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£83.00El Gato Monts (The Wild Cat) - Manuel Penella
In a famous moment from Manuel Penella's 1916 opera El Gato Monts ("The Wildcat"), a matador sings exuberantly to his beloved young gypsy woman that he will fight the bulls for her. In this marvelous adaptation, Shelley Hanson combines the march melody from this scene along with another melody from the opera in creating a well-balanced and appealing work for the concert stage.
Estimated dispatch 7-14 working days
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£102.99Jazz Suite No. 2 - Waltz No. 2 - Dimitri Shostakovich
In 1938 Shostakovich composed his Second Jazz Suite at the request of the recently founded State Orchestra for Jazz conducted by Victor Knushevitsky.This suite was originally scored for a complete symphony orchestra to which four saxophones, an accordion and a guitar had been added. The Jazz Suite no. 1 in three movements, composed in 1934, had been written for a smaller ensemble. The title 'Jazz Suite' is rather misleading, as the composer definitely uses the style of light music. Back in 1928, the twenty-two-year-old Shostakovich had already composed some light music.A bet among friends to make an orchestration of the popular song 'Tea for Two' in less thenone hour time, caused him to compose 'Tahiti Trot'. Shostakovich easily won the bet as he completed the original and witty arrangement within only forty minutes!
Estimated dispatch 7-14 working days
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£84.99Funk Attack - Otto M. Schwarz
Otto M. Schwarz is endeavoring to contribute new ideas to concert band literature. He has contributed in the field of multimedia (Asteroid), and with his many compositions in symphonic/modern arrangement (Jazz Waltz No 1, Fire and Ice or Band Fever). His new composition Funk Attack is, as the name suggests, a piece in funk style. Otto M. Schwarz first gained his experience in his style in the 8o?s, transcribing numbers by famos Amerarican bands including "Earth, Wind and Fire", "Tower of Power"", and the British slap idol "Mark King" (Level 42). Funk attack is atypical of "the concert band scene" and requires absolute precision in phrasing and rhythm. Without the support of agreat percussion groove, the orchestra plays an interlocked theme in the central section in style of recent American Big Bands. Otto M. Schwarz dedicated this work to "Alexander Veit and Symphonic Winds".
Estimated dispatch 7-14 working days
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£134.99Robinson Crusoe - Bert Appermont
This work is based on Daniel Defoe's world-famous 1719 novel and with broad brushstrokes typifies the hero's life in four parts. The first part describes his life as a seaman. The second part is an impressive, stormy description of the shipwreck he falls victim to. The next covers his happy life with his friend Friday, which takes the form of a melodious hymn. Lastly, the fourth part describes the tense confrontation with the Cannibals and his return home.
Estimated dispatch 7-14 working days
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£49.95A Life Well Lived (Concert Band - Score and Parts) - Wiffin, Rob
A Life well lived was commissioned by the Morrish family in 2023 on the death of Ian Morrish. It is dedicated to them with the inscription in loving memory of Ian.I knew Ian from early days at Southall Citadel Salvation Army Corps and then our paths crossed again briefly when I joined the Central Band of the Royal Air Force. Ian had been a euphonium player in the band for many years and was about to leave to take up a teaching post in Surrey. He was always very involved in choral music, conducting choirs throughout his life. I therefore wanted to keep this piece song-like and actually started with the song which appears from letter D to the end, which can always be performed on its own. From there I used the rising octaves that introduce the song to form the beginning of the work, with the feeling in the back of my head of a river starting to flow. There is nothing referential in the more dramatic sections towards the beginning, but every life has its dramas and I wanted something to give some balance to the tranquil nature of much of the piece. In the middle of the work I use a little motif taken from a song I remember Ian singing in his floating tenor voice. I develop the motif a little as an accompaniment to a new line which has, for me, a sense of purpose and directness and has an oblique reference to the RAF March Past. This builds to the aforementioned song and from there the music flows with its highs and lows to its peaceful conclusion.- Rob WiffinDuration: 3.30
Estimated dispatch 7-14 working days
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£110.99Color Concordia (Concert Band - Score and Parts) - De Haan, Jan
Concordia was the Roman goddess of concord or unity. To convey the unity among their musicians, many music societies over the years, including the band that commissioned this composition, have chosen this name. The literal translation of Color Concordia is colour harmony. Consequently, the composer has gratefully used the many ranges of colouring of the concert band for the instrumentation of this work. He based the thematic material on the four note names in Concordia: C, C, D and A, resulting in a brilliant piece of music that will suit any band.Duration: 10.15
Estimated dispatch 7-14 working days
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£144.99Serenata (Euphonium Solo with Concert Band - Score and Parts) - Van der Roost, Jan
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!Duration: 12.00
Estimated dispatch 7-14 working days
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£118.99Cats (Songs from the musical) (Concert Band - Score and Parts) - Lloyd Webber, Andrew - De Meij, Johan
The musical Cats, with music by Andrew Lloyd Webber is based on the 1939 poetry collection Old Possum's Book of Practical Cats by T.S. Eliot. It became Lloyd Webber's third great success, after the musicals Jesus Christ Superstar and Evita. He began setting Eliot's poems to music in 1977, and the compositions were first presented as a song cycle in 1980. Producer Cameron Mackintosh then recruited director Trevor Nunn and choreographer Gillian Lynne to turn the songs into a complete musical. Cats became one of the longest-running shows in West End and Broadway history. It received its world premiere at the New London Theatre in 1981, where it played for 21 record-breaking years and almost 9,000 performances. The following year, Cats opened at New York's Winter Garden Theatre, its home for the next 18 years, garnering seven 1983 Tony Awards, including Best Musical. The show returned to Broadway in 2016, where it had a successful pre-tour run at the Neil Simon Theatre. Cats has been presented in over 30 countries, translated into 16 languages, and seen by more than 73 million people worldwide. Lloyd Webber's magnificent musical score includes the poignant hit song Memory, which has been recorded by over 150 artists, from Barbra Streisand to Liberace to Barry Manilow. It took 7,486 chandelier crashes for Lloyd Webber's The Phantom of the Opera to take over from Cats as the longest-running show in Broadway history in January 2006.Duration: 8.15
Estimated dispatch 7-14 working days
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£206.99Omaggio (Euphonium Concerto No.4) (Euphonium Solo with Concert Band - Score and Parts)) - Sparke, Philip
Omaggio was commissioned by Steven Mead in celebration of his 60th birthday and in memory of his father, Rex. He gave the premiere of the brass band version in Rome in March 2022, accompanied by the Italian Brass Band conducted by Filippo Cangiamilla. The concert band premiere took place on 6th July that year as part of the 2022 Spanish International Tuba Euphonium Conference, accompanied by the Banda municipal de msica de Malaga.The concerto is set in 3 continuous movements, which are united by a recurring syncopated interval of a fifth. The first movement, Fantasia, opens with this motive accompanying an extended monologue for the soloist. This is followed by a lengthy bridge passage by the band, which is eventually joined by the soloist, who guides the music back to the opening soliloquy, leading to an energetic central section. This develops until the opening material again returns to introduce the second movement, Ballad, which revolves around an expressive melody for the soloist, interspersed by accompanied cadenzas. The third movement, The King Triumphant, pays homage to Steven's late father, Rex, and its title alludes both to Rex's name (Rex being Latin for king) as well as his love of Eric Ball's Salvationist masterpiece, The Kingdom Triumphant. The finale is an energetic tour-de-force featuring an acrobatic 6/8 melody, which is interrupted twice by the magnificent hymn tune, Helmsley, which Ball uses so effectively in The Kingdom Triumphant. A galloping coda brings the work to a close.
Estimated dispatch 7-14 working days
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£110.00Rapture (Concert Band - Score and Parts) - Balmages, Brian
Make a powerful statement with this intense yet introspective work. The opening exclamation by percussion becomes a fixture throughout, supported by epic brass lines and energetic woodwind flourishes. Inspired by the hymn "Lo! He Comes with Clouds Descending", the music contrasts themes of pure joy and euphoria with intense reflection and peace. Covering the gamut of emotions, Rapture, by Brian Balmages, is as intense in its lyrical moments as in the height of its rapturous glory.Duration: 8.30
Estimated dispatch 7-14 working days
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