Results
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£70.99
If I Let You Go
Estimated dispatch 10-14 working days
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£70.99
Man! I Feel Like A Woman! - Shania Twain & Robert John "Mutt" Lange - John Ryan
Estimated dispatch 10-14 working days
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£74.99
Monsters, Inc. (If I Didn't Have You)
Estimated dispatch 10-14 working days
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£70.99
Oops!... I Did It Again
Estimated dispatch 10-14 working days
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£74.99
Reach Out I'll Be There
Estimated dispatch 10-14 working days
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£74.99
When I'm Sixty-Four - John Lennon & Paul McCartney - Jan van Kraeydonck
Estimated dispatch 10-14 working days
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£71.00If I Could Fly
Who hasn't entertained the idea of flying? In this accessible grade 3 work, the performer, along with the audience, will enjoy the fantasy of spreading their wings and soaring over meadows and farms, streets and schoolyards, malls and churches, wherever their imagination wants to take them. It is a lush, flowing composition with a lot of opportunities for whimsical expression.
Estimated dispatch 12-14 working days
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£139.00Himlen i min famn - Carola Häggkvist
"Heaven in My Arms" is a beautiful melody by Carola Hggkvist with lyrics by Erik Hillestad.This version is without vocal soloist so the melody is spread into many parts throughout the arrangement.(There are cue notes for oboe and bassoon, where they have soloistic elements.)To the conductor:Strive for good flow and phrasing. Feel free to be a bit creative with the phrasing. It invites for two-bar phrases in the melody, but perhaps 2/2/4 could also work nicely.Balance is very important. Often there is both melody and obligato/countermelody in addition to harmonic elements. Let each of them have their own layer in the balance.Staccato effects in clarinets and marimba are intended as pizzicato effects and must be phrased. Not too static.The tutti section at 72 can be energetic with intense lines. Maybe a little pi mosso as well. Think big and orchestral with good resonance and timbre.- Reid Gilje -
Estimated dispatch 7-14 working days
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£149.40Grevling i taket - Øystein Dolmen og Gustav Lorentzen
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, flutes and clarinets should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the trumpet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. The saxophonists can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 7-14 working days
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£59.30I Quattro Rusteghi - Ermanno Wolf-Ferrari
Estimated dispatch 7-14 working days
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