-1936), commissioned by Edwin Franko Goldman and the American Bandmaster Association, and was premiered on 17 April 1932 at a concert in memory of John Philip Sousa in Washington D.C. It is not even certain whether Respighi arranged the work himself, or left this to someone else. Huntingtower is the name of a castle in Scotland, where Respighi spent some time. It is possible that this ballad contains his musical impressions of his stay there. The orchestration on this CD, made by Franco Cesarini in 1987, is an adaptation of the work to the demands of the contemporary concert band.Duration: 7:30
Estimated dispatch 7-14 working days
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£63.95BUT NOT FOR ME (Vocal or Clarinet Solo/Concert Band) - Barker, Warren
Warren Barker chooses a beautiful Gershwin ballad and gives it his own ethereal harmonic treatment in presenting this opportunity to feature a vocalist with your band (or a solo clarinetist, should you prefer). The lyrics can be adjusted for a male or female vocalist, and with the clarinet player, it doesn't make any difference. Enjoy! (2:44) (Vocal Range: B-flat up to C.) (2:44)
Estimated dispatch 7-14 working days
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£64.35Double Concerto - Vivaldi, Antonio
This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a "chamber wind ensemble" of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band!
Estimated dispatch 7-14 working days
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£42.00Soul Rock - Dale Lauder
This is a John Kenyon classic. It is a 1950's rock style song. There are alternate clarinet parts so students who can play above the break, have that option. If your clarinets are not ready for that register, hand out the low parts. It works! The 1st trumpet's highest note is C.
Estimated dispatch 12-14 working days
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£42.00Shenandoah - Larry McKenna
Here is a different sound for the traditional American folksong. Larry McKenna, a great jazz musician, wrote this work with jazz harmonies in jazz ballad style. It is easy to play and Larry knows how to make great voice leadings so it is easy to go from one note to another. 1st clarinets cross the break. 1st trumpet's highest note is C#.
Estimated dispatch 12-14 working days
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£53.50Forgotten Echoes - Brian Monroe
The clarinet part does not cross the break, trumpets range only to second space A (with an optional C sharp) for trumpet 1, there's plenty of percussion if needed (use or subtract as necessary!). Overall, it adds up to the perfect grade 1 concert piece!
Estimated dispatch 7-14 working days
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£66.95Comegys Creek - Brian Beck
Kick off your shoes, jump in, and ride down Comegys Creek. This North Texas creek is named after Dr. C. G. Comegys, a prominent family who lived in Mckinney, TX in the early 1900s. Composer and fellow Texan, Brian Beck captures the southern rowdiness of frolicking in the water with friends and family. Comegys Creek is a fun piece that will expand your student's harmonic vocabulary and is perfect for introducing and reinforcing accidentals that create interesting harmonies, all within a comfortable range. It also explores the many permutations of the 8th and 16th note combinations, as well as introduces and reinforces 7/8 time signature. Groups performing this piece will become "multi-meter masters" in no time! (2:24).
Estimated dispatch 7-14 working days
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£119.99Rotterdam 1945 - Johan de Meij
Rotterdam 1945 was written at the request of Maestro Arjan Tien, the chief conductor of the Marine Band of the Royal Netherlands Navy, to commemorate their 75th anniversary in 2020. 1945 also marked the end of World War II, the year that my home country Holland was liberated from Nazi Germany. My father was born in Rotterdam in 1910, so I have a special bond with this dynamic city. I have used the numbers 1-9-4-5 to create the main theme and translated it into a four-note motif: C - D'- F - G.
Estimated dispatch 7-14 working days
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£168.5060 Warm-up Chorales for Concert Band
During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages.After a long time, he has decided to compile a collection of chorales for warm-ups, which are organized according to the criteria that he considers most effective.While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure.He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself!Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging.Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications.Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted.The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations.The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major.With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic.Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!
Estimated dispatch 7-14 working days
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