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£137.70Vem kan segla frutan vind
Who can Sail without the Wind is an old folk tune from ...land in Finland. I believe the song was one of the first one I learnt to sing and play on the guitar. The melancholic character of the song is something I have brought with me ever since.
Estimated dispatch 7-14 working days
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£127.30Funky Hedde - Torstein Aagaard-Nilsen
A good friend of mine, trombonist and professor Jesper Juul Windahl commissioned me a trombone quartet. I then wrote Four Nordic Folk Pops. The last of the four is a Norwegian tune called Havard Hedde in a funky version. Then I made a brass quintet version for Lofoten Brass Quintet for a their Australia tour. The trombonist in the quintet asked me for a brass band version to be used in an entertainment contest (SIDDIS Brass). Havard Hedde did not succeed in getting married, but I think this version wil make him dance again. Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£78.99
Flag Patrol - Ronald C. Knoener
Beginning with a jaunty snare drum cadence, followed by a happy-go-lucky melody that says, "I'm glad I'm alive, and I want to march!" This is one of Knoener's earliest and most popular marches. A favorite, forever!
Estimated dispatch 7-14 working days
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£84.99A Copland Portrait - David Conte
Originally commissioned by maestro Neal Gittleman, A Copland Portrait was premiered by the Dayton Philharmonic Orchestra in January 2000. In March of 2015, First Lieutenant Ryan Nowlin's transcription of this work for band was premiered by "The President's Own" United States Marine Band under the direction of Lieutenant Colonel Jason Fettig. ECS Publishing is proud to offer both the band and the orchestra version. Conte on the creation of this overture: "I set out quite consciously to evoke various aspects of Copland's work by combining and recombining them within the terms of my own musical personality. For example, the first theme of A Copland Portrait combines the character of a theme from The Red Pony with the rhythmic texture of the scherzo of the Third Symphony. While composing the piece I was conscious of drawing inspiration from many of Copland's works; a melodic shape here, a harmonic gesture there, until I arrived at something that felt fresh and new to me. A Copland Portrait is cast in a traditional Sonata-Allegro form. After a vigorous, syncopated orchestral tutti, the first theme is announced in the solo oboe, accompanied by a steady eighth-note ostinato. Playful interjections are stated in the flute and bassoon. The syncopated tutti returns; the first theme is stated again, this time in the low winds. This theme builds to a colorful climax, leading into a more dissonant transition section, which gradually slows and gives way to a lilting, more lyrical second theme in the clarinet. After some modest development of the second theme, a more plaintive theme stated in the muted trumpet brings the exposition to a close. A scherzando development section follows; the first four notes of the first theme are inverted and subjected to various contrapuntal treatments. This development section ends with a return of the opening syncopated motive, leading into a recapitulation of the first theme, this time in canon, and the second theme and closing theme, broadly sung. A brilliant toccata-style coda brings A Copland Portrait to a brisk conclusion."
Estimated dispatch 7-14 working days
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£69.00
Goldene Kameraden - James Barnes
"Goldene Kameraden" was commissioned to celebrate the 50th anniversary of Musikverlag RUNDEL. The title of the piece is a combination of the golden anniversary of the company and all my friends who work there - but it is also a humorous pun on one of my favorite German marches: "Alte Kameraden". Although marches are rather out of favor in the U.S. these days - unless they are by John Philip Sousa - I love to write them. And so I was happy to have the opportunity to compose this for Thomas Rundel, his family and the team at Musikverlag RUNDEL. The strict form of marches and the necessary march-like clichs required may seem restricting to other composers, but I perceive this as a musical challenge. It is like completing a crossword puzzle: one must go by all the traditional rules" but still produce something creative.
Estimated dispatch 7-14 working days
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£228.70Fanfares and Fantasies - Stig Nordhagen
"Fanfares and Fantasies" was commissioned by Strindheim Janitsjar for their 40th Anniversary in 2019. The commission was supported by The Composers' Remuneration Fund.With the title "Fanfares and Fantasies", I try to accommodate both the extroverted (represented by fanfares and celebration), with the quiet and introverted in the small interludes I call fantasies.The solitary flute in the fantasies symbolizes something that is very far from brass fanfares, but still, I believe that by this, both the band and the music emerge with even greater depth. And by this span, the music's ability to accommodate all nuances emerges.- Stig Nordhagen
Estimated dispatch 7-14 working days
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£228.70Montain Songs and Arias - Stig Nordhagen
I have always had a love for both classical and folk music.It is in between these expressions I thrive while composing.This piece contains both fast and lingering alternations between these expressions, complementing each other and creating a whole. This whole creates something larger than just the two individual constituents, a new entity. So with the classic (Arias) and folk music (Mountain songs), I want to create something new where the expressions enhances each other, and merges into an elevated state.- Stig Nordhagen
Estimated dispatch 7-14 working days
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£154.60Rendezvous - Torstein Aagaard-Nilsen
Rendezvous was commissioned by Krohnengen Brass Band for their 50th Anniversary in 2019. This version for Concert Band was scored autumn 2020.Rendezvous is devided into three sections. Each section are referring to Edvard Grieg's own titles. but twisted, to make sure that everybody understand that this music is a mash-up of themes Edvard Grieg used in opus 54 (for piano) and opus 61 (songs for children).1. Trolltog med avsporing (March of the Trolls derailment)March of the Trolls is a famous part of Edvard Grieg lyric pieces, opus 54.2. Klokkeklang i feil sang (Bell ringing in wrong tune).Bell ringing show that Grieg was one of the first composers to write the way impressionists did. What happens if this beatiful piece is combined with several other themes from the same book? It somehow works in its own way.3. Pep talk til Blakken (Pep talk to Blakken)The riff used in the first part becomes an important part of the third part: a funky treat of the childrens song "Kveldssang for Blakken" (Evening song for Blakken).I felt that a rather tired old horse needed a pep talk more than a slow tune. So that is why you get this music(!) - and this is how my rendezvous with Grieg ends.Not sure what maestro Grieg would have thougt... But, I have read that the fiddlers that played the tunes Grieg used was not happy with the way Grieg used them.So there you go...Torstein Aagaard-Nilsen
Estimated dispatch 7-14 working days
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£202.99
Princess Mononoke Fantasy Scenes - Joe Hisaishi
Princess Mononoke (1997) is recognized for its outstanding soundtrack. The CD "Princess Mononoke" recorded by the Czech Philharmonic Orchestra after the film's release is also widely known. The CD arrangement follows the soundtrack and adds detailed scenes from the film with some development.Consider this arrangement a sequel to my previous "Selections from Princess Mononoke" as I have utilized additional songs from the soundtrack.By commission request from Mr. Shindo, director of the Girls Junior & Senior High School band club of Seitoku University, I arranged "San and Ashitaka in the Forest of the Deer" and "World of the Dead." The original features piano solo, which is very appealing. I made it optional which can be played by other instruments if needed. The reference CD is utilizes all instruments so pleaseselect the solo voice best suiting your needs.(Kazuhiro Morita)
Estimated dispatch 7-14 working days
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£129.99Concerto Grosso - Masamicz Amano
Commissioned by Kyo-En Executive Committee. Premiered at Kyo-En V in 2003, Kawagoe Sohwa Wind Ensemble, Masato Sato, conductor.I know the conductor and band inside out, so I enjoyed composing this work very much, thinking about their personalities. The piece features the sax section, and the performance style is characterized by interplay between a vibrant jazz quartet and a solid pops windensemble.Now that the work is published, I hope you add it to your concert repertoire. (Masamicz Amano)
Estimated dispatch 7-14 working days
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