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  • £75.00

    Four Cornish Dances - Malcolm Arnold

    Ray Farr's arrangement of Malcolm Arnold's Four Cornish Dances suite brilliantly retains the atmosphere of the orchestral original with its evocation of Cornish sea-farers, of deserted tin mines, of marching bands, Methodism, May Days and Moody and Sankey hymns. Wind Band Grade 5: Advanced Duration: 10 minutes

    In stock: Estimated delivery 1-3 days
  • £32.06

    Sweet Hour of Prayer (Chamber Orchestra) William Bradbury arr. Kenneth Downie

    This delightful arrangement by Scottish composer Kenneth Downie of the much loved hymn 'Sweet Hour of Prayer' is now available for chamber orchestra. This ethereal setting transforms the familiar melody into a tapestry of celestial sound. The setting was one of the pieces on the CD Classic Hymns - The Symphonic Music of Kenneth Downie, available from this website. The arranger writes: 'There is a winsome quality to the words and music of Walford's hymn 'Sweet Hour of Prayer' that I find most attractive. The tune, by William Bradbury, captures this mood and I have tried to emulate it in my setting for orchestra. References to prayer calling us from a world of care, and bringing relief from seasons of distress and grief, are key to understanding the required style. The overall effect in performance should be to generate a feeling of calm and peaceful assurance.' To view a rolling score video of the piece please visit https://www.youtube.com/watch?v=cXGqhuOPb7M PDF download includes score and parts. Instrumentation:FluteOboeClarinet in Bb 1&2Horn in F 1&2Violin IViolin IIViolaViolincelloDouble Bass

    In stock: Estimated delivery 1-3 days
  • £95.99

    5 Tantum Ergo - Anton Bruckner

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.

    Estimated delivery 7-14 working days

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  • £87.99

    Cardigan Bay - Jacob de Haan

    This composition is based on the hymn Aberystwyth, named after a seaside town on the west coast of Wales. It is Jacob de Haan's favourite hymn from the 120 Hymns for Brass Band. The work consists of three continuous movements in which the theme of Aberystwyth comes forward in a variety of attractive ways, so that it forms a variegated whole which is captivating to players and listeners alike.

    Estimated delivery 7-14 working days

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  • £84.99

    Chorale and Canzone - Hans Leo Hassler

    The words and lyrics of the Christmas Carol From Highest Heaven I Come To Tell were written by the great Martin Luther (1483-1546) and can be found in The Hymns of Martin Luther. Martin Luther expressed radical views which began the reformation movement. His followers protested at the treatment given to Martin Luther, the event from which the term 'Protestant' was derived. It was first published in Joseph Klug's Gesangsbuch in around 1535. Add a majestic Baroque feel to any concert with this simple yet effective arrangement.

    Estimated delivery 7-14 working days

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  • £84.99

    Introtus - Traditional

    The Latin word "Introitus" means 'entry'. Originally, this was a psalm sung to accompany the entrance of a bishop, priest or celebrant into the church. Later it was incorporated into the mass with alternating sung and spoken text, reflecting the mood of the liturgy. Jacob de Haan's Introitus, in which he has arranged the hymns Puer natus est nobis and Lobt Gott, Ihr Christen alle gleich, is a wonderful introduction to the Christmas season and can be performed with any instrumental combination with mixed choir and organ ad libitum.

    Estimated delivery 7-14 working days

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  • £148.00

    Polish Christmas Music - Johan de Meij

    For many centuries Poland has bosted a very rich tradition ofChristmas Carols. Some hymns belong to church music, while others definitely do have a folk music character. Johan de Meij has used both these elements in this suite. You can hear the songs: Poklon Jezusowi; Mizerna, cicha; Aniol pasterzom mwil; Gdy sliczna Panna and Jam jest dudka.

    Estimated delivery 7-14 working days

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  • £84.99

    Transeamus usque Bethlehem - Joseph Schnabel

    The German composer Joseph Ignaz Schnabel (1767-1831) was a descendant of a musical family. During his lifetime he occupied several musical posts including Violinist, Organist, Concertmaster, Conductor, Music Teacher and managing director of the Royal Institute for Church Music. Schnabel composed masses, hymns, vespers, military music and a clarinet concerto. His choir work Transeamus usque Bethlehem is still widely performed and Wil van der Beek has produced this excellent arrangement for concert band which does justice to the original.

    Estimated delivery 7-14 working days

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  • £149.99

    Variants on an English Hymn Tune - Philip Sparke

    This set of variations on the well-known hymn tune 'Holy, holy, holy!' will make a most satisfying addition to the solo repertoire for euphonuim and concert band. It is in the traditional air vari form with an introduction, theme and 3 variations. The original melody (known as Nicaea) was composed by John Bacchus Dykes' especially for Reginald Heber's renowned hymn of praise and became universally popular when it was included in Hymns Ancient and Modern in 1861. A beautiful solo that will test the soloists ability to show true emotion.

    Estimated delivery 7-14 working days

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  • £76.99

    Fanfare and Hymn of Brotherhood - Jay Bocook

    Commissioned by the Gamma Eta chapter of Phi Mu Alpha, at Furman University, Greenville, SC, this impressive work is built around two chorale themes and a recurring fanfare. After the boldly stated opening, a bright allegro developmental section becomes increasingly more intense until a dramatic cadence is reached. At this point, antiphonal brass (3 trumpets, 2 trombones) soar above the ensemble and play a grandiose version of the first chorale. The band re-enters and both ensembles play the climactic ending to the work, in a new key, and with both hymns being heard simultaneously. Marvelous work! (6:00)

    Estimated delivery 7-14 working days