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£15.95
A Psalm of Praise - Score only - James Curnow
Program NotesOriginally conceived as a brass band tone poem, A Psalm of Praise gained huge popularity when it was first published in 1980. When it first appeared in print, the work was widely performed by Salvation Army bands around the world. It is full of interest and presents plenty of what for many bands will be realistically achievable levels of musical and technical challenge.As with much Salvation Army music, it was inspired by words from scripture, specifically from Psalm 100. Musically, it is based on the well-known hymn tune Praise My Soul the King of Heaven, with motifs and fragments of the tune appearing throughout the work in various guises alongside the original thematic material.James Curnow's skillfully economic use of melodic and rhythmic ideas is demonstrated to perfection in this work, which will be rewarding to rehearse in detail and perform and will provide a useful addition to concert repertoire.
Estimated dispatch 7-14 working days
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£69.95
Toccata - Score and Parts - Wilfred Heaton
Program NotesToccata - Oh the blessed Lord was first conceived as a brass sextet and remained in that form until the early 1970s when it was amplified to full brass band instrumentation. Now its further amplification to Wind Band it is hoped that it will be enjoyed by an even greater audience and many more performers.Whilst it is not easy to play, the music, once mastered, is something that bands enjoy. It will be evident to the discerning that this close-knit work is based on the verse of an adaption of the old spiritual, "Oh, dem golden slippers," the text beginning, "Oh the blessed Lord, He has saved my soul." The figures are derived therefrom.The absence of percussion is the express intention of the composer.
Estimated dispatch 7-14 working days
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£13.95
Toccata - Score only - Wilfred Heaton
Program NotesToccata - Oh the blessed Lord was first conceived as a brass sextet and remained in that form until the early 1970s when it was amplified to full brass band instrumentation. Now its further amplification to Wind Band it is hoped that it will be enjoyed by an even greater audience and many more performers.Whilst it is not easy to play, the music, once mastered, is something that bands enjoy. It will be evident to the discerning that this close-knit work is based on the verse of an adaption of the old spiritual, "Oh, dem golden slippers," the text beginning, "Oh the blessed Lord, He has saved my soul." The figures are derived therefrom.The absence of percussion is the express intention of the composer.
Estimated dispatch 7-14 working days
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£74.62Temperamental (Concert Band) Fendall Hill
This work by Fendall Hill was the set test for the 2021 National Brass Band Championships of New Zealand, B Grade. Here it has been adapted for Concert Band. The composer writes: 'J.S. Bach (1685-1750) is deemed by many to be the 'Ulimate Composer'. He added an incredible proportion to the DNA of western music, and his influence is heard in the music of today. Like many artists, he was not overly recognised as a composer during his lifetime, and it took an 1829 performance of the St Matthew Passion by Mendelssohn to ignite a recognition of his place in the music world, a place he has maintained ever since. This piece starts with a similar spark of rediscovery of the music of Bach. It contains arrangements of various works, interspersed with composition based on Bach's chord structures, sections in the style of Bach, and original sections inspired by the moods created along the way. The first section explores the Toccata, and great organ works. This leads into an exploration of his choral works, and a finale based on the Preludes. The word 'Tempered' has different meanings, and all seem to apply to the music of Bach, and these appeal to the musical, engineering and spiritual aspects of my personal life. His music reaches to the humanity and divinity, it has strength, structure and order that creates frameworks in which incredible complexity reigns; and the complexity leads to a wildness, a kind of craziness that represents a range of human moods, and can change without warning. The same piece of music affects people in very different ways. I don't know if it's Bach's music, or us, but it can seem out of control and under control at the same time - the combination is highly temperamental. To view a follow-the-score video of the work please visit: https://youtu.be/6CtYZmCoWIc Sheet music available from: UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Advanced Instrumentation: Instrumentation: Piccolo Flute 1-2 Oboe Bassoon Clarinet in Bb 1-3 Bass Clarinet in Bb Alto Saxophone 1-2 Tenor Saxophone Baritone Saxophone Trumpet in Bb 1-3 Horn in F 1-4 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£42.00The Dark Crusader - Donald Josuweit
This is the perfect song for teaching 6/8 time. It is all very easy with eighth notes in groups of 3 only. No quarter/eighth rhythms, so it is easy to get the students to feel the triple meter. It is also a great song for getting the first clarinet players to play over the break. For the 1st half of the song, they play low notes. From low A, they press the register key and get the E in the staff, thus making it easy and fun to play the higher notes. It is an exciting work and one of NMP's best sellers. The first trumpet's highest note is C.
Estimated dispatch 12-14 working days
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£69.00
Walking the Dog - George Gershwin
Walking the Dog is one of the many songs George Gershwin wrote for the film "Shall We Dance." George Gershwin at the height of his powers. Instead of the bustling, complex symphonic scores he was now accustomed to writing, it is a simple, elegant little walk, as the title suggests.In the 1937 film, it accompanies a scene of (you guessed it) walking a little dog, aboard the luxurious deck of a cruise ship. Since it was heard in the film, however, the tune has taken on a life of its own and has become a popular piece for clarinetists around the world. In 1960, the song was published as "Promenade." Interestingly, it is also the only part of the film score of "Shall We Dance" that remains - the rest of the film's music unfortunately remains unpublished there are not even any recordings.
Estimated dispatch 7-14 working days
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£129.99Ratatouille Satirique
Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music. He composed in various, often quite divergent, styles. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Rel che and Les Aventures de Mercure. However his piano pieces, such as Trois Gymnopdies or Gnossiennes will remain his most popular compositions. Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. Johan deMeij made an orchestration of three short pieces by Erik Satie: I. Prlude (from: Jack in the Box) II. Rverie (from: Trois petites pices montes) III. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Satie himself thought he had lost the manuscript in a bus. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. The Rverie (De l'Enfance de Pantagruel) is an extract from Trois petites pices montes, originally composed for small symphony orchestra. In this suite it is meant as a restful intermezzo. It is clear that, as with Milhaud (La Cration du Monde) and Debussy (Golliwogg's Cakewalk; Le Petit Ngre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin.
Estimated dispatch 7-14 working days
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£94.99O Christmas Tree
The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschtz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.
Estimated dispatch 7-14 working days
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£137.99Theme Park Fun! - Wilco Moerman
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit, you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition.Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day full of fun and pleasure awaits! You and the other visitors willbe confronted with all the rides, attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! A parade of colorful floats and park figures is passing by.Letthe fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun, is the Haunted House. Here visitors will be challenged to visit a house full of ghosts, creepy figures and otherominous things. The clock strikes twelve, there is no turning back. Ghosts are whispering, yelling, screaming... Fortunately it is almost one oclock, so we can leave this creepy place quickly.Part 3: The Swinging Galleon [withillustrations]What a huge pirate ship! Each time you swing back and forth, you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have a fantastic view over the park, but you can not enjoy itfor long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions, it is time for a peaceful tour in The Fairy Tale Ride.Surrounded by a fairytale setting, you will discover fable figures, talking animals and colorful designs. Such a beauty and tranquility. Having had this experience, we are ready again for the big rides in the park!Part 5: The Bumper Cars[with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bump against someone else. In this tough ride you can prove yourselfas a real driver, or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest, fastest and scariest ride in the park ... we should definitely do the Roller Coaster! All together in the train, theover-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the top and the train will be plunged down the first drop! Loops,corkscrews and other spectacular coaster elements will follow... Before you know it, the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [with animation]Unfortunately everything comes to an end. Thisday in the theme park is over, but we have a lot new experiences to talk about! The memories of all the funny and spectacular rides will come up when we walk through the park to the exit. Just one look over the shoulder, the amusement park figuresare waving at us. Hopefully we will come back again soon!
Estimated dispatch 7-14 working days
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£54.99Where Falcons Soar - Christian Earl
Here is a piece certain to be a success! It is so musical it will be enjoyed by good high school, college, and adult bands; yet it is easy enough that a good junior high or middle school band can be successful with it. Employing a joyous, rhythmic triple meter, the piece gets off to a frollicking good start. The opening section leads to a beautiful, slower, melodic section, and the work concludes with vigor and vitality as it romps to an exciting conclusion.
Estimated dispatch 7-14 working days
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