Results
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£84.99The Torch of Liberty (Concert Band - Score and Parts) - De Haan, Jan
The Torch of Liberty has been commissioned by the Band of the Royal Netherlands Military Police, on the occasion of their 200th anniversary. The music is based on a monument, a torch that is symbolically being passed on by the fallen ones to the new generation. This versatile composition features a beautiful hymn and unique military sound effects in a festive and heroic style. Duration: 3.15
Estimated dispatch 7-14 working days
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£75.00The New Spirit of '76 (Concert Band - Score and Parts) - McCall Noblitt, Katheryn - Noble, Paul
Though never before published, The New Spirit of '76 march is perhaps Katheryn McCall Noblitt's best known piece, and was among her favorites. Originally composed in 1947 as a piano solo, in 1975, in anticipation of our nation's Bicentennial celebration, she composed a second-piano part for two additional players, wrote patriotic words in both two-part and four-part harmony. The melodies are so well-crafted that they seem very familiar. This arrangement includes short quotations from other Bicentennial favorites - The Star-Spangled Banner, Battle Hymn of the Republic, Dixie, and Yankee Doodle. Dr. Noble directed its premiere performance in 1976 during a music festival, followed by performances with the 500-member Virginia Bicentennial Band and Marching Chorus in Philadelphia, Washington, Alexandria and other cities.
Estimated dispatch 7-14 working days
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£59.99Memento (Concert Band - Score and Parts) - Buckley, Robert
2nd Movement of A Tribute to Arthur DelamontFamed bandmaster Arthur Delamont always programmed a hymn in his concerts and Memento is an homage to that proud tradition. Starting with a simple and reverent solo trumpet and introducing other brass instruments one by one, the introduction has the sound of a brass band. The woodwinds join in and, with the use of rich textures and dynamic scoring, the work builds to a powerful climax and then resolves once again with the solo trumpet. Ideal for festival use, Memento will give your ensemble an opportunity to explore expression and nuance. The second movement of A Tribute to Arthur Delamont, Memento was commissioned by the West Vancouver Youth Band.Duration: 4:00
Estimated dispatch 7-14 working days
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£39.95A Fanfare Of Praise (Concert Band - Score and Parts) - Redhead, Robert - Horner, Kevin
This concert opener starts with a simple statement of the hymn tune 'Ascalon' and develops into an upbeat and exciting fanfare treatment. The 'fanfare' instruments could be deployed around the back of the ensemble to enhance the musical and visual effect.
Estimated dispatch 7-14 working days
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£7.95
A Fanfare Of Praise (Concert Band - Score Only) - Redhead, Robert - Horner, Kevin
This concert opener starts with a simple statement of the hymn tune 'Ascalon' and develops into an upbeat and exciting fanfare treatment. The 'fanfare' instruments could be deployed around the back of the ensemble to enhance the musical and visual effect.
Estimated dispatch 7-14 working days
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£75.00Angels' Carol (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
The music was adapted and arranged by Lowell Mason in 1839 from an older melody which was then believed to have originated from Handel, not least because the theme of the refrain (And heaven and nature sing...) appears in the orchestra opening and accompaniment of the recitative Comfort Ye from Handel's Messiah, and the first four notes match the beginning of the choruses Lift up your heads and Glory to God from the same oratorio. However, Handel did not compose the entire tune. As of the late 20th century, Joy to the World was the most-published Christmas hymn in North America.
Estimated dispatch 7-14 working days
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£60.99Last Full Measure (A Gettysburg Remembrance) (Concert Band - Score and Parts) - Sweeney, Michael
Commemorating the 150th anniversary of the Battle of Gettysburg, this medley of Civil War-era tunes is cast in a unique and appealing setting for young bands. The Girl I Left Behind Me (tin whistles are optional), When Johnny Comes Marching Home and the tender Johnny Has Gone for a Soldier express longing and hope for loved ones far away. In contrast, Battle Cry of Freedom and Battle Hymn of the Republic inspire feelings of patriotic resolve and courage. A rousingly effective work!Duration: 5:10
Estimated dispatch 7-14 working days
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£84.99Arlington (Where Giants Lie Sleeping) (Concert Band - Score and Parts) - Murtha, Paul
Composed as a tribute to generations of American servicemen and women buried at Arlington National Cemetery near Washington, D.C., this powerful and emotional work is a fitting addition to any memorial occasion or patriotic concert. Offstage trumpets announce the opening theme followed by reverent strains and a solemn statement of My Country, 'Tis of Thee. The piece develops and builds gradually, reaching a heroic climax with the familiar hymn God of Our Fathers before returning to a quiet and reflective mood as the offstage trumpets return.Duration: 7:30
Estimated dispatch 7-14 working days
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