Results
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£76.99Pop & Rock Legends: NEIL DIAMOND (Young Band) - Diamond, Neil - Ricketts, Ted
Since the 1960s, performer/songwriter Neil Diamond has been a dominant force in popular music. Here is a powerful medley of some of his best-known hits. Includes: America, Sweet Caroline, You Don't Bring Me Flowers, Cherry, Cherry and I'm a Believer.
Estimated dispatch 7-14 working days
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£2.25PORGY AND BESS, Highlights from (SAB Choir) - Gershwin, George - Wagner, Douglas E.
This classic Gershwin musical score has been given a fine, dramatic choral treatment in this stunning medley, celebrating the show's return to Broadway late in 2011. Optional Concert Band accompaniment is available. Approximately 5:00. Includes: Summertime; I Got Plenty O' Nuttin'; Bess, You Is My Woman; Oh Lawd, I'm on My Way.
Estimated dispatch 7-14 working days
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£2.25PORGY AND BESS, Highlights from (SATB Choir) - Gershwin, George - Wagner, Douglas E.
This classic Gershwin musical score has been given a fine, dramatic choral treatment in this stunning medley, celebrating the show's return to Broadway late in 2011. Optional Concert Band accompaniment is available. Approximately 5:00. Includes: Summertime; I Got Plenty O' Nuttin'; Bess, You Is My Woman; Oh Lawd, I'm on My Way.
Estimated dispatch 7-14 working days
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£69.95SALUTE TO GEORGE M. COHAN (Programme Concert Band) - Keeley, Ed
This medley presents four of the biggest Cohan hits: I'm a Yankee Doodle Dandy; Mary's a Grand Old Name; Give My Regards to Broadway; Over There. This last title has had great prominence in the UK recently with a pseudo operatic performance being used for a successful TV insurance advertisement 'Go Compare'. This took the song back to its roots as the first recording of it was by the great Italian tenor, Caruso.
Estimated dispatch 7-14 working days
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£41.58Scottish Lullaby (Concert Band - Score and Parts)
Based on the folk song "I Know Where I'm Going," this setting of "Scottish Lullaby" by Robert W. Smith is an excellent choice for concert or contest. Dramatic and poignant, this is written in a British band tradition and will be an excellent addition to your regular concert repertoire. Very musical!
Estimated dispatch 7-14 working days
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£110.30SWISS GOES SWING (Intermediate Concert Band) - Tinner, Gilbert
Duration: 5'47". Medium. Includes: Es wott es Froueli z'Marit ga; Im Aargau sind zwoi Liebi; L'inverno e passato; La-haut sur la montagne.
Estimated dispatch 7-14 working days
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£76.99Wicked, Highlights from (Concert Band - Score and Parts) - Schwartz, Stephen - Brown, Michael
Currently the hottest show on Broadway, this engaging story of your two favourite witches from Oz features terrific songs destined to become classics. This medley includes: No One Mourns the Wicked, I'm Not That Girl, Defying Gravity, No Good Deed and For Good.
Estimated dispatch 7-14 working days
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£39.95Sweet Charity (Concert Band) - Coleman & Fields - Baldwin, Geoff
Includes: If They Could See Me Now; Sweet Charity; I'm a Brass Band; Big Spender.
Estimated dispatch 7-14 working days
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£53.95A Scottish Hymn - Patrick Roszell
Based on the folk song "I Know Where I'm Going," A Scottish Hymn, by Patrick Roszell, is a lush ballad setting that is perfect for teaching lyrical playing to younger musicians. This setting provides numerous teaching opportunities for slurring, legato tonguing, phrasing, intonation, and dynamic shaping. The perfect selection for your next concert or contest!
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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